Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.


Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.


Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018



A vociferous political scythe-lash has taken over Bollywood’s song and dance routine in recent times, taking the fun out of confined, air-conditioned entertainment. But international artists can’t seem to get enough of their one-night gigs in Mumbai, especially Hollywood stars and musicians and Mumbai is not known to keep it down, and definitely not when it comes to its music.

Jamaican singer, OMI, of the reggae-pop worldwide hit, Cheerleader, that’s remixed by German DJ Felix Jaehn, is headed to the city for the very first time, all the way from his home base Clarendon in Jamaica.


Singer OMI | Getty Images

The singer, born Omar Samuel Pasley, is slated to perform on Saturday, February 23, at Kitty Su, a nightclub at The Lalit, Mumbai. He knows what it takes to hit the Billboard Hot 100 with a melody he woke up randomly humming when he was 21 years old, but it remains to be seen, and heard, if his live gig shakes Mumbai up. While he’s quite cool and popular with the ladies, all the Indian boys just wanna know if the very haute girls in his breakthrough video are accompanying him on his maiden India trip!

On film terrain, filmmaker Homi Adajania’s been playing out his own Parsi, not to mention very PG version, of Two And A Half Men at home with his sons, Zane and Zreh. The entertaining instagram videos Adajania posts of his boys, replete with their super acting skills and put-on accents, are more hilarious and entertaining than anything one’s seen on celluloid lately. But that’s not all Adajania’s busy with in his role as a modernist, stay-at-home-dad.


Homi Adajania | Instagram

He’s working on his next project, a web series called Saas, Bahu Aur Cocaine for Amazon. A rather blasphemous name that’s already a conversation opener, and perhaps even an eye-opener, for a saas-bahu obsessed nation. But then what else can one expect from someone who kicked off his cinematic leanings with Being Cyrus (2006) a dark, psychological drama produced by Ambika Hinduja-Macker, starring Naseeruddin Shah, Saif Ali Khan, Dimple Kapadia and Boman Irani and went on to make Cocktail (2012), exhibiting the sexiest and coolest version of Deepika Padukone to Finding Fanny (2014). Interestingly, Being Cyrus was shot in the filmmaker’s erstwhile home in Panchgani, which he later sold off to actor Aamir Khan. Saas Bahu Aur Cocaine sounds like a wildly mad ride, just like its creator Adajania and if he swings in Dimple Kapadia to play a part, it could very well be a smashing series. 

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©Rubina A Khan 2018


Padmaavat, with Deepika Padukone playing the valorous Queen Padmavati of Chittor, finally releases on Friday with a gender swap in its title from the original Padmavati to Padmaavat. From a film on periods (Padman) being pushed to a February release by its lead actor, Akshay Kumar, to give the period drama that is Padmaavat more theatre play due to the fiscally debilitating off-screen histrionics around it, the ongoing PMS (Padmavati Movie Stress) hasn’t abated just as yet.

I saw the film on Tuesday evening at journalist and author, Shobhaa De’s screening in Mumbai. 120 minutes into the film, I simply couldn’t fathom why the director, Sanjay Leela Bhansali would even call his film Padmavati in the first place; he very well could have called it Khilji as it’s a glorified, and almost one-directional ode to Alauddin Khilji’s insatiable lust for immortality, battle and sex. And, his relentless desire to possess Queen Padmavati of course. The film highlights the Rajput and Kshatriya codes of honour and living in a manner most celebratory, Bhansali’s chandeliers, diyas and picturesque frames notwithstanding. In no way does it demean Indian culture and its customs, and no Indian will be affronted with the film. Though Bhansali does seem to unnecessarily lionise Khilji beyond his omnipresent pillaging fame.
imagesAs the antagonist Khilji, Ranveer Singh looks menacing and monstrous physically, but his wavering accent that switches from Arabian to contemporary Hindi to Afghan, along with an inept enunciation of the language of his Sultanate, makes it difficult to believe he’s a 14th century imperial Sultan. Singh’s performance is flamboyant, loud and open to interpretation sexually, but he is not convincing as an erstwhile ruler or wannabe Alexander the Great in the making in the least. And, as for the costumery, when Singh ascends the throne of his slain uncle, Jalaluddin Khilji (Raza Murad) he wears heeled boots with the royal regalia on his person! Sure, high-heeled boots for men were in use as early at the 10th century for equestrian sports, but it seems highly unlikely that Khilji would have had access to those during his time in India.

