Chivas Glassware Alchemy 2023 In Mumbai

May 9, 2023May 23, 2023Leave a comment

Mumbai is where the fame and glamour games are at, but since March 2023, an almost impossible party métier seems to have been set in basalt by the city, upon itself. The bar was raised irrevocably by the magnitude and magnificence of French fashion house, Christian Dior’s pre fall 2023 runway show held at the Gateway of India on March 30, so much so that no one remembers or wants to remember ABCD – A Before Christian Dior era! Mumbai shows no signs of tailing off the money shots any time soon, with Chivas Glassware Alchemy 2023 shaking up the city’s May calendar with its beguiling arrival.

*MUMBAI, INDIA – MAY 06: A general view of the music stage at the Chivas Glassware Alchemy 2023 Event on May 06, 2023 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)*

The fourth edition of Chivas Glassware Alchemy 2023, called the Kaleidoscope of Time, was held on Saturday, May 6th in Mumbai at Snowball Studios in Worli. Time as a construct cannot be contained, but it can certainly be felt, such was the ubiquitous theme of the haute summer night. Oscillating between the then and now, the alluring blue-hued night reiterated the universal infinitude that today’s new is tomorrow’s vintage through fashion, art, music and food in a manner most luxurious.

Five virtuosos played host in previous years at Chivas Alchemy, expressing themselves through the five senses of Sight, Sound, Smell, Taste, and Touch, but this edition had eighteen this time around, dix huit being the magic number of the award-winning Chivas 18 whisky blend.

MUMBAI, INDIA – MAY 06: Models as live fashion installations for the label Pratap stand alongside designer Rajesh Pratap Singh at the Chivas Glassware Alchemy 2023 Event on May 06, 2023 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

The night was separated by rooms, each echoing the spirit of the artistry exhibited in it. Eleven design minds, ranging from established Indian designers to emerging ones, showcased their fashion genres through live installations in the main room, ably complemented by the art on the walls, a very busy bar and of course beautiful people like Malaika Arora, Arjun Kapoor, Rahul Khanna, Pulkith Modi, Kunal Kapoor, Narendra Kumar, Rajesh Pratap Singh and so many more at the party. There were almost a thousand people in attendance! The second area had an art installation with a bar right by it and a mezzanine bar above. The third room was where the party was really at with an edible centrepiece and culinary experiences par excellence by Ekaa Mumbai, Koko and Eat Drink Design. Chef Niyati Rao of Ekaa Mumbai is a culinary genius! The live musical act by Delhi businessman Ajay Bijli, and his band, Random Order, had everyone singing and dancing to his dulcet sounds – he’s got some pipes – and DJ Masha from Belarus turned up contemporary beats on her turntable, with yet another open bar led by mixologist, Giovanni Depergola from Dubai. Four open bars raising the party bar in Mumbai!

MUMBAI, INDIA – MAY 06: Models as live fashion installations for the label JJ Valaya at the Chivas Glassware Alchemy 2023 Event on May 06, 2023 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

The interpretation of the night was yours, and yours alone, whether you loved the vintage, heritage vibe or the modern, hedonistic one. Everything in Mumbai is now evaluated in an AD (After Dior) parameter and that’s a tall order in itself, and I think that Chivas Glassware Alchemy 2023 was a wicked success making it one of the top three events in the city so far – it was mounted and orchestrated on a lush scale, with an attendance as bold and seductive as its whisky blends!

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©Rubina A Khan 2023

Gaurav Gupta – The Indian King Of Couture Artistry

February 24, 2023May 23, 2023Leave a comment

Pop culture artists in the West have been wearing Indian couturier Gaurav Gupta’s future primitive phantasia collections on the most famous red carpets in the world – Cannes, Time 100 Gala, Billboards, the Oscars and of course the Grammys for the larger part of the past year. Mary J Blige wore him to the Time 100 Gala in 2022, Megan Thee Stallion wore him to the 94th Oscars in Hollywood, Maluma to the Latin Billboard Awards 2022 in Miami, Lizzo, Jennifer Hudson, Kylie Minogue, Bebe Rexha, Luis Fonsi, Ashanti, Thalia, Saweetie – the names read like a veritable Grammy nomination list! And 2023 is looking even better with the Fédération de la Haute Couture et de la Mode Paris (FHCM) inviting him to the Paris haute couture calendar, where he showcased Shunya, his SS23 debut showing at Paris Haute Couture Week at the Palais de Tokyo on Republic Day. The collection has the world lauding his genius that’s intrinsically Indian, yet imaginatively international in style and spirit.

*Couturier Gaurav Gupta at his atelier on November 05, 2022 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images*)

On music’s biggest night on February 5th, the Central Saint Martin’s alumnus’ name was etched permanently in the couture halls of fame worldwide, with Cardi B wearing an electric blue creation straight off his Paris Haute Couture Week runway, from his Shunya collection, at the 65th Grammy Awards in Los Angeles. The gown that electrified the world has its own identity and name since its outing at the Grammys – it’s called the Cardi Blue. And Cardi’s no stranger to Gupta’s indigenous sculpting genius – she wore an ivory ensemble by him, representative of air that lent a cosmic flair to her character standing in a field of roses in her No Love video in 2022.

*Cardi B wearing Gaurav Gupta at the 65th Grammy Awards in Los Angeles, USA.*

Gupta is undeniably the Indian king of couture artistry today, dressing up pop royals and culturati around the world. Rock stars, pop stars, indie and underground artists in the West introduce and dictate fashion and trends in a way that’s incomparable to the impact of Hollywood stars. Of course the reverse is true for India where fashion is dominated by Bollywood stars and Gupta has dressed every major celebrity in India, the most recent international outing being Aishwarya Rai-Bachchan on the Cannes red carpet in 2022.

“I’m finally home – I was always meant to do this,” says Gupta of the worldwide blitzkrieg around him, and about him. “I have always been a conceptual couture mind and I resonate with my education at Central Saint Martin’s in London very well where I unlearnt to learn. Thirty kids from around the world are picked every year at CSM and I was one of them. My experiences in establishing and owning my label in India since 2004, with my brother Saurabh as co-director in our company, and the love and support my 350-strong team and I have earned over the years have led me to these moments. It was very difficult in the early years to find a balance between conceptualism and commercial viability as we don’t follow any rules, but I stuck to my beliefs and the brand’s aesthetic of future primitive fantasy.”

