RUBINA’S RADAR | THEATRE. ART. DESIGN. FASHION

India’s finest talent, Shabana Azmi is celebrating her late father, Kaifi Azmi’s birth centenary with an ongoing series of events across India, from mushairas to plays to live musical evenings at Janki Kutir. Raag Shayari is an artistic, theatrical collaboration between Azmi, tabla maestro Zakir Hussain, singer and composer Shankar Mahadevan and lyricist Javed Akhtar, interpreting the works of the accomplished late poet in a contemporary, musical manner. “Raag Shayari’s an evening of archival value because Shankar Mahadevan sings a selection of Kaifi Azmi’s poems, Javed Akhtar recites them in Urdu and I recite the English translations with Ustad Zakir Hussain interpreting the same on the tabla,” says Azmi. The debut show of Raag Shayari was on January 13 at NCPA, Nariman Point. The second show was held the following evening at the St. Andrew’s auditorium in Bandra, Mumbai with Waheeda Rehman, Asha Parekh, Rekha, Aishwarya Rai-Bachchan, Vidya Balan, Farhan Akhtar, Divya Dutta and Madhu Chopra in attendance.

Shabana Azmi, Javed Akhtar and Shankar Mahadevan during rehearsals for Raag Shayari. Photo: Rubina A Khan
Shabana Azmi during rehearsals for Raag Shayari. Photo: Rubina A Khan
Javed Akhtar, Shabana Azmi and Zakir Hussain during rehearsals for Raag Shayari.
Photo: Rubina A Khan

Businessman Shom Hinduja’s home in Juhu, Mumbai, is a consummate realisation of art and design by his older sibling, Ambika Hinduja. Her impeccable imagination made the first live cover of Architectural Digest’s India edition this January, with Irishman Joseph Walsh’s Magnus at the heart of her art. Hinduja created the space around the bespoke Magnus‘ universal energies. Nothing screams in the consciously designed space, but the people in it, in sheer wonderment of the art that is congruous to her sustainable design métier. I’ve never met a more self-effacing design virtuoso like Hinduja. Her visual artistry here is a master stroke of her own inherent genius, which understandably, her parents, Ashok and Harsha Hinduja, are very proud of. It’s not only her imagination that’s impeccable, but it’s also the name of her art and entertainment company, with offices in India and the UAE. Impeccable Imagination represents artists from Belgium, Brazil, Iran, Ireland and the United Kingdom and the company’s only just getting ready to launch Blue Beet, a multi-sensory design and culinary space in Dubai in the coming months.

Joseph Walsh and Ambika Hinduja in Architectural Digest. Photo: Andrew Bradley
Joseph Walsh’s Magnus in Shom Hinduja’s living area. Photo: Andrew Bradley

Forts are Indian fashion’s new runways du jour in 2019. Earlier this month, the Red Fort in New Delhi made for an enchanting setting for a fashion show held on its heritage grounds, organised by the Ministry of Textiles and Sunil Sethi, President of the Fashion Design Council of India. It was a historic first for Indian fashion and a commendable one at that. After showing at the Red Fort, master couturier Rohit Bal enthralled Mumbai with Guldastah, a collection inspired by Renaissance artists and botanical paintings, at the Blender’s Pride Fashion Tour held at the Bandra Fort on Wednesday evening.

Lakshmi Rana in Rohit Bal’s Guldastah at Bandra Fort. Photo: Rubina A Khan
Sidharth Malhotra in Rohit Bal’s Guldastah at Bandra Fort.
Photo: Rubina A Khan
Models in Rohit Bal’s Guldastah at Bandra Fort. Photo: Rubina A Khan

Models walked down the bedecked steps of the fort in luxurious Bal raiments in hues of ivory, black, gold and red to the dulcet sounds of Shubha Mudgal’s live classical performance. This was the best fashion show I have ever seen in Mumbai. Guldastah was an immersive experience and you could almost smell the roses of forgotten romances with the ethereal floral dominance in Bal’s impassioned collection.