Shahid Kapoor as Maharawal Ratan Singh of Mewar is ineffectual in the film. But in his regal dhoti/lungi, he makes for an exquisite kohl-eyed, eight pack ab-fab model that Calvin Klein needs to add to its brand new Kardashian spread immediately! As Queen Padmavati’s paramour and subsequent husband, he is rather rigid and impassive, which is very unlike Kapoor’s able celluloid skills. Padukone is flawlessly beautiful (more so in 3D) serene and poised in every single frame, looking as cinematically desirable as she possibly can, but Kapoor meets her stellar, restrained performance with a face bereft of any emotion, romantic or otherwise. There are no subtle layers or nuances to his performance as a royal in command and especially so in the intimate scenes with Padukone. And no one does the neck quite like Shah Rukh Khan, in Khan’s own words. The only time Kapoor shines in the film is during his duel in the desert with the lust-lorn Sultan. His quiet resolve and aggressive battle moves speak volumes here.

Padmaavat plays on Khilji’s self-serving megalomania and his obsession with Padmavati’s beauty. Padmavati is his unattainable dream in the film till Padukone takes on her role as queen in the last hour of the film’s screen time. In effect, the film is a take on Khilji and his obsession with her luminous beauty that is a mere catalyst to his narcissistic lust. The battle scenes are reminiscent of Troy (2004) as is the story line pertaining to the quest and conquest of a beautiful woman. The dialogues are rife with varying language styles – in some scenes, Kapoor says waqt in a Rajasthani accent when the word samay would have worked just as well for his character. The Ghoomar song is basic, nothing extra really. It is just another well-choreographed Bollywood number and incomparable to the greats Bhansali has orchestrated in the past in films like Hum Dil De Chuke Sanam (1999) and Devdas (2002). But then, who knows what the uncut version of the song looked like! The film is based on the legend of Khilji and Padmavati, assuming everyone is aware of this historical obsession, and that does not suffice for 180 odd minutes on film. The screenplay does not offer any backstory to Khilji’s temperament or his dynasty’s reign, or take cinematic licence with Maharawal’s and Padmavati’s romantic interludes or add more authenticity to the time period the film is set in, besides heavily embroidered clothes and Bhansali-esque sets. Language, both verbal and body, is terribly askew in the film.

Padukone is the only actor who stays in character, in language and poise, and costume throughout Padmavati-turned-Padmaavat’s over three hour runtime. It is her aura and acting prowess that Padmaavat will be remembered for, not to mention also taking home the highest fee for any Indian actress to date for the film. And just for that, I am glad the film was named after her central character, with or without an “I”.

Did I like the film? Well, let’s just say I was forced into a massive historical throwback and it’s not even Thursday yet!

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©Rubina A Khan 2018

Dilip De’s Smartphone School Of Art Exhibit, Celebration Of The Unexpected, In Mumbai

Dilip De is an adventitious artist, but with no less an ardour and depth in his paintings than any creative being in the world, with his Picasso-esque digital imagery on smartphones revolutionising the art world globally. Transcending his love for art from collecting art to creating art today has been the most serendipitous turn De’s life could have taken. And all it took was an innate desire to paint an orchid on his smartphone for the love of his wife, author and columnist extraordinaire, Shobhaa De. His first solo show as a digital artist, Celebration Of Love, was held at the Jehangir Art Gallery in Mumbai in 2016 and his second show, Celebration Of The Unexpected, opens on January 26, 2018 at the same gallery.