Indeed, all the world is but a red carpet for Gupta and his non-conformist artistry. Given Gupta comes from a family that owns a steel business, he definitely knows a thing or two about running numbers, despite his artistic bent of mind. He has a well-thought out plan for his expansion in the West, that he kicked off with the very successful cultural collaborations, following it up with Neiman Marcus in the US and Moda Operandi, also in the US, carrying his label. Alongside his e-tail business, Gupta has brick and mortar stores in Delhi, Hyderabad and Kolkata, with his Mumbai store in Kala Ghoda re-opening after a redesign on March 3rd. And when will his MET Gala red carpet moment happen? “Everything has a time and place and it will happen soon.”

DELHI, INDIA – NOVEMBER 05: Couturier Gaurav Gupta works with his tailors and embroiderers at his newly-opened five-storied atelier on November 05, 2022 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Gupta’s international success is a first for an Indian designer on the fashion landscape and he’s changed the couture game in India a second time around, the first being when he transformed couture as a concept for Indian brides that were tied to conservative traditions when he launched his label in 2004. Indian brides started wearing him at a time when only saris and lehengas were considered bridal wear; anything else was just rebellion and anarchy against the cultural traditions of the country. But through his meticulously crafted flamboyant flights of fantasy in cloth, albeit in subdued palettes and nude illusions with some colour thrown in, Gupta, with his unwavering perseverance, brought about a radical change in the way couture was viewed and worn in India, especially at Indian weddings. Today, his contemporary garments are a must on every bride’s wedding wish-list.

“I have noticed that we are driving a non-conformist culture which is abstract, yet liberating at the same time. We nurtured this notion in the country when brides were only wearing traditional clothes, but now brides of all nationalities wear our cultural couture for their weddings. Our white wedding gown is extremely popular with African girls. What is exciting for me is not the gown, but the aesthetic that a woman is like art and she’s wearing live art on the most important day of her life. She’s breaking convention by not wearing what her mother or her sister or her aunt wore. She is celebrating the fantasy of life. I invented the sari gown which is now a staple in every designer’s collection. We pioneered a movement of a new Indian wear culture with our futuristic, contemporary aesthetic, and we make lehengas and saris our way. I like to play around with pre-conceived definitions and redefine them in my own way. I am excited when I can tickle people’s brains with the new fantasies I create – I don’t live for the applause – I live for the gasps of excitement, the goosebump moments. I love sub-cultures and new cultures and that’s really what drives me.”

The Delhi-raised Gupta believes that the celebrities who wear his label in the West get attracted to the brand organically. “Everyone who has worn us are all icons and pop culturists in all facets of their lives. Their voices resonate with us and when one is a true artist, the attraction is infinite. I mean Mary J Blige, Maluma, Lizzo, Cardi B, Sharon Stone – they are icons who have changed the world with their individualism and voices. And Sharon Stone wearing our golden gown was live art in the SNL bit with Sam Smith and the choir singing around her! And Paris couldn’t have happened at a better time for me. The love for Shunya has been incredible!”

Relieved is how Gupta feels today, having realised a long cherished dream with his Paris Haute Couture Week SS23 showing in January. “I have been waiting to make this moment happen and I have been ready for it for a while. To be invited by the Fédération de la Haute Couture et de la Mode for the 2023 couture calendar is just incredible. Couture culture and the thought process of geniuses makes sense to me. I don’t work with references, time or place but the Paris crew delivered exactly what I wanted for Shunya. Their reverence for my vision was wonderful. I wanted a new hair style for the models because the last new hair that is in my sub-conscious memory is that of Alexander McQueen’s show more than a decade ago. The show’s soundtrack was an original that comprised of the tabla, cello, tribal sounds with an electronic overlay that was specially composed for the show by producers Gaurav Raina aka Grain and Curtain Blue.”

PARIS, FRANCE – JANUARY 26: A model walks the runway during the Gaurav Gupta Haute Couture Spring/Summer 2023 fashion show as part of Paris Fashion Week on January 26, 2023 in Paris, France. (Photo by Victor LOCHON/Gamma-Rapho via Getty Images)

Gupta is a firm believer in humanitarian acts and is of the opinion that “every public figure should have a humanitarian outlook and talk about justice.” Having met Nelson Mandela when he was a youngster, he tries to bring about active change in his personal and professional life. “The Shunya show had trans models, African models, curvaceous girls – couture shows don’t do that. Togetherness and love is infinite and the image of two models walking down the runway, conjoined by the dress is an image that will stick for years to come. Zinnia, the Indian model, is an anthropologist off the runway and there is so much more to her and the other models than just the physical representations. Shunya was truly an international show. Honestly, in the last 18 years I’ve never been as satisfied with my work as I’ve been with Shunya and working with all these people. It’s wild to hear the Chinese and Russians discussing Shunya and my infinity theme that stemmed from the discovery of zero by an Indian, Aryabhatta.”

From introducing his definitive couture voice to resistant Indians, he’s taken Indian couture that is made in India, by Indians, to the world. His non-conformist expressions with fabric and form on the human body are being lionized globally. Indians have always flaunted Western labels, and now, Americans, Albanians, Puerto Ricans, Colombians, Africans, Australians, Mexicans – people of all nationalities are wearing an Indian couturier with pride on the biggest nights of their lives. Just by standing his ground on his aesthetic of couture, Gupta gave himself to the world in a manner most authentic, and he’s being seen and heard exactly for who he is as a couture artist.

Gupta credits his supportive family for his rise from zero to the infinite possibilities in the world, echoing the theme of his Shunya collection which was all about a zero turning into infinity with a little shake. “I am surrounded by angels in my life – my parents, my brother Saurabh and Navkirat, my soulmate who I live with and all my friends that I meet along my path and my team. My parents and Saurabh have played a very big role in my life as they support all that I want to do. I am full of gratitude for every one that is in my life. Had it not been for Saurabh, I would still be working in Istanbul today, where I was headhunted straight after CSM! This is just the beginning for us – from here to infinity!”

This feature first appeared in Rolling Stone on February 23rd, 2023

©Rubina A Khan 2023

Hindujas Repurpose Winston Churchill’s OWO With £1.2 Billion Into Raffles London Hotel

November 27, 2022November 28, 20222 Comments

The Indian industrialist brothers – Srichand, Gopichand, Prakash and Ashok Hinduja, of the Hinduja Group, a multinational conglomerate with interests in oil, automobiles, banking and real estate, are making acquiring historic and heritage properties in London a game of Monopoly, buying not where the die rolls, but where their eye goes. In 2006, they bought 13-16 Carlton House Terrace, built in 1831, spread over 67,000 square feet in the City of Westminster, with Buckingham Palace close by, for £58 million from the Crown Estate and spent another £50 million in renovations before they could move in and call it home in 2011.