Actor Sidharth Malhotra was Bal’s showstopper, but a resident dog of Bandra Fort beat him to it, wagging its tail happily on to the runway, ahead of him, much to the delight of everyone present. Malhotra seemed to have studied Amitabh Bachchan’s walk and stance thoroughly and mirrored the same quite well on the runway. But then again, mirroring is not quite like owning it! Anju Bhavnani, now more popular as Deepika Padukone’s mother-in-law versus Ranveer Singh’s mother, was all praises for her beautiful bahu when I spoke to her for a lightning Mumbai minute. “We are very happy and blessed, hashtag blessed,” she said. A family that hashtags together stays together? Insta guess so!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | MAKING FASHION HISTORY IN OLD DELHI AND CALCUTTA IN THE NEW YEAR 2019

The first week of 2019 kicked off with Indian fashion making historical moves on, and off, the runway on heritage sites. The formidable collaboration of the Ministry Of Textiles Government Of India, the Archaeological Survey Of India, the Ministry Of Culture and the Fashion Design Council Of India, created fashion history with Artisan Speak, a show that celebrated India’s majestic textile legacy at the Red Fort in New Delhi on January 5. The Red Fort grounds as a fashion runway was unimaginable, till it was the past Saturday. And, what a progressive first it was!

Headlined by designers Anita Dongre, Rohit Bal, Rajesh Pratap Singh, Gaurang Shah, Rahul Mishra and Anju Modi, the ivory Sawan and Bhadon Pavilions, and the red sandstone Zafar Mahal made for a dramatic backdrop for the show. Artisan Speak turned a page in India’s history, transcendentally juxtaposing the regal era of yore with the immediate now. The show honoured six Padma Shri and seven Sant Kabir award winning master craftsmen, wherein the Union Minister Of Textiles, Smriti Irani, gave away Special Recognition Awards to the indomitable contributors to India’s textile sector. Craft Revivalist and Textile Conservationist Madhu Jain was recognised for her work with bamboo silk and the President of the Fashion Design Council Of India, Sunil Sethi, was awarded the honour for Promotion Of Handicraft and Textile Design, for his Made In India ideology even before it became fashionable and his relentless pursuit of elevating Indian crafts and the handloom industry in the domestic and foreign markets, working in close proximity with the Textile Ministry over the years. When Irani lauded his efforts during her speech on stage, Sethi turned uncharacteristically bashful for five seconds.

On January 7, Anamika Khanna showed her collection at the Artisan Speak show organised by the Fashion Design Council Of India for the Ministry Of Textiles Government Of India at the legendary Currency Building founded in 1833 in Kolkata. It was a felicitous venue for Khanna’s show. Whilst most heritage buildings in Kolkata, the first seat of power of the British Empire, reflect Gothic styles of architecture, the Currency Building stood out in the city with its Italian style, particularly its Venetian windows. The building went through many hands and years of neglect and demolishment till the Archaeological Survey Of India took over and restored it to its distinct Italian architectural style recently. Archaeologists have found evidence of an underground canal from the building to the river Hooghly to cool freshly minted coins in its original avatar as a currency house.

Artisan Speak in Kolkata was yet another historical step forward for Indian fashion by showing in a protected building, creating awareness for India’s textile industry, the second largest employment sector in the country, after the agricultural industry. After the momentous fashion show, the Currency Building turned into an exhibition space, open to the public, for jute, silk and handloom crafts the following day. “India has seen a growth of 24 percent in the export of jute products in the last five years,” said Smriti Irani, Union Minister Of Textiles, a pivotal voice of Artisan Speak.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019


Patrons Of Rubina A Khan’s Visual Artistry

Getty Images

Art Dubai 

Christie’s Dubai

Chivas Regal

Chivas Alchemy 18

Fashion Design Council of India 

Ministry Of Textiles Government Of India

Sabyasachi

Rohit Bal

Nadine Kanso Bil Arabi

Sunil Sethi Design Alliance 

Kempinski Mall Of The Emirates Hotel Dubai

Ciragan Palace Kempinski Istanbul

Indian Hotels Company Limited 

Velaa Private Island Maldives 

Niyama Maldives 

Shangri La Hotels

Swarovski

Emirates Classic Car Festival Dubai

Emirates Motorsport Expo 

Dilip De Smartphone School Of Art 

Expo 2020 UAE 

Ambika Hinduja 

Shabana Azmi 

Twinkle Khanna 

And many more…. 