Rubina A Khan in conversation with Indian shipping magnate and digital art trailblazer, Dilip De:

How did you chance upon an alternative creative stream of a smartphone artist, not to mention being recognised as the first person in the world to ever do so?
It is indeed wonderful to be accorded the honour of being the first smartphone artist in the world. In 2015, as I was standing in my orchid gardens in Alibag, I felt the urge to draw the beautiful flowers on my smartphone for my wife, Shobhaa. It took me a while to learn how to use a phone stylus as a ‘brush’ and ‘dip’ it in the colour box, my purported palette, which is an integral part of the smartphone. Soon, much to my delight, I started drawing the outlines of an orchid flower on the tiny screen – 5.2 x 4 inches which came to be my ‘canvas’! Regrettably, in my initial enthusiasm, a few of my paintings disappeared from the screen forever as I had unknowingly put extra pressure on the screen whilst drawing on it. Gradually, I mastered the required skill and surprised Shobhaa with a painting of a Japanese sakura! I discovered, through my accidental foray into digital artistry, that art is omnipresent; an artistic expression can be realised at any place and at any time. Art is no longer just confined to a studio, but is truly the product of spontaneity and creativity achieved at one’s leisure.

What kind of smartphone did you use for your first art creation and what do you use today?
My initiation into digital art was with a Samsung Galaxy Note 2 and then I graduated to the Note 5 and I am using the Samsung Note 8 nowadays.

What do you enjoy most about this medium?
I have been an art connoisseur and collector for a while but I was humbled when I realised I’d inadvertently pioneered a new school of art, aptly called the Smartphone School Of Painting, with the orchid flower painting I’d created on my smartphone for Shobhaa. This is a painstaking process and requires extreme concentration and control over the stylus, which I seem to have mastered and enjoy tremendously. The largest global platform launched by Intel and VICE Media, to celebrate creativity featured my paintings. I have secured Copyright registrations of my paintings in this “new school of art” from the Union Commerce and Industry Ministry of India. My point was, and remains simple today – an artist cannot produce art on an empty stomach. My new dream is to make every budding artist in our country realize how easy it can be to follow a dream and turn a hobby into a joyous reality. Smartphone art is yet another frontier in technology that has made things more accessible and affordable to those who love art. I want my fellow Indians to start loving and collecting artworks easily in their lives. This will also teach them to respect and cherish beauty.

What do you do with the money generated from this “new job” of yours as a smartphone artist?
As you know, I gave away the proceeds from my first exhibition, Celebration Of Love, which was held in Mumbai on August 16, 2016 to the Cancer Patients Aid Association (CPAA). I respect the devotion of YK and Rekha Sapru and their dedicated CPAA team. My wife Shobhaa is also associated with them. This time around, I have decided to contribute the proceeds to the Jehangir Art Gallery – the iconic art establishment in Mumbai – for the promotion of art and the modernisation of their galleries.

Your second exhibit, Celebration Of The Unexpected, alongwith a charity auction of your work, opens on 26th January 2018, at Jehangir Art Gallery, with Amitabh Bachchan as your chief guest in attendance again. Why him?
Amitabh and I met in the 60s in Kolkata as young mercantile executives engaged in the business of international shipping. I suppose we have an old “Calcutta” connection and bond that formed many years ago. At that time, I found him to be an immensely gifted stage actor who went on to scale dizzying heights in his career, and continues to create new frontiers in his field. We also share a warm Bong vibe as his wife, Jaya, is a Bengali. I’ve known him for 51 years now. For me, and the multitude of his fans across the world, Amitabh is undoubtedly the ‘Ultimate Superstar of Bollywood’! His achievements make me proud. There’s a surprise pertaining to Amitabh in this exhibit of mine which he has, in his own words, described as “outstanding”.


Amitabh Bachchan

Your wife is of the written word and you seem to be visually inclined…
Shobhaa creates and tells stories through the magic of her words and I express my emotions and inspirations through my images. We express ourselves in different disciplines, but we are both storytellers nevertheless. One day, I must attempt to reproduce the essence of one of her stories in the form of images. That’s a colossal ambition, but I will definitely give it a try.

Celebration Of The Unexpected is on view from January 27 to February 3, 2018 at
Jehangir Art Gallery, 161 Kala Ghoda, Mumbai 400001 from 11AM to 7PM.