The brothers have since gone on to purchase Britain’s Old War Office (OWO) at Whitehall, for £1.2 billion in 2014. Designed by British architect William Young and originally completed in 1906, the OWO is a Grade II* listed building that has witnessed innumerable world-shaping events. The OWO’s 1,100 rooms and four kilometres of corridors, were used by Winston Churchill during World War II, leading Britain to wartime victory. Grand in size and stature both, with classic Edwardian baroque interiors, the OWO has since been renovated for over five years, in keeping with the rich legacy and the historical architectural elements of the building by the Hinduja Group at the helm of the 5,80,000 square feet redevelopment that cost a Gross Development Value of £1.2 billion. Interestingly, James Bond, the fictional MI6 icon of espionage, was conceived at the OWO when writer Ian Fleming worked in Britain’s Naval Intelligence Service, acting as key liaison with the department, overseeing Operation Goldeneye. As a result, the OWO has made starring appearances in 007 films like Skyfall, Spectre, License to Kill, A View to a Kill, Octopussy and No Time To Die over the years.

Once the planning approvals came from the Westminster City Council in July 2017, Britain’s former Old War Office went from being a government building, to a mixed-use building with a 250 year lease from the date of acquisition. After being closed to the public for more than a century, the OWO, now repurposed into a luxury hotel called Raffles London at The OWO, is all set to open in the spring of 2023.

“The OWO is my greatest legacy to London for future generations to enjoy,” says Gopichand Parmanand Hinduja, co-chairman of the Hinduja Group.

The 120 rooms and suites that comprise the OWO hotel, including a Winston Churchill Suite, have been designed by French architect and interior designer, Thierry Despont, known for the restoration of the Statue of Liberty in New York as an associate architect in the 80s and transforming landmark buildings like The Getty Centre and Maison Cartier. The 85 branded residences, a first for Raffles in Europe, come with a heady mix of history, mystery and royal glamour set in an enviable location, making them the most expensive in London to date. They are priced upwards of £7.1million for a two-bedroom residence, £10million for a two-bedroom residence designed by Albion Nord and £14.25million for a three-bedroom residence designed by Angel O’Donnell, with prices including fixtures and fittings, but not the artwork. A four-bedroom residence 5.02, on the fifth floor, is an ode to the espionage history of the building. It is accessed through the Spies Entrance, a door used by MI6 staff after covert missions, and the name has been retained from 1909 when the British Secret Service Bureau was established as a department of the War Office. It still makes for discreet arrivals and departures, but not without the 24/7 monitoring by on-site security.

The OWO residences seem to have outperformed the Prime Central London market, with a new record for values achieved on a price per square foot basis, within months of their launch. A new benchmark of over £11,000 price per square foot was achieved on one of the unique turret residences, a four bedroom duplex. It is safe to say that the OWO residences, located in an unparalleled and iconic part of London, serviced by the Raffles team, are a coveted buy.

Not only is the OWO the Hinduja Group’s first foray into the hospitality business, but it is also the first Raffles hotel in London, and the first Guerlain Spa in London, exclusive to the Raffles London at The OWO too.

Philippe Leboeuf, Managing Director at Raffles London at The OWO confirms the opening of the hotel, “This staggering piece of British history will be open to the public for the very first time from Spring 2023, thanks to the Hinduja’s tireless work in sensitively conserving this significant address, partnering with experts including English Heritage, MOLA (Museum of London Archaeology) and EPR Architects. This beacon of British heritage and modern craftsmanship will also be home to Raffles first hotel in the city, Raffles London at The OWO and it’s a once in a lifetime project for the Hinduja family which will become a new icon of global hospitality. Since acquiring the OWO, the Hinduja family have overseen the meticulous restoration of Britain’s former Old War Office with a vision and commitment to preserve its heritage, all the while breathing new life into the landmark.”

The acclaimed Italian-Argentine Chef Mauro Colagreco of Mirazur (three Michelin stars) a modernist cuisine restaurant that he opened in 2006 in Menton, France, will be creating unique dining experiences set within the OWO’s most storied rooms, driven by a commitment to seasonality, local procurement, and sustainability. Chef Mauro was awarded the rank of Chevalier de la Légion d’Honneur in the 2022 honours list by the French government.

“Chef Mauro is undoubtedly one of the world’s most recognised chefs, with a phenomenal reputation and we’re excited to see him bring his experience to Raffles London at The OWO with concepts that are tailor-made for our well-travelled guests,” says Stephen Alden, CEO of Raffles & Orient Express.

Out of the nine restaurants and bars (including a rooftop restaurant and bar with expansive views across Whitehall, The Mall and Buckingham Palace) slated to open at the OWO, Paper Moon, a family-run Italian restaurant founded by Pio Galligani and his wife Enrica Del Rosso in Milan’s fashion district in 1977, is the first independent restaurant to have been announced so far. Paper Moon is located in a space overlooking Horse Guards Avenue. There are plans to open restaurants serving Indian, Japanese and French cuisines which are still under negotiation.

“These vibrant new restaurants will be part of the dynamic dining offer which will place The OWO as a new epicentre for London’s culinary scene, and sets the stage for an entirely new hospitality experience for visitors and Londoners,” says Madani Sow of Westminster Development Services.

This hospitality venture is the first of its kind in scale, spend and historical relevance, with an Indian business family restoring the history of a British landmark. It remains to be seen if the billions that The OWO has been bought, acquired and repurposed for, tempts the Hinduja family enough to make hospitality another key business for their group.

This feature first appeared in Hindustan Times on November 27th, 2022

©Rubina A Khan 2022

Writing My First Book, Adventures Through Covid, Grounded Me, Says Author Parris Fotias

February 25, 2022October 9, 2022Leave a comment

Luxury and austerity, antithetical as they are, have never existed in the world as intimately as during the pandemic. Inexplicable, but true, like most things during this time. Parris Fotias, Regional Sales Director, Dorchester Collection hotels, was flying back home to Sydney from a work trip to Mumbai in February 2020 when COVID-19 hit, a nightmare that the world is yet to wake up from. His work life entailed checking in and out of airports and the most luxurious hotels in the world, including nine of the Dorchester Collection that have played architectural parts in films and Netflix series, and are stars in themselves. One cannot think of a London without The Dorchester and 45, Park Lane, Los Angeles without The Beverly Hills and the Bel Air, Paris sans the geranium dotted façade of The Plaza Athenee and Le Meurice, Italy without Hotel Eden Rome and Principe Di Savoia, or the beautiful English countryside without Coworth Park in Ascot. A confined Parris didn’t just work from home, he played from home too. He wrote a book – his first – Adventures Through Covid: The Art of Subconscious Travel In A Transcendental State that was published in July 2021. His ability to make people laugh in these times through his words, strung together like a bejeweled necklace of hilarious gems is literary art. Rather outré for a jet-setting luxury hotelier you might think, but not if you know Parris, who’s a contemporary Greek Coeus, with an enviable humour to match.