©Rubina A Khan 2019

Indian Realty Adjusts To New Realities | Gulf News

Luxury realty is the obsessive reality of the moneyed order. Spending money is the only currency that fortifies the social standing of the affluent – both on the Forbes list and off it. Real estate buys and sells make for a fiscal haven in these propitious months of the Indian calendar, but this time around, there are no buyers. The Indian realty index is stable, but it doesn’t compare to what it was prior to demonetization. The immediacy in the market is non-existent but it remains a lucrative market for investors, expats in particular, after the sharp depreciation of the rupee. But time is the key component at play here. Buying property today equals buying time too as a vital appendage.
GULF NEWS COLUMNA luxury apartment in Mumbai valued at Rs70 million will sell, eventually, but time will play a starring role in the sale today. Slashed to Rs55 million at a sizeable paper loss to the owner, it’ll sell within six months to a year. Cutting losses on luxury property investments was unthinkable, the crash of 2008 notwithstanding. I wouldn’t call this a seller’s market – it’s the buyers that decide the when and the where, with no ready money in the market. Realty purchases are entirely need-based and not investment-based, barring corporates who have the money and readily-available loans to enable their investments. Individual investors shirk buying as that entails endless tax probes and exhausting paperwork.

Realty projects are akin to a big Bollywood production that’s high on the collaborative trend today, making for sound business strategy, sharing profits and losses in the entertainment business. This seems to have found favour with realty developers too. But developers don’t really have a choice unlike Bollywood producers who can swing an independent film with Salman Khan playing the lead at whim. They’re compelled to co-build, sitting on overpriced plots that aren’t feasible to build on one’s own financial steam with the continued deceleration of money in the market. Few independent developers build in the luxury segment today. Co-building is a profitable proposition for developers but it makes it a larger liability for buyers to commit to new constructions.

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Under construction development in Mumbai | Photo: Rubina A Khan

India’s leaning more towards luxury rentals than luxury buys. Selling seems impossible. The return of investments on purchased property through leasing is abysmal, and not even marginally close to purchase costs. Reselling isn’t easy either. Future-forward individuals are now choosing to rent luxury homes with all the trappings versus buying. Fiscally, it’s more conducive to live the luxe life without a home owner’s liabilities. The freedom to shift in and out of cities, upsize and upgrade to glamorous homes and neighbourhoods when the mood strikes far outweighs setting up immoveable roots in one place – and all of it with clean bank transfers that comply with realty regulations.

Green is the new luxe word and agricultural neighborhoods is the trend du jour. India being an agrarian economy can take to agri-hoods swiftly, integrating agriculture into residential neighborhoods with working farms and green space. Agri-hoods suit the natural Indian landscape and will appeal to environment-conscious, rich millennials who are always seeking the “next level” in their lives. Living concepts of clean eating, organic produce, solar energy, climate change, rainwater harvesting and the great outdoors with fresh air are selling successfully through smart adverts worldwide. Under-construction properties advertise zealously with a definitive emphasis on green cover and integrating sustainable and organic food produce everyday – a miniscule attempt, but important nevertheless. Full-scale agri-hoods is the future of luxury realty and building agri-hoods will unify Indian community living.

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Under construction development in Mumbai | Photo: Rubina A Khan

Art that no longer hangs on a wall or is vulgarly placed in the middle of a room nor discussed in hushed tones, but tactile art is taking over luxury realty. Established and emerging artists are designing not just pieces of art, but entire residences, harmonizing their artistic voices with the distinct individualism of home owners. Fashion couturiers Rohit Bal and Tarun Tahiliani are both engaged in residential design, adding their genius to concrete. Fashion and art create a historical archive of the times we live in.