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©Rubina A Khan 2018


Maharashtrian Food Festival At Tiqri, Mumbai

Rubina A Khan reviews the Maharashtrian Food Festival at Tiqri, Mumbai: “a sweet and spicy culinary experience of Indian coastal cuisine.”

Maharashtrian food is delicious! And it’s not just about Vada Pavs and Kothimbir Wadis! From Nagpur Pudacha Vadya (Fried Gram Flour Snack) to Sungte (Fried Spicy Prawns) to Jowar Bhakri (Sorghum Bread) and Techa (Green Chilly and Garlic Chutney) to Tamatoche Saar (Spiced Tomato Broth), it is an expansive food realm that should traverse across India with its flavorous coastal cuisine as I found out at the ongoing Maharashtrian Food Festival at Tiqri, the all-day restaurant at Taj Santacruz, Mumbai.
Chef De Cuisine, Dinesh Joshi, has curated a well-rounded menu to exhibit some of the many delectable dishes of Maharashtra, Vada Pav included. Joshi loves traditional Indian recipes and he’s most inspired by Maharashtra’s culinary history in the kitchen. “Maharashtrian food is very light, and it consists of fresh produce, from dry coconuts to fresh coconuts, procured from the coastal regions as well as the ghats (mountain passes). The cuisine is an amalgamation of the varied influences of the early settlements in Maharashtra from the Portuguese to the Mughals to the Koli fishermen,” says Joshi of the cuisine.

This festival was a great introduction into a whole new world of Indian food, and I even managed to pick up some words of the Marathi language of which I’m the least proficient in. The succulent and fiery Kolhapuri Muttonacha Rassa (Mutton Curry) with Bajra Bhakri was flavourful, as was the Tamatoche Saar (Spicy Tomato Broth), Masale Bhaat (Spiced Flavoured Rice) Kothimbir Wadi Canape (Coriander Fritters), Chicken Sukka Bhakri Roll and my quintessential favourite, Vada Pav. The Vada Pav was better than any “famous” street stall in Mumbai – the Vada (potato patty) was spiced just right, the crust was golden and made the right crunch on first bite, with the accompanying burnt red and green chutneys. The imaginative new dessert on the menu is Joshi’s version of a Maharashtrian festival favourite, Puran Poli (Sweet Indian Flatbread) where he’s taken the Puran made with jaggery and swirled it into an icecream wonder! My new favourite is the coastal sweet, Naralachi Karanji, also made of jaggery and fresh coconut shavings. It’s an addiction in itself wherein you just can’t stop at one. As is amply clear, I enjoyed every dish I tried on the festival menu.

If you’d like a cocktail to go with the spicy Maharashtrian culinary delights on your plate, then the sprightly Preeti at the Tiqri bar will shake up a neat Pometini for you made with fresh pomegranates, elderflower and bitters or an Espresso Martini or whatever you’d like. And, a cheerful bartender is always the best bartender. An afternoon like this, taking in a novel culinary experience, made for an indulgent, lazy weekend in Mumbai.

The Maharashtrian Food Festival is on from January 11-30, 2018.

Tiqri is open 24 hours, except Monday when it is closed from 11.30PM – 6AM
Taj Santacruz Mumbai
Chhatrapati Shivaji International Airport (Domestic Terminal)
Off Western Express Highway, Santacruz (East) Mumbai 400099 India
+91 22 62115211  Tiqri 

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@Rubina A Khan 2018



2017 ended with a thunderous affirmation of Salman “Tiger” Khan being more than just alive with ₹300 crore and counting at the box office with Tiger Zinda Hai. 2018 opened with a worldwide reverberation of Oprah Winfrey’s acceptance speech, in Atelier Versace in Time’s Up black at the 75th Annual Golden Globe Awards in Los Angeles. Add a celebrated Sri Lankan/Japanese masterchef to that and the first week of 2018’s been all about film, fashion, food and fiercely female.