Rubina A Khan converses, albeit digitally, with the luxury hotelier and first time author, Parris Fotias in Sydney:

While the world was grappling with lockdowns, covid news and stagnation, you wrote a book – Adventures Through Covid: The Art of Subconscious Travel in a Transcendental State! How did the idea to write one in such bleak and dire times come by – whilst you were barbecuing at home in Sydney or in one of the umpteen hand-washing or shower sessions at home?
To be completely honest, I never consciously set out to write a book. The idea to start writing was initially born upon my return to Australia on February 29^th, 2020 from Mumbai, India, which as of writing, is still my last international trip. Throughout the month or March, as the severity of COVID-19 became apparent, I felt compelled to reach out to as many of my clients as possible, just to check in on their wellbeing. So, I started sending them a weekly email and by the beginning of April, this had somehow morphed into a Dear Diary episodic series. At first, I tried to keep each entry short and sweet, but then found I myself compelled to share my own frustrations at being grounded and in lockdown. I also began referencing many long forgotten travel journals, regaling my new found audience with anecdotes from past trips. By the time I realised what was happening, it was December and I had been writing for almost nine months.

Adventures Through Covid vacillates from sardonic to dry humour at its best, but your writing is authentic to each chapter. Is the humour an extension of your personality?
I think most who know me well would say that humour does play a big role in my life and that it is an extension of my personality. Not to say that I always try to be amusing, but more often than not, I do try and find the funny side of most things. As Oscar Wilde once wrote, “sarcasm is the lowest form of wit but the highest form of intelligence”.

The situations in the book are real to your life in Australia, but the writing commingles beautifully with the fictional reactions to each odd hurdle created by the pandemic at your home and at work…
One of the things I attempted to do was to make each entry relevant. I would pick a topic that had made an impression on me and would begin writing. I also tried to weave in personal experiences into the narrative that held relevance to what I was preaching about. I am just fortunate that I had enough entertaining tales that I could incorporate and keep the reader amused.

For someone who lived in and out of airports, traveling to some of the most glamorous cities in the world on work as the Regional Sales Director of the Dorchester Collection hotels, you have expressed your stifling existence very ably through your book. Was it a release to do so? Did the writing help you cope?
Absolutely! Writing has always been a passion of mine but one that I have neglected for many years. Being able to indulge and write again helped me forget about what was happening in the outside world for a while. Yet, it was far more than just a guilty pleasure, it was definitely cathartic. It became a form of therapy, allowing me to express my frustrations which then led to conversations and discussions. And, it also grounded me. The entire process allowed me to remember how very fortunate I have been to travel for a living and visit so many amazing destinations. It made me realise that travel is indeed a privilege and one that should never be taken for granted.

Travel is indeed a privilege. What did you abhor the most about your forced confinement in the first lockdown?
The lack of spontaneity is what troubled me the most. Not being able to make that last-minute decision to head out to dinner or catch up with friends. We were definitely just existing day to day, and not living our lives during that period.

Who read the first draft of your book? And what did he/ she/ they say?
As I mentioned above, the concept was originally a Dear Diary email episodic series so, I would hasten to say that my clients were the ones who read the first draft of my book. They were the ones who encouraged me to keep on writing and by sharing their own tales and stories with me, inspired me to relive adventures that I had not thought about in years.

How come you decided to self-publish the book? With your stellar grasp on the language and your bereft-of-emotion prose (which is remarkable given you were low-key venting!) persuading the reader to keep turning the pages till the end, you should have got a publisher!
It wasn’t until the beginning of 2021 that I even considered publishing Adventures Through Covid and so my rationale at the time was simple. This pandemic would be done and dusted by the middle of the year. As mine is a topical story relating to the pandemic, I needed to fast track the process and get my book published as quickly as possible before everyone got on with their lives and forgot about COVID-19. So I decided to self-publish. Yes, hindsight is a wonderful thing and had I known then what I know now, I would have gotten a publisher!

What is your favourite part about the writing process? Did you write a page everyday? Was there a method to the creation of the chapters?
That is a tough question. I would say that what I loved the most was when I was able to incorporate an anecdote or memory from my past, into whatever topic I was waxing lyrical on that particular week, making it relevant to others. It was a weekly diary entry so I would write every week. Sometimes I would get an idea at the start of the week and would work on it a little every day. Other times, I would struggle to come up with a relevant topic and would have to write everything on a Friday morning which is when I tended to send it out to clients.

Has writing the book been the most satisfactory aspect of life in the lockdown?
I won’t lie, writing and publishing a book was a personal milestone that was extremely satisfactory – something that I have always wanted to accomplish. Yet I always abide by the saying that one must make your favourite experience your next one. To this point, I found so much joy in creating new memories with my family during lockdown. This included tuning in, singing & dancing to Hot Dub Time Machine – the world’s first Time Travelling DJ every Saturday night, and preparing Sunday lunch where we would head outside and spend a few hours, forgetting about the world for a while.

Who were you reading whilst writing your book? And who are some of your preferred authors right now?
My favourite authors include Christos Tsiolkas, Anne Rice & Jeffrey Eugenides, although I will say that I normally read whilst travelling. I also enjoy a lot of non-fiction and during the writing process I was reading Chaos Under Heaven: Trump, Xi, and the Battle for the Twenty-First Century by American journalist Josh Rogin, which is both fascinating and terrifying.

Have you travelled since the release of the book in July 2021 and where? What feels like the most freeing aspect of life today?
I have only made two trips since the release of the book in mid-2021. One was a work trip to Melbourne at the end of 2021 and the other was a weekend away just a few weeks ago in January 2022 to the Southern Highlands to attend my cousins 50^th Birthday party. But since mid February, I am back to travelling regularly for work, new variants withstanding of course. The most freeing aspect of life today is being able to visit friends, family and clients without too many restrictions. And, being able to head out to the amazing restaurants and bars that we have in Sydney.

From writing press releases for the Dorchester Collection Group to publishing your first book in the thick of the lockdown when everyone was at breaking point, you need to write another book this year given the pandemic rages on… what do you think?
One never knows! Now that I have whet my writing appetite, the skies the limit.