Architecture is almost incongruent to individualism with high-rises taking over Indian metros, cities and towns. But the highest honor in the architectural world – the Pritzker Architecture Prize Laureate – went to an Indian for the first time this year. Professor Balkrishna Doshi won the honor for his deeply personal and poetic architecture that touches lives of every socio-economic class across a broad spectrum of genres. If only the Indian realty business could turn a page as poetic as his works in its design ethos.

This feature first appeared in Gulf News on September 29, 2018

©Rubina A Khan 2018

RUBINA’S RADAR | A LITTLE GLAMOUR NEVER HURT NOBODY

RUBINA’S RADAR

The Beyoncé of the beauty business is celebrity makeup lines. Everyone’s got one or wants one, not Bey of course. Lip Kits, Kyshadows, Kylighters and what have you for that Calabassas glow-up by the 21-year-old billionairess on the block, Kylie Jenner and her company, Kylie Cosmetics, founded in 2016 to Kim Kardashian West’s KKW Beauty and fragrances that launched in June 2017 to Jennifer Lopez’s 70-piece limited edition collaboration with Inglot in April 2018 to Rihanna’s Fenty Beauty line that dropped in September 2017 – every girl in the world is obsessed with these race, gender and colour inclusive beauty products that make you look like the glam goddesses pushing them. Not only do they make you look and feel beautiful, they’re selling out in seconds globally with every new collection drop! It seems like everyone wakes up to makeup with these celebrity lines!

It’s taken India a while to get on the collaborative beauty carousel aside from the passé promotional posts on Instagram where everybody’s an advertorial beauty advisor, trying to Kontour like a Kardashian. As if! Lakmé India’s stepped up its beauty game by dropping its first ever celebrity makeup line with Bollywood’s most original and enviable pout – Kareena Kapoor Khan in August 2018. Taimur Ali Khan’s haute mom’s limited edition collection – Shades Of A Diva, the Kareena Kapoor Khan Signature Lakmé Absolute Range celebrates Indian skin tones and beauty vivacity with Pout Definers (duh!), Face and Cheek Contours, Waterproof Lip Definers and the works. What’s missing though is a definitive Khan Kajal for our beauteous Indian eyes. At least some of those ghastly makeup video wanna shines can now Kontour like Kareena or Pout like Poo, with a makeup range designed for Indian skin tones, curated and endorsed by a Bollywood star, the biggest magnet of all. Let’s see if this celebrity collection is a blockbuster in the beauty market and the kind of numbers it pulls in with her name.

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Kareena Kapoor Khan | Lakme

India’s grand couturier Rohit Bal’s giving “Are you wearing Rohit” a whole new essence ever since he dropped his own fragrance line for men and women in February this year. Bal launched an Arab essential, Oudh and Aab for men and Vana and Oas for women. Bal is known to experiment with his inherent talents, having collaborated on an exquisite home decor line with Good Earth in November 2016, an extension of his 2015 Husn-E-Taairat couture collection. In keeping with his indomitable spirit for artistic excellence, Bal’s velvety, luxurious fragrances add another dimension to his creative pursuits marking an impressive debut in the beauty business. Bal’s Oudh is enchanting and as seductive as the Arabian originals in the Middle East. What’s a desert country like Dubai without the exotic Oudh wafting through its architectural modernisms anyway? Wearing Rohit Bal apparel and couture is de rigueur, but the fragrance line has taken Bal to another level of luxe altogether. What’s next? A makeup collaboration?

Whilst on all things glamorous, flying to exotic locales is quintessential to fashion forwards worldwide. The Wadia Group’s domestic airline, Go Air, is all set to go international come October 2018 with direct flights to two of the world’s most fashionable and luxe destinations – Male, Maldives and Phuket, Thailand from Mumbai and New Delhi. Go Air’s direct flights to both Male and Phuket from Mumbai will definitely put an end to the stretched nights spent at the Mumbai airport flying into Male via Colombo at unearthly hours on SriLankan Airlines. In this demonetised Indian economy, I had to read the tempting introductory fares twice over to believe them. The Wadia Group launched Go Air in November 2005 as a low-fare domestic airline operating over 230 daily flights across 23 destinations. Taking flight as an international airline in October 2018 after 14 years of domestic operations, is a great move forward for the company and one of great pride for India.