Sri Lankan chef, Dharshan Munidasa of the famed Ministry Of Crab in Colombo, Sri Lanka, is finally bringing his restaurant to Mumbai in May 2018. Munidasa, of both Sri Lankan and Japanese descent, owns Ministry Of Crab, one of the World’s Top 50 Restaurants 2017, alongside business partners and cricketing legends, Mahela Jayawardene and Kumar Sangakarra in his home country. The masterchef was in the city for a day with Jayawardene to announce the opening of the restaurant, in collaboration with Gourmet Investments Pvt Ltd at the newly opened, The Runway Project, in Phoenix Mills. The signing of the partnership amidst flashbulbs was rather unfashionably Trump-esque, but aside from that, it was a mirthful evening. There’s always a story behind everything and everyone famous today, including Munidasa. India’s best known wine connoisseur, Sanjay Menon, chanced upon Munidasa’s culinary skills at his standalone Japanese restaurant, Nihonbashi in Colombo, about a decade ago, when Ministry Of Crab did not even exist. Menon is a friend Munidasa values highly as his word of mouth, and a private pop-up dinner at the ITC Parel that he organised with Munidasa in the kitchen some moons ago, created the Munidasa magic that subsequently led to the opening of the first Ministry Of Crab. Mumbai will be the second outpost of the restaurant, the location of which still being a classified secret, and the third is slated to open in Bangkok, Thailand later this year. Mumbai is ready for some “crab excellence” Munidasa style, this summer.

A new resto-bar, Mashhad is opening this January at a first-of-its-kind location in Mumbai. Mashhad is situated right inside the entrance corridor of the Taj Santacruz hotel at the city’s domestic airport in Santacruz. Comprising of Persian-Lebanese-Indian cuisine, it is an unusual spot to open a fine-dining, only by reservation, restaurant and lounge. Mashhad was scheduled to open on Salman Khan’s birthday on December 27th, with him as the guest of honour, but it had to be postponed to January due to unforeseeable circumstances. Khan will be at Mashhad on opening night, supposedly on the 10th of this month, alongside a smattering of celebrities and wannashines who’d like to reaffirm their own existence in the presence of the elusive Tiger.

And the United States created fiercely female history that stands testament to the fact that America is a land where dreams and aspirations come true. Oprah Winfrey received the Cecil B. DeMille Award Lifetime Achievement Award at the 75th Annual Golden Globes in LA with an acceptance speech that will reverberate for years to come, not to mention the long standing ovation she received from everyone in the room at the Beverly Hilton. Winfrey is the first African-American woman to receive this award, bestowed by the Hollywood Foreign Press Association for “outstanding contributions to the world of entertainment”. “In 1964, I was a little girl sitting on the linoleum floor of my mother’s house in Milwaukee watching Anne Bancroft present the Oscar for Best Actor at the 36th Academy Awards. She opened the envelope, and said five words that literally made history: ‘The winner is Sidney Poitier.’ Up to the stage came the most elegant man I had ever seen. I remember his tie was white and, of course, his skin was black. And I’d never seen a black man being celebrated like that. But all I can do is quote and say that the explanation in Sidney’s performance in Lilies of the Field, ‘Amen, amen. Amen, amen’. In 1982, Sidney received the Cecil B. DeMille Award right here at the Golden Globes, and it is not lost on me that at this moment, there are some little girls watching as I become the first black woman to be given this same award. I’d like to thank the Hollywood Foreign Press Association because we all know that the press is under siege these days, but we also know that it is the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice, to tyrants and victims and secrets and lies. I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: what I know for sure is that speaking your truth is the most powerful tool we all have. And I’m especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories,” said Winfrey on stage.

If the rumblings of Winfrey running for the US Presidency 2020 are true, and she does run, I will be the happiest girl in the world. I too, was once a little girl, watching The Oprah Winfrey Show every chance I got, being mesmerised by her work, her kindness, her humour and laughter and her unflailing faith in the fabric of humanity. I learnt a lot from her talk show – right from serious issues plaguing the world, exposes on the macabre practices of mankind, every fun fashion and makeup item on her favourites list, what books to read, Maya Angelou poems, her philanthropic work across the world and every celebrity I should know of, and wanted to meet, through her show. She made me believe I could do anything I wanted to, and in the greater tomorrows to come.