Adventures Through Covid is available to purchase on Amazon

©Rubina A Khan 2022

RUBINA’S RADAR | REEL IS WHAT’S REAL TODAY

April 13, 2020June 18, 2020Leave a comment

We humans thought we lived in an adamantine world controlled by us, until an invisible contagion microbe – the Coronavirus – showed us all we obviously don’t. The virus is killing humans harder and faster than any missile across the planet, halting an extremely self-serving, consumerist world, dead in its Earth-abusive tracks. The Earth seems to have quit us, albeit temporarily, leaving us to quarantine in our designated spaces and countries for a while – a while that feels more like an infinite uncertainty than a finite timeline with each passing day.

For those of us who are fortunate enough to have a home to quarantine in, and socially distance ourselves from our families in separate rooms, with running water, food and the familiar warmth of our beds – it is an ineffable bespoke luxury, one that is incomparable to any in the world. Millions of our fellow humans across are homeless, with no roof over their heads, jobless with no money for food or clean running water to drink, let alone to sanitize and wash their hands with, multiple times a day.

Opera singer Andrea Bocelli looks on before his Easter concert at the Duomo on April 12, 2020 in Milan, Italy. Members of the public were not allowed in Milan’s Duomo Cathedral due to the ongoing lockdown to control the coronavirus outbreak. (Photo by Luca Rossetti, Courtesy Sugar SRL, DECCA Records via Getty Images)

I think the Coronavirus outbreak is the biggest performance art show of all time, where all human beings are a live act, me included, going about our lives in our tangible spaces and our paces. And, the world – a large canvas of pristine natural beauty and sounds stands still, watching us – the performative art on display. The lockdown takes me back to the first ever performance art exhibit I attended in the Hamptons in New York in 2013. It was Robert Wilson’s 20th Annual Watermill Center Summer Benefit called Devil’s Heaven. This was held at his performance lab for arts and humanities at the Watermill Center in Long Island. Devil’s Heaven was an unimaginable reality for me, with Lady Gaga, who I think is the quintessence of performance art herself and Marina Abramović, the most lasting of all performance art legends, in attendance.

Lady Gaga at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

Trina Merry’s Enchanted Forest model and I at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York.

Watching the various intense acts of stillness and exertion across the eight acre grounds, especially Trina Merry’s Magnolias and her Enchanted Forest silent performers slithering seductively around tree trunks, left me awe-struck, and wide-eyed. At the entrance of the event, two naked figures, stood statuesquely on a pedestal, embracing each other in silence, in glorious consonance, their male and female bodies painted with an almost Avatar-esque shade of teal with a pink floral design akin to the Indian lotus. This was Merry’s Magnolias that explored the clash between culture and nature – exactly what we are experiencing in the real world today.

Trina Merry’s Magnolias at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

The Earth’s revolt – a silent warzone of microbial and economic devastation – has the human race feeling endangered for the very first time since its existence. Some of the models’ bodies, painted on to look like furniture, further conflated with material objects on the performer’s naked bodies, was Merry’s way of questioning human self-identities in relation to objects and the things humans own. Consumerist attitudes and human identities based on material things was almost entirely how the world ran before the Coronavirus outbreak. Merry seems to have latently manifested today’s unthinkable reality when it was anything but, seven odd years ago, when she created the series in New York, where she is based. Her artistic expression is a dominant, painful reality today and she flipped Oscar Wilde’s ancient notion from Life Imitates Art more than Art Imitates Life into Art Forsees Life perhaps! Never did I think, ever, that I would be living out my own performance act of a lifetime in these times. And, I am a non-conformist.

Trina Merry’s works at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

Trina Merry’s Enchanted Forest model at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

Trina Merry’s works at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

Art has always provoked us into a reactive state – be it shock, rage, bewilderment, exultation, agony, poignancy, exhilaration or just good ol’ gladdening. The Earth seems to have taken a break from us humans, to catch its own breath, whilst we are coming to terms with a new world – one that is brought to us by the eyes and the lenses of photographers across the world. Photography is art, frozen in time – almost like an entr’acte between the time when the photograph was taken to the current time of its viewing. Except today, all the photographs that we see are in real time of a very unreal, very unknown world that has fallen deafeningly silent and empty. In due course, these pictures will make for a historical archive for centuries to come.

The ability of a photograph to let one’s mind go back and forth, with meandering thoughts and shifting perspectives, never once losing the original, intrinsic essence of its frame is incredulous – it can be as active and as passive as you want it to be. Reel life is what’s real today. Apart from our first responders being doctors and health care workers who are on the front lines saving lives, it is the photographers who are risking their lives to bring the world to us, every single day. Images of empty streets and subways, empty places of worship, planes parked like Lego blocks in airport hangars, images of the heroic, live-saving first responders across the world from Wuhan to Italy to India to the US… are a reality thanks to the photographers out there, doing their job relentlessly, and serving humanity.

An aerial view of the illuminated statue of Christ the Redeemer that reads “Thank you” as Archbishop of the city of Rio de Janeiro Dom Orani Tempesta performs a mass in honor of Act of Consecration of Brazil and tribute to medical workers amidst the Coronavirus pandemic on April 12, 2020 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

Mumbai-based photographer, Satyajit Desai’s imagery of the Janta Curfew in India on March 22^nd to the stark containment zones in Worli after Mumbai’s lockdown from March 25^th to the make-shift quarantine shelters in bus stands tells you the story of my city, and how the virus is affecting our lives, and our livelihoods, wherever you might be in the world.

A bus stand in Versova, Mumbai, is converted into a temporary shelter for the homeless to quarantine and social distance in on April 5th, 2020. (Photo by Satyajit Desai / Mumbai Mirror)

SL Shanth Kumar’s shots Mumbai’s pride, the Queen’s Necklace, our Marine Drive – the most beautiful stretch of concrete, that languidly hugs 3.6kms of the Arabian Sea’s shoreline are breath taking. Gary Hershorn’s pictures of an empty Times Square and a lone Brooklyn Bridge in New York seem like the people have been photo-shopped out of it. Ollie Millington’s shots of the Shard skyscraper in London, lit up in blue in thanks and support of the National Health Service of the UK on March 28^th as well as images of all landmarks in the US lighting up in blue from Boston to Vegas to thank their healthcare workers speak volumes of the intense work being done to contain the catastrophic virus everywhere.