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Go Air | Photo: Rubina A Khan

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | SHOBHAA DE’S BOOK LAUNCH IN MUMBAI & SUNIL SETHI’S INDIE EYE PREVIEW IN NEW DELHI

RUBINA’S RADAR

The magnificently restored Royal Opera House a historic address in Mumbai since its inauguration by King George V in 1911 and India’s only surviving opera house relegated to redundancy in the 90s, is now open to the culturati. It is no longer just a geographical landmark on the Uber app, but a live destination that’s marking up newer glories contrasting from its original, sepia-toned ones today. This vintage Baroque edifice was where author and columnist, not to mention “ready-to-be-lynched-for-anything” Shobhaa De launched her latest book, Seventy And To Hell With It on a fine December evening last Wednesday. At the garden gathering amidst family and friends, De was on fire, as a discerning hostess in a cobalt blue, custom couture blouse by Abu Jani-Sandeep Khosla and a real zari Jaipur Kota Doria sari greeting her guests, with her luminosity lighting up the de riguer photo-ops and selfies. She then went on to breathe fire in her role as a celebrated author on stage, in conversation with journalist Barkha Dutt and Bollywood actor Kangana Ranaut.

The conversation revolved around sex, the celebration of age and beauty in every stage of a woman’s life, the empowerment of women and the power of speaking up, changing the patriarchal guard and living your life wholly on your terms to a full (Opera) House. De’s quintessential ability to turn anything on its head without so much of an arch of her eyebrows or her “De resting face” with a diverse point of view that could swing from radical to pure nonchalance is what makes her one of the most read and heard “Made in Mumbai” voices in India. Had I been in conversation with her about the book on stage, my opening question would have been “How is sex at seventy, Shobhaa?” because her immediate response would have been far more entertaining and memorable than the latest Bollywood film!

In Delhi, fashion’s most formidable force, Sunil Sethi previewed his collaborative design effort, Indie Eye sunglasses and eyewear, with artist Jayanta Roy and designer Tanira Sethi at a Lutyens lawn gig at The Lodhi in conjunction with designer Ashish N Soni’s celebratory 25 year milestone in the fashion business. Indie Eye will be launched in Milan in 2018. The mannequins wore the fashionXart eyewear dressed in Soni’s exquisite all-black Spring Summer 2018 line in a contemporary hard-metal open-air installation tent, alongside a white garment installation which was as enchanting as it was dreamy, exhibiting his structured and minimalistic design ethos beautifully.

There was Artificial Intelligence to talk to Soni, Sethi and Saif Ali Khan (Taimur’s father!) about all things fashion which was interesting, but the Glam-Cam was a monster fail. A garden gig on a Saturday night in the freezing cold temperatures of Delhi surprisingly brought out the warmth in all its glamorous guests, well, almost all. To attend an alfresco cocktail event like this is a Game of Thrones gamble – you either winter wing it in Uggs and cashmere or you whinge all night about the cold, over endless drinks, which is rather unfashionable.

©Rubina A Khan 2017

India Couture Week 2017’s 10th Anniversary Edition

The Fashion Design Council of India’s annual event extraordinaire, India Couture Week 2017, celebrates its 10th edition this year with a seven-day fashion extravaganza in New Delhi. The luxuriously indulgent runway week commences on July 24th with opening shows by designers, Rohit Bal and Anamika Khanna, and a grand finale on July 30th 2017, with a viewing of Rina Dhaka’s line and a closing show by Manish Malhotra with his Sensual Affair