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©Rubina A Khan 2018

New Indian Kidswear Line, Sam & Friends, Is Making Some Cool New Friends Around The World

The fashion playing field in India is rather adult with an emphatic intensity on bridal lines masquerading as couture. In India, the word fashion in itself conjures up blush visuals of shimmering Tarun Tahiliani couture, Anita Dongre’s prêt-à-porter lines and reigning Bollywood stars in designer threads. Fashion for kids is not of any relevance really in the massive Indian design scape, despite it bringing in some serious money to international brands that carry kidswear lines. In an evolving fashion landscape, pre-teens and teens are walking and talking fashion louder than adults globally, something that international fashion house, Zara, understood a long time ago.

Rishi and Neetu Kapoor’s first born, Riddhima Kapoor-Sahni, a jewellery designer and her businessman husband, Bharat Sahni, launched their indigenous new clothing line for kids, Sam & Friends, in December 2017 in a bid to change the fashion stakes, and styles, of kidswear in India. And


Riddhima Kapoor-Sahni with daughter, Samara in Sam & Friends apparel

Rubina A Khan spoke to Riddhima Kapoor-Sahni in New Delhi:

Why did you think of doing a kid’s fashion line and not one for adults, given your inherent style and persona?
My husband, Bharat, has been in the kids’ clothing business for over fifteen years now and he is very passionate about it and I trust his business sense implicitly. This is why we chose to do a fashion line for kids only. Sam & Friends is for children between the ages of 0-16.

Why is the line called Sam & Friends?
We have named it after our adorable daughter Samara. Sam stands for Samara.

How much is Samara involved in the design and style aesthetic of the line?
Samara is too young to be involved at the moment. Yet she still gives her likes, dislikes and preferences on the collection.

Who has she taken after in the fashion stakes in the Kapoor / Sahni family?
Me! (laughs)

Sam & Friends is not frilly and flouncy, nor is it inspired by what Bollywood stars are wearing. Was it an intentional move to steer away from flamboyant fashion for kids?
Kidswear is one of the fastest moving segments in India and today’s kids are well informed and aware of fashion due to social media. As I mentioned earlier, Bharat has been in the business of fashion for kids for a while now and he truly understands kids fashion, so technically we have stepped into the arena a level ahead of the others. With our unbeatable price points and an uncompromising quality for the fabric, finish, style and design in the garments, Sam & Friends is being loved by both kids, and their parents. All our garments are made with international quality and safety standards which I reckon a majority of Indian customers are not aware of.

What are the pieces you wish you could wear today?
I wish I could wear the bomber jackets with flashy sequins, party skirts and sequinned dresses!

What is Samara’s favourite piece from the collection?
A pink jacquard dress with a beautiful corsage.

Who is Samara’s style icon?
Her Nani (Neetu Kapoor) 

What is the future of Sam & Friends?
As of now, we are trying to make Sam & Friends reach the maximum number of  Indians and the response so far has been overwhelming. Furthermore, we will be launching our own website in January 2018 to reach all our online shoppers and retail through online portals.

PS. I’m a new friend of Sam too. Interestingly and not quite by design, I wore my Sam & Friends tee to a screening of the Hollywood film, The Greatest Showman, a title associated with the late Indian legend, Raj Kapoor, for his achievements in the cinematic world – leaving me in a total Bollywood state of mind. If you’ve seen the Zac Efron/Hugh Jackman/Zendaya circus theatrics, you’ll know what I’m talking about! 

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@Rubina A Khan 2017



Christmas Brunch At Tiqri, Taj Santacruz Mumbai

Rubina A Khan reviews the Christmas Brunch at Tiqri, Mumbai: “the delectable turkey, carved beautifully, turned a sunny Christmas Day brunch into an exceptionally merry and indulgent one.”