TD Garden is lit in blue on April 09, 2020 in Boston, Massachusetts, to show support for health care workers and first responders on the front lines of the coronavirus pandemic. (Photo by Maddie Meyer/Getty Images)

Right from the handout photo provided by Buckingham Palace of Queen Elizabeth II addressing the nation from Windsor Castle on April 5^th in a special broadcast to the United Kingdom and the Commonwealth nations pertaining to the virus outbreak to Abdel Ghani Bashir’s sombre image of the Kaaba in Mecca, Saudi Arabia, devoid of any human life and movement, on March 5^th is very telling of the Earth and the Universe calling time on humans.

Queen Elizabeth II addresses the United Kingdom and the Commonwealth in a special broadcast in relation to the Coronavirus outbreak at Windsor Castle on April 5, 2020 in Windsor, England.(Photo by Buckingham Palace via Getty Images)

The white-tiled area surrounding the Kaaba, inside Mecca’s Grand Mosque, empty of worshippers on March 5th, 2020. Saudi Arabia emptied Islam’s holiest site for sterilisation over fears of the new coronavirus, an unprecedented move after the kingdom suspended the year-round umrah pilgrimage. (Photo by Abdel Ghani Bashir/AFP via Getty Images)

Lillian Suwanrumpha’s pictures of new-born babies in Bangkok, Thailand wearing mini face shields are as endearing as they are frightening of a new world, of a new reality upon us. The heart-wrenching photos taken by every news photographer, of India’s migrant workers, rendered jobless due to the lockdown, walking miles from cities to reach their homes in their villages tell you the story of India’s divided landscape of the haves and the have-nots – the have-nots that make up for the largest portion of our 1.3 billion people. Unsettling, but devastatingly true.

A newborn baby wearing a face shield at Praram 9 Hospital in Bangkok, Thailand on April 9, 2020. (Photo by Lillian Suwanrumpha/AFP via Getty Images)

Before Corona, advertisers paid top dollar to creative photography for digitally altered images of an empty Times Square or the Eiffel Tower for a fashion model to strike a pose against, but editorial news photography could never ever imagine shooting any architectural or historical landmark in the world, without people milling about in hundreds and thousands. I remember trying to take a frame in Beijing, China, of the Forbidden City without any people in it, and it was exhausting, and next to impossible! I cannot imagine not seeing the world with my own eyes, and I’m ever so grateful to my global community of photographers for bringing the evolving new world to us, at a personal cost to them that’s immeasurably invaluable, and very appreciated. This is art in motion, that’s unfolding every minute and every hour of every new day.

Hagia Sophia and its surrounds are empty during a two-day lockdown imposed to prevent the spread of COVID-19 on April 11, 2020 in Istanbul, Turkey. (Photo by Burak Kara/Getty Images)

Once there is some semblance of the familiar to our new world that none of us have any inkling of right now, there are some things that will have changed forever, that we will be seeing through the eyes of photographers and their cameras yet again. For instance, a picture of two people shaking hands or kissing in public will be a coveted, unusual image as will that of aeroplanes taking to the open skies again. We might just feel like one of the Wright brothers when they sent up their first plane into the sky! Public spaces with people jammed in or huddled closely will make for unusual imagery too as will sport stars greeting each other without backslaps and hugs on a playing field when the games come back on. Bollywood’s come hither song and dance routines and Hollywood’s sex sequences will smack of sanitized physicality at its creative best, or worst, we don’t know. Personal space will be big on behavioural social etiquette amongst the human race, and it will be a prized priority that will dictate relationships at home, and at work.

Grounded British Airways planes at Cardiff Airport on March 25, 2020 in Cardiff, United Kingdom due to the coronavirus pandemic. (Photo by Matthew Horwood/Getty Images

We stand stripped of our acquired behavioural nuances, our excessive indulgences, our obsessions with power and control and in the adorning of our external selves, in our raw, bare skin – bereft of any mask, in our private spaces. This reaffirms that we are all the same, never mind if you’re black, white or brown – if you are human, then you’re a locked target for the virus. We need to stop saying that we are stuck at home, and wonder when life will go back to normal because firstly, how can you feel stuck or bored in your chosen space that you call home, that you have nurtured over the years to make it a home, and secondly, life is never going back to what is was – it’s like wishing we could go back to our babyhood and giggle and gurgle at inanities with our parents. The world pre Corona has ended as we knew it, and we will all emerge as one human race, altered forever in world that will have evolved since the first outbreak, whenever that might be.

NOTE: The photograph of the Versova quarantine shelter for the homeless in Mumbai shot by Satyajit Desai (Mumbai Mirror) have been used only after procuring rightful editorial consent and permissions.

©Rubina A Khan 2020

RUBINA’S RADAR | THEATRE & FASHION ROYALE

January 17, 2019June 21, 20192 Comments

India’s finest talent, Shabana Azmi is celebrating her late father, Kaifi Azmi’s birth centenary with an ongoing series of events across India, from mushairas to plays to live musical evenings at Janki Kutir. Raag Shayari is an artistic, theatrical collaboration between Azmi, tabla maestro Zakir Hussain, singer and composer Shankar Mahadevan and lyricist Javed Akhtar, interpreting the works of the accomplished late poet in a contemporary, musical manner. “Raag Shayari’s an evening of archival value because Shankar Mahadevan sings a selection of Kaifi Azmi’s poems, Javed Akhtar recites them in Urdu and I recite the English translations with Ustad Zakir Hussain interpreting the same on the tabla,” says Azmi. The debut show of Raag Shayari was on January 13 at NCPA, Nariman Point. The second show was held the following evening at the St. Andrew’s auditorium in Bandra, Mumbai with Waheeda Rehman, Asha Parekh, Rekha, Aishwarya Rai-Bachchan, Vidya Balan, Farhan Akhtar, Divya Dutta and Madhu Chopra in attendance.

Shabana Azmi during rehearsals for *Raag Shayari*. Photo: Rubina A Khan

Javed Akhtar, Shabana Azmi and Zakir Hussain during rehearsals for *Raag Shayari.* Photo: Rubina A Khan

Forts are Indian fashion’s new runways du jour in 2019. Earlier this month, the Red Fort in New Delhi made for an enchanting setting for a fashion show held on its heritage grounds, organised by the Ministry of Textiles. It was a historic first for Indian fashion and a commendable one at that. After showing at the Red Fort, master couturier Rohit Bal enthralled Mumbai with Guldastah, a collection inspired by Renaissance artists and botanical paintings, at the Blender’s Pride Fashion Tour held at the Bandra Fort on Wednesday evening.