“2017 is a momentous year for us at FDCI, a non-profit organisation and the apex body of fashion design in India, represented by over 350 members, completing ten years of India Couture Week this year. It’s the only event in the country to offer a prestigious platform to couturiers to showcase their talent in offering irrepressible indulgence. It has been an incredible journey that would not have been possible without the support of the board members and the FDCI team. We look forward to presenting many more editions of this magical event as we take it to a new high with seven days this time around. What has been most interesting is that our couturiers have influenced the evolution of the luxury consumer. They have not just been revivalists, but also innovators. Our embroideries and handmade crafts have found a place on the world map, and that is why it is imperative to promote the Make in India endeavour. We hope to create a new language of high definition glamour through our celebrations,­­” says Sunil Sethi, President FDCI and Founder, Sunil Sethi Design Alliance

A legendary vanguard of Indian fashion and a headliner for all things luxurious, couturier Tarun Tahiliani, will exhibit his Tarakanna collection on July 26th at 9.30PM at the Taj Palace Hotel, New Delhi. “This year our India Couture Week show is about lightness, borne by a new construct and a conscious desire to make the most floaty couture that women desire to wear a hundred times over. Tarakanna is stardust,” says Tahiliani in his quintessential smoky voice. 

Rohit Bal’s ICW show is offsite, at the restored Bikaner House on opening night at 9.30PM. “My collection is an ode to lost craft and tradition. A journey from the past to the present with a gentle nudge of contemporary influences. It is an effort to revive heritage pieces from the costume collections of royal Mughals which have been immortalised in museums. The collection highlights an amalgamation of traditional craft with modern sensibilities preserving its timeless beauty,” says Bal of his new collection.  

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017 

Rohit Bal Launches His First Home Collection & Apparel Line, Husn-E-Taairaat With Good Earth

Rohit Bal’s fashionable silhouette cuts through his own luminosity of an evolving design métier, with a celestial force that is quintessentially maximalist like him. India’s irrefragable and original master couturier, appositely so, has designed a luxurious home décor and apparel line for Good Earth, an indigenously Indian design house like his own eponymous label, called the Husn-E-Taairaat collection that launched in Mumbai today. Not only can you wear the designer now, but also drink, eat, admire, entertain and sleep in Bal with his exquisitely designed tableware, vases, scarves, espresso and tea service sets and more from this jewel-toned capsule collection.

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The original master couturier Rohit Bal

ROHIT BAL:

How did the Husn-E-Taairat Home and Apparel collaboration come about with Good Earth?
I’ve always known that if I designed a home décor line, it would only be with Good Earth, India’s leading design house, simply because it’s a beautiful and aesthetic match of our sensibilities. It was either this or designing a home line for my own store. Home décor is virgin terrain for me, and a completely new and exciting category that I have stepped into with my design métier with Good Earth. My Husn-E-Taairaat (which means ‘beauty of a bird’ in Persian) collection for Good Earth is a reinterpretation of the themes that inspired my 2015 couture line, that was a tribute to the rich crafts of Persia that drew parallels with renaissance and post-impressionism art movements, in the form of a fine home décor and a capsule fashion line. It’s a juxtaposition of my thoughts, influences, art affiliations and a deep, personal love for Indian textiles and the collection celebrates the beauty of wildlife, birds and flowers. The signature motifs of this collection are inspired by vintage Pichwai paintings, one of the most intricate styles of Indian temple art hailing from Rajasthan. The apparel collection in Habutai silk resonates a contemporary aesthetic, with modern silhouettes and a relaxed style, which is very Good Earth. Together, we have beautifully captured my maximalist style and nature inspired motifs in a gorgeous set of home art collectibles accentuated by Good Earth’s rich design language and technical creation expertise.