Roast Butterball Turkey

What’s Christmas without roast turkey, plum cake, mulled wine, gingerbread houses and Santa Claus bumbling around with merry ho-ho-hos? Tiqri, the all-day dining restaurant at the Taj Santacruz Hotel in Mumbai had all that and more. Watching the turkey being carved onto your plate in the sun-dappled restaurant, with its glass ceiling rising 60-foot upwards into the airport skies, alongside an inlayed mural of the Tree of Life was delightful, with the anticipation of it all adding to the excitement. The bird was succulent, with just the right amount of crackling and glaze with accompaniments ranging from the classic Brussels sprouts and carrots to panko-crust fried haricot beans and snow peas. The cranberry sauce and turkey gravy was exquisite in taste and texture, enhancing the intrinsic flavours of the roasted butterball turkey, a definite star of Christmas Day Brunch. Joy to the world!

Only in India can a Christmas menu comprise of Indian favourites like Mutton Biryani, Keema Kaleji, Appam and Vegetable Stew, Dahi Kebabs and Multi-grain Chillas, alongside Oysters, Cold Cuts, Caviar and Beetroot Ravioli and holiday essentials. But everyone seemed to have a favourite from the expansive menu. The fluffiest and most delicious appams, like clouds on a plate, made by Chef Subodh Katre, distracted me from the turkey so much so that I made a little Christmas Turkey Appam Wrap of my own. It was so good!

The dessert station, which was literally a mile long, was sinfully sweet. The Stollen, inspired by the traditional German holiday bread, was wonderful with a marzipan centre akin to Niederegger Lübeck, a favourite of mine. The Christmas Plum Cake was extremely addictive, and you just couldn’t stop at a single slice. That would be a travesty in itself to the hard work and innumerable hours put in to making it, along with the rest of decadent sweet heaven by Pastry Chef, Pankaj Chauhan.

Tiqri’s band of chefs did justice to a bird that most often than not, goes cold turkey in India, turning it into a memorable part of the decadent feast. With all that food and hotel staff warmer than the Mumbai sunshine, it was the happiest place to be on a Monday afternoon celebrating a joyous holiday with food, laughter and a fit and cheerful (albeit carb-starved) Santa.

Tiqri is open 24 hours, except Monday when it is closed from 11.30PM – 6AM
Taj Santacruz Mumbai
Chhatrapati Shivaji International Airport (Domestic Terminal)
Off Western Express Highway, Santacruz (East) Mumbai 400099 India
+91 22 62115211  Tiqri 

@Rubina A Khan 2017


It’s been half a decade since Salman “Tiger” Khan’s romantic action thriller Ek Tha Tiger hit theatres on Independence Day in 2012 to a resounding ka-ching at the box office, that Yash Raj Films is all too familiar with. The film ended with India’s most indispensable RAW agent Avinash Rathore aka Tiger vamoosing off to Havana, Cuba to live a life of quiet anonymity (hah!) with his Pakistani ISI agent love, Zoya (Katrina Kaif).

The sequel’s title says it all – he’s alive and kicking up powder in Austria with his son, Junior, fighting off packs of wolves (without killing them) unarmed with bare hands, skiing down the slopes, without taking off his winter jacket even once in the sequence. It cannot get any more real than that in Bollywood. And when he’s not busy playing dad or a spy in voluntary retirement, he spray-paints his love for wife Zoya on snow-capped mountain slopes to Atif Aslam’s Dil Diya Gallan in big-eyed wonderment. Nothing much has changed for Khan and his indomitable cinematic appeal since Ek Tha Tiger, though the same cannot be said for Kaif, despite her enviable pilates lean body. This Tiger is burning brighter than ever and Khan wings the film with indefatigable ease, never mind a couple of awkward supporting cast members and an askew, inconsistent pace of the film which could have been sharper and faster.