Models on the runway | Photo: Rubina A Khan

Model Lakshmi Rana | Photo: Rubina A Khan

Actor Siddharth Malhotra | Photo: Rubina A Khan

Models walked down the bedecked steps of the fort in luxurious Bal raiments in hues of ivory, black, gold and red to the dulcet sounds of Shubha Mudgal’s live classical performance. This was the best fashion show I have ever seen in Mumbai. Guldastah was an immersive experience and you could almost smell the roses of forgotten romances with the ethereal floral dominance in Bal’s impassioned collection.

Actor Sidharth Malhotra was Bal’s showstopper, but a resident dog of Bandra Fort beat him to it, wagging its tail happily on to the runway, ahead of him, much to the delight of everyone present. Malhotra seemed to have studied Amitabh Bachchan’s walk and stance thoroughly and mirrored the same quite well on the runway. But then again, mirroring is not quite like owning it! Anju Bhavnani, now more popular as Deepika Padukone’s mother-in-law versus Ranveer Singh’s mother, was all praises for her beautiful bahu when I spoke to her for a lightning Mumbai minute. “We are very happy and blessed, hashtag blessed,” she said. A family that hashtags together stays together? Insta guess so!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | MAKING FASHION HISTORY IN OLD DELHI AND CALCUTTA IN THE NEW YEAR 2019

January 7, 2019March 12, 20191 Comment

The first week of 2019 kicked off with Indian fashion making historical moves on, and off, the runway on heritage sites. The formidable collaboration of the Ministry Of Textiles Government Of India, the Archaeological Survey Of India, the Ministry Of Culture and the Fashion Design Council Of India, created fashion history with Artisan Speak, a show that celebrated India’s majestic textile legacy at the Red Fort in New Delhi on January 5. The Red Fort grounds as a fashion runway was unimaginable, till it was the past Saturday. And, what a progressive first it was!

Headlined by designers Anita Dongre, Rohit Bal, Rajesh Pratap Singh, Gaurang Shah, Rahul Mishra and Anju Modi, the ivory Sawan and Bhadon Pavilions, and the red sandstone Zafar Mahal made for a dramatic backdrop for the show. Artisan Speak turned a page in India’s history, transcendentally juxtaposing the regal era of yore with the immediate now. The show honoured six Padma Shri and seven Sant Kabir award winning master craftsmen, wherein the Union Minister Of Textiles, Smriti Irani, gave away Special Recognition Awards to the indomitable contributors to India’s textile sector.

On January 7, Anamika Khanna showed her collection at the Artisan Speak show organised by the Fashion Design Council Of India for the Ministry Of Textiles Government Of India at the legendary Currency Building founded in 1833 in Kolkata. It was a felicitous venue for Khanna’s show. Whilst most heritage buildings in Kolkata, the first seat of power of the British Empire, reflect Gothic styles of architecture, the Currency Building stood out in the city with its Italian style, particularly its Venetian windows. The building went through many hands and years of neglect and demolishment till the Archaeological Survey Of India took over and restored it to its distinct Italian architectural style recently. Archaeologists have found evidence of an underground canal from the building to the river Hooghly to cool freshly minted coins in its original avatar as a currency house.

Artisan Speak in Kolkata was yet another historical step forward for Indian fashion by showing in a protected building, creating awareness for India’s textile industry, the second largest employment sector in the country, after the agricultural industry. After the momentous fashion show, the Currency Building turned into an exhibition space, open to the public, for jute, silk and handloom crafts the following day. “India has seen a growth of 24 percent in the export of jute products in the last five years,” said Smriti Irani, Union Minister Of Textiles, a pivotal voice of Artisan Speak.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

Indian Realty Adjusts To New Realities | Gulf News

September 29, 2018September 29, 2018Leave a comment

Luxury realty is the obsessive reality of the moneyed order. Spending money is the only currency that fortifies the social standing of the affluent – both on the Forbes list and off it. Real estate buys and sells make for a fiscal haven in these propitious months of the Indian calendar, but this time around, there are no buyers. The Indian realty index is stable, but it doesn’t compare to what it was prior to demonetization. The immediacy in the market is non-existent but it remains a lucrative market for investors, expats in particular, after the sharp depreciation of the rupee. But time is the key component at play here. Buying property today equals buying time too as a vital appendage.
GULF NEWS COLUMN A luxury apartment in Mumbai valued at Rs70 million will sell, eventually, but time will play a starring role in the sale today. Slashed to Rs55 million at a sizeable paper loss to the owner, it’ll sell within six months to a year. Cutting losses on luxury property investments was unthinkable, the crash of 2008 notwithstanding. I wouldn’t call this a seller’s market – it’s the buyers that decide the when and the where, with no ready money in the market. Realty purchases are entirely need-based and not investment-based, barring corporates who have the money and readily-available loans to enable their investments. Individual investors shirk buying as that entails endless tax probes and exhausting paperwork.

Realty projects are akin to a big Bollywood production that’s high on the collaborative trend today, making for sound business strategy, sharing profits and losses in the entertainment business. This seems to have found favour with realty developers too. But developers don’t really have a choice unlike Bollywood producers who can swing an independent film with Salman Khan playing the lead at whim. They’re compelled to co-build, sitting on overpriced plots that aren’t feasible to build on one’s own financial steam with the continued deceleration of money in the market. Few independent developers build in the luxury segment today. Co-building is a profitable proposition for developers but it makes it a larger liability for buyers to commit to new constructions.

Under construction development in Mumbai | Photo: Rubina A Khan

India’s leaning more towards luxury rentals than luxury buys. Selling seems impossible. The return of investments on purchased property through leasing is abysmal, and not even marginally close to purchase costs. Reselling isn’t easy either. Future-forward individuals are now choosing to rent luxury homes with all the trappings versus buying. Fiscally, it’s more conducive to live the luxe life without a home owner’s liabilities. The freedom to shift in and out of cities, upsize and upgrade to glamorous homes and neighbourhoods when the mood strikes far outweighs setting up immoveable roots in one place – and all of it with clean bank transfers that comply with realty regulations.

Green is the new luxe word and agricultural neighborhoods is the trend du jour. India being an agrarian economy can take to agri-hoods swiftly, integrating agriculture into residential neighborhoods with working farms and green space. Agri-hoods suit the natural Indian landscape and will appeal to environment-conscious, rich millennials who are always seeking the “next level” in their lives. Living concepts of clean eating, organic produce, solar energy, climate change, rainwater harvesting and the great outdoors with fresh air are selling successfully through smart adverts worldwide. Under-construction properties advertise zealously with a definitive emphasis on green cover and integrating sustainable and organic food produce everyday – a miniscule attempt, but important nevertheless. Full-scale agri-hoods is the future of luxury realty and building agri-hoods will unify Indian community living.