How easy or difficult was it re-imagining your couture line into Cushions, Espresso and Tea Sets, Tapas Plates, Glasses, Trinket Trays and Vases?
There are a multitude of common inspirations in my work and that of Good Earth’s – most importantly a common love for nature, wildlife, decorative arts and crafts and the need for reviving and preserving indigenous fabrics and techniques. This enabled us to work with an inspired and synergized design language, without losing our individual design essence that is clearly visible in our capsule collection. It was a joy to create a line of exclusive collectibles and select accent pieces for home décor and dining. We have used detailed hand decoration of artwork decals and placement of motifs on fine bone china, ceramic and glass, accentuated with 24 carat gold and platinum. Vibrant shades of royal blue and jade are offset with creams and natural tones to bring this collection to life. Again, all the products feature my signature motifs – multi-colored lotuses, long-tailed birds like peacocks, fruits, beauty, nature, wildlife, flora and fauna. There is a very limited range of pieces in both, home décor and apparel. The collection features less than ten unique styles and pieces and some of the pieces are very few in number, for example the tall vase which is really special, and we have only made three of the same.

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Husn-E-Taairaat home collectibles

What are price points for the Rohit Bal Husn-E-Taairaat line?
The collection ranges from gifts starting at $85 (AED 310 approximately) to limited pieces that go upwards of $1500 (AED 5500 approximately).

Who will this designer home collection appeal to and why?
This collection will appeal to young, urban, tasteful millennials around the world, including Dubai of course, looking for everyday luxury and a slice of Rohit Bal, presented in Good Earth’s signature style and that too at very attractive price points. This line has been designed with a strong focus on individual, stand-out pieces and not complete product sets, making it highly versatile and immensely appealing to a wide variety of age groups and home settings.

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Rohit Bal & Simran Lal of Good Earth

SIMRAN LAL:

How is it that a 20-year old indigenous Indian brand like yours did not collaborate with Rohit Bal earlier on and now that you have, why him?
Gosh it’s sometimes hard to believe that myself that Good Earth turns 21 in January 2017! I can’t imagine what life was like before Good Earth and where we shopped ourselves. We’ve never gone out strategically seeking or courting collaborations. It’s always been an organic process for us – a natural extension of conversations about shared inspirations and style and that is how the Rohit Bal Husn-E-Taairaat collection came about right after his 2015 couture collection. There’s a natural synergy between Good Earth and Rohit Bal. We share a commitment to craft traditions, a passion for Persian art and culture and love of nature. Being Kashmiri, Rohit has an understanding and deep reverence for flowers and wildlife, all of which are at the heart of our design vocabulary and language. We also share an audience, but for different occasions, and that makes this collaboration particularly exciting. Good Earth is known for everyday luxury and thoughtful gifts while Rohit Bal couture is aspired to for milestone occasions. So we thought it would be fun to make his couture collection relevant in an everyday context. The collaboration with Rohit has been a very enriching experience and I’m sure this association will continue for a very long time.

When will the Husn-E-Taairaat line be available to purchase online, particularly in Dubai and the Middle East?
The collection will be available Nov 21st onwards on http://www.goodearth.in and we ship to over 50 countries, including Dubai and the Middle East. However, for limited edition pieces like the tall vase, which we only have 3 pieces of, one can make the purchase by emailing us directly. Given the Rohit Bal design history and extraordinary demand, we expect the Husn-E-Taairaat collection to go down extremely well in Dubai and the Middle East, which has always shown a penchant for our classic and decorative design aesthetic.

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Husn-E-Taairaat apparel and home collectibles

What is your favorite part of the Rohit Bal Good Earth collection?
We are bringing a quintessentially Rohit Bal ‘look’ to home décor with his maximalist style with our maker expertise with quality, pattern play and gift ideas. There is also a charming high tea service. We’ve never done one in such a crepuscular palette and now I wonder why! It’s so rich and opulent in jewel tones and hand decorated with glimmering 24-carat gold accents. It’s very festive and very Rohit Bal and I love it. My favorite hostess gift for the season would be the jewel glass candles with a heady tuberose fragrance. In the apparel collection, I think my first buy is going to be the jacket. Maybe it’s just the weather, but I love the versatility of this statement apparel piece that can be styled with saris, dresses, pants and farshis alike.

This feature first appeared in Gulf News on November 12, 2016

©Rubina A Khan 2016

Fashion Design Council Of India’s Amazon India Couture Week 2015 Rohit Bal | New Delhi

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©Rubina A Khan 2015