What I loved about Tiger Zinda Hai:

  1. Sheer girl power in the film. Where in Bollywood films does a wife rescue her husband in a war-struck country and drive him around without him switching to the wheel mid-save? The said wife, Katrina, is a bad-ass Bhabhi from her current location in Austria who swivels guns better than rolling pins in Ikrit, Iraq.
  2. Salman Khan skiing on the Innsbruck slopes, fully clothed.
  3. What’s better than a shirtless Salman? A bloodied warrior Salman toting double guns saving 39 Indian and Pakistani nurses!
  4. I loved Iranian born and UAE resident, Sajjad Delafrooz’s consummate performance as the antagonist Abu Usman, but for a verbose sermon he had to give Tiger at the tail end of the film. Restrained and confident acting on his part.
  5. Horses in the action sequences remind you why fast cars and bikes use horse power units of measurement in the first place and with Salman riding one, it’s a cinema freeze frame for life.
  6. Not using divisive political tactics in the film’s narrative, but humanitarian ones.
  7. The White House representative with an uncanny Sarah Huckabee accent, sans any Trumpa Loompa.
  8. The film only has two songs picturized on the lead cast of Khan and Kaif – Dil Diya Gallan in the beginning and the second, Swag Se Swagat at the end.
  9. What Khan’s presence in the Liwa Desert does for Abu Dhabi tourism is incomparable to anything they could have envisaged for themselves. And Khan wasn’t just another mirage!
  10. I had fun watching Tiger Zinda Hai and wanted to clap in all of Katrina’s bad-ass Bhabhi scenes, and most of the cool sequences.

©Rubina A Khan 2017



The magnificently restored Royal Opera House a historic address in Mumbai since its inauguration by King George V in 1911 and India’s only surviving opera house relegated to redundancy in the 90s, is now open to the culturati. It is no longer just a geographical landmark on the Uber app, but a live destination that’s marking up newer glories contrasting from its original, sepia-toned ones today. This vintage Baroque edifice was where author and columnist, not to mention “ready-to-be-lynched-for-anything” Shobhaa De launched her latest book, Seventy And To Hell With It on a fine December evening last Wednesday. At the garden gathering amidst family and friends, De was on fire, as a discerning hostess in a cobalt blue, custom couture blouse by Abu Jani-Sandeep Khosla and a real zari Jaipur Kota Doria sari greeting her guests, with her luminosity lighting up the de riguer photo-ops and selfies. She then went on to breathe fire in her role as a celebrated author on stage, in conversation with journalist Barkha Dutt and Bollywood actor Kangana Ranaut.

The conversation revolved around sex, the celebration of age and beauty in every stage of a woman’s life, the empowerment of women and the power of speaking up, changing the patriarchal guard and living your life wholly on your terms to a full (Opera) House. De’s quintessential ability to turn anything on its head without so much of an arch of her eyebrows or her “De resting face” with a diverse point of view that could swing from radical to pure nonchalance is what makes her one of the most read and heard “Made in Mumbai” voices in India. Had I been in conversation with her about the book on stage, my opening question would have been “How is sex at seventy, Shobhaa?” because her immediate response would have been far more entertaining and memorable than the latest Bollywood film!

In Delhi, fashion’s most formidable force, Sunil Sethi previewed his collaborative design effort, Indie Eye sunglasses and eyewear, with artist Jayanta Roy and designer Tanira Sethi at a Lutyens lawn gig at The Lodhi in conjunction with designer Ashish N Soni’s celebratory 25 year milestone in the fashion business. Indie Eye will be launched in Milan in 2018. The mannequins wore the fashionXart eyewear dressed in Soni’s exquisite all-black Spring Summer 2018 line in a contemporary hard-metal open-air installation tent, alongside a white garment installation which was as enchanting as it was dreamy, exhibiting his structured and minimalistic design ethos beautifully.

There was Artificial Intelligence to talk to Soni, Sethi and Saif Ali Khan (Taimur’s father!) about all things fashion which was interesting, but the Glam-Cam was a monster fail. A garden gig on a Saturday night in the freezing cold temperatures of Delhi surprisingly brought out the warmth in all its glamorous guests, well, almost all. To attend an alfresco cocktail event like this is a Game of Thrones gamble – you either winter wing it in Uggs and cashmere or you whinge all night about the cold, over endless drinks, which is rather unfashionable.

©Rubina A Khan 2017