Under construction development in Mumbai | Photo: Rubina A Khan

Art that no longer hangs on a wall or is vulgarly placed in the middle of a room nor discussed in hushed tones, but tactile art is taking over luxury realty. Established and emerging artists are designing not just pieces of art, but entire residences, harmonizing their artistic voices with the distinct individualism of home owners. Fashion couturiers Rohit Bal and Tarun Tahiliani are both engaged in residential design, adding their genius to concrete. Fashion and art create a historical archive of the times we live in.

Architecture is almost incongruent to individualism with high-rises taking over Indian metros, cities and towns. But the highest honor in the architectural world – the Pritzker Architecture Prize Laureate – went to an Indian for the first time this year. Professor Balkrishna Doshi won the honor for his deeply personal and poetic architecture that touches lives of every socio-economic class across a broad spectrum of genres. If only the Indian realty business could turn a page as poetic as his works in its design ethos.

This feature first appeared in Gulf News on September 29, 2018

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

March 18, 2018December 13, 2018Leave a comment

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

Gauri Khan at Chivas 18 Alchemy

Gauri Khan and Ashish N Soni at Chivas 18 Alchemy

Gauri Khan’s artisanal chandeliers made from empty Chivas 18 bottles for Alchemy

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

Dilip De’s Smartphone School Of Art Exhibit, Celebration Of The Unexpected, In Mumbai

January 16, 2018December 13, 20182 Comments

Dilip De is an adventitious artist, but with no less an ardour and depth in his paintings than any creative being in the world, with his Picasso-esque digital imagery on smartphones revolutionising the art world globally. Transcending his love for art from collecting art to creating art today has been the most serendipitous turn De’s life could have taken. And all it took was an innate desire to paint an orchid on his smartphone for the love of his wife, author and columnist extraordinaire, Shobhaa De. His first solo show as a digital artist, Celebration Of Love, was held at the Jehangir Art Gallery in Mumbai in 2016 and his second show, Celebration Of The Unexpected, opens on January 26, 2018 at the same gallery.

Rubina A Khan in conversation with Indian shipping magnate and digital art trailblazer, Dilip De:

How did you chance upon an alternative creative stream of a smartphone artist, not to mention being recognised as the first person in the world to ever do so?
It is indeed wonderful to be accorded the honour of being the first smartphone artist in the world. In 2015, as I was standing in my orchid gardens in Alibag, I felt the urge to draw the beautiful flowers on my smartphone for my wife, Shobhaa. It took me a while to learn how to use a phone stylus as a ‘brush’ and ‘dip’ it in the colour box, my purported palette, which is an integral part of the smartphone. Soon, much to my delight, I started drawing the outlines of an orchid flower on the tiny screen – 5.2 x 4 inches which came to be my ‘canvas’! Regrettably, in my initial enthusiasm, a few of my paintings disappeared from the screen forever as I had unknowingly put extra pressure on the screen whilst drawing on it. Gradually, I mastered the required skill and surprised Shobhaa with a painting of a Japanese sakura! I discovered, through my accidental foray into digital artistry, that art is omnipresent; an artistic expression can be realised at any place and at any time. Art is no longer just confined to a studio, but is truly the product of spontaneity and creativity achieved at one’s leisure.

Businessman and artist, Dilip De

Dilip De’s artwork

What kind of smartphone did you use for your first art creation and what do you use today?
My initiation into digital art was with a Samsung Galaxy Note 2 and then I graduated to the Note 5 and I am using the Samsung Note 8 nowadays.

What do you enjoy most about this medium?
I have been an art connoisseur and collector for a while but I was humbled when I realised I’d inadvertently pioneered a new school of art, aptly called the Smartphone School Of Painting, with the orchid flower painting I’d created on my smartphone for Shobhaa. This is a painstaking process and requires extreme concentration and control over the stylus, which I seem to have mastered and enjoy tremendously. The largest global platform launched by Intel and VICE Media, www.creatorsproject.com to celebrate creativity featured my paintings. I have secured Copyright registrations of my paintings in this “new school of art” from the Union Commerce and Industry Ministry of India. My point was, and remains simple today – an artist cannot produce art on an empty stomach. My new dream is to make every budding artist in our country realize how easy it can be to follow a dream and turn a hobby into a joyous reality. Smartphone art is yet another frontier in technology that has made things more accessible and affordable to those who love art. I want my fellow Indians to start loving and collecting artworks easily in their lives. This will also teach them to respect and cherish beauty.

What do you do with the money generated from this “new job” of yours as a smartphone artist?
As you know, I gave away the proceeds from my first exhibition, Celebration Of Love, which was held in Mumbai on August 16, 2016 to the Cancer Patients Aid Association (CPAA). I respect the devotion of YK and Rekha Sapru and their dedicated CPAA team. My wife Shobhaa is also associated with them. This time around, I have decided to contribute the proceeds to the Jehangir Art Gallery – the iconic art establishment in Mumbai – for the promotion of art and the modernisation of their galleries.

Your second exhibit, Celebration Of The Unexpected, alongwith a charity auction of your work, opens on 26th January 2018, at Jehangir Art Gallery, with Amitabh Bachchan as your chief guest in attendance again. Why him?
Amitabh and I met in the 60s in Kolkata as young mercantile executives engaged in the business of international shipping. I suppose we have an old “Calcutta” connection and bond that formed many years ago. At that time, I found him to be an immensely gifted stage actor who went on to scale dizzying heights in his career, and continues to create new frontiers in his field. We also share a warm Bong vibe as his wife, Jaya, is a Bengali. I’ve known him for 51 years now. For me, and the multitude of his fans across the world, Amitabh is undoubtedly the ‘Ultimate Superstar of Bollywood’! His achievements make me proud. There’s a surprise pertaining to Amitabh in this exhibit of mine which he has, in his own words, described as “outstanding”.

Amitabh Bachchan

Your wife is of the written word and you seem to be visually inclined…
Shobhaa creates and tells stories through the magic of her words and I express my emotions and inspirations through my images. We express ourselves in different disciplines, but we are both storytellers nevertheless. One day, I must attempt to reproduce the essence of one of her stories in the form of images. That’s a colossal ambition, but I will definitely give it a try.

Celebration Of The Unexpected is on view from January 27 to February 3, 2018 at
Jehangir Art Gallery, 161 Kala Ghoda, Mumbai 400001 from 11AM to 7PM.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

Rubina A Khan

Journalist | Photographer

Category: Art | Culture

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