Indian Real Estate Has A Toxic Problem | Gulf News

The cardinal constituent in realty is location and it has been dictating the price index and value of developments, with unmatched absoluteness. But that seems to be going up in the air now, quite literally, in India. The hazardous concentrations of particulate pollution that engulfed Mumbai in November this year, measured a PM 2.5 of 320. But Delhi witnessed a PM 2.5 of above 900, that was way beyond the maximum of 500 and went into “extreme mode” terrain, compelling the government to declare a public health emergency in the capital.

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Red Fort in New Delhi | Photo by Rubina A. Khan/Getty Images

When inhaled, PM 2.5 affects the human body’s natural defence, going deep into the lungs and even the bloodstream, causing serious health disorders like asthma and increasing the risk of heart attacks and strokes. Clean air and water is a constitutional human right, but that right seems to have been drowned out by the drilling drone of the innumerable developments and their construction dust, vehicle exhaust and industrial emissions that make up the toxicity in the air. State governments ignoring the Supreme Court’s orders to limit agricultural burning isn’t helping either, endangering human lives even further.

Air quality is the new “prime location” and health is the new “amenity” that people are starting to look at when it comes to real estate today, not just an exclusive address or city. It is their lives at stake after all. ‘What good is buying a home in an elite neighbourhood in a metropolis that will leave you breathless’ is the common refrain in India since. The address people choose to buy in, or rent in, needs to be healthy and fit for human living, and conducive to their mental health and overall well-being, not herald a life ahead with disease and hospital bills. Sustainable is the word of 2019 – forget the fashion industry being the biggest pollutant globally – it has come down to sustaining human life in India in 2020 with fresh air and water and taking measures to rein it in. Instead of developers selling spaces highlighting the ‘heart’ of a city, it’s time they advertised the ‘lungs’ of a city to get people to buy.

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Peddar Road in Mumbai | Photo by Rubina A. Khan/ Getty Images

Newer realty developments are definitely hit with the unprecedented pollution levels in Delhi, and it will be a detriment going forward in 2020 for buys in the capital. Mumbai is not far behind either. Unless of course, the deals are lucratively priced to lure people in, with the promise of fresh air and improved Air Quality Index by the government. Non-Resident-Indians have a choice to wait it out and not invest in India till the air clears up, especially the ones living in the United States, that has some of the cleanest air in the world, but do resident Indians have a choice? Not really, barring buying homes in Goa and Rishikesh and that is quite indicative of the buying trend in 2020 for resident Indians.

Indian realty is obviously unprepared for the AQI factor that will very soon be a dominant determiner for property buys and sells in the country. After all the regulatory laws that shook up the business since 2016, this is another deterrent for the sector, especially with the large unsold inventories in the country. A war on pollution needs to commence in India now to accord  its taxpaying citizens a basic human right to breathe clean air and stay healthy.

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Lonavla | Photo by Rubina A. Khan/ Getty Images

2019 saw the introduction of the Model Tenancy Act 2019 as part of the first budget of the second term of the Narendra Modi government. Like its earlier reformist counterpart, RERA, introduced in 2016, the Model Tenancy Act 2019 too reads great on paper, but has yet to step up on accelerating the implementation of the same. I see an Air Quality Act being passed in 2020 but then again, it’s the implementation of it that looks hazy, just like the Mumbai and Delhi skies right now.  

This feature first appeared in Gulf News on December 13, 2019

Thank you AD Kilachand, Bina Ramani & Tarun Tahiliani for your time and thoughts. 

©Rubina A Khan 2019

RUBINA’S RADAR | FASHION DESIGN COUNCIL OF INDIA’S QUATERNITY FINALE AT LMIFW SS 2020

The Spring Summer 2020 edition of India Fashion Week, presented by the Fashion Design Council of India, culminated with a grand finale on the 12th of October, 2019 at the Dhyan Chand National Stadium in New Delhi. Rajesh Pratap Singh, Manish Arora, Schulen Fernandes for Wendell Rodricks and Anamika Khanna made up the finale quaternity that was as disparate a show as it was a rousing one.

All four designers showcased lines that were quintessentially reflective of their unequivocal fashion nucleus. Actor Kangana Ranaut broke Rodricks’ tribal whites and blues, Khanna’s embroidered conglomerations, Singh’s effervescent fluoro pops and Arora’s pink-dominant psychedelic synchronisation, in a black and white number, with leather accessories. Ranaut’s runway strut in the crisp ensemble lent the very coveted Bollywood sheen to the inherent shimmer of the polki diamonds around her neck.

Getting them to close an inclusive week (four days actually!) of fashion together, was spearheaded by Sunil Sethi, President of the FDCI. “I feel it worked out well. It is difficult to please everyone but LMIFW SS 20 was definitely a success. I am very happy,” said an obviously elated Sethi from Bhutan, where he’s keeping royal company with the ruling family of the mountain kingdom.

NEW DELHI, INDIA – OCTOBER 12: Schulen Fernandes, Anamika Khanna, Wendell Rodricks, Kangana Ranaut, Sunil Sethi, Nitin Passi, Manish Arora, Rajesh Pratap Singh and Dipin Passi at the Lotus Make-Up India Fashion Week Spring Summer 2020 Finale presented by the FDCI on October 12, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

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NEW DELHI, INDIA – OCTOBER 12: Kangana Ranaut at the Lotus Make-Up India Fashion Week Spring Summer 2020 Finale presented by the FDCI on October 12, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Inclusivity, with the hashtag MyFashionMyTribe sent out an assured energy to everyone that fashion is really about you exercising your power to express yourself just the way you are, and want to, without any fear or inhibitions. Every kind of person was celebrated by the designers on the runway in their collections – acid burn victims, curves, transgender… and that is really what the world is rightfully leaning in towards, steadily.

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Here is the FDCI presented Lotus MakeUp India Fashion Week Spring Summer 2020 finale in pictures:

SCHULEN FERNANDES FOR WENDELL RODRICKS

RAJESH PRATAP SINGH

ANAMIKA KHANNA

MANISH ARORA

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | INDIAN FASHION’S NEW CURRENCY – COUTURE CARATS

This month has been rather august for Sabyasachi with his jewellery line pulling in some colossal coin for the fashion house. And, I am not using the word ‘colossal’ airily here. An exhibition of heritage and fine jewellery by Sabyasachi, comprising of gold, uncut and fine diamonds and coloured stones was held at the Taj Mahal Palace hotel (a favourite Taj of mine!) in Mumbai on the 13th & 14th of August, 2019. Over the two day exhibit, the jewellery sales brought in an unexpected and staggering double digits for the label. “We had good sales at the jewellery exhibit, but it’s not dignified for us to flaunt figures and it’s not a good business practice either,” says Sabyasachi.

Ever since he launched his jewellery line, it has compelled every fashion designer in India to view diamonds and precious stones with a design perspective, never mind the naysaying and economic slowdown whinging all around. Sabyasachi brides and grooms now have the added luxury of getting their bridal dreams realised in totality, in both fabric and stones, at any one of his flagship stores across India. And with the high numbers that the Mumbai jewellery exhibit brought in, it goes without saying that Sabyasachi definitely knows how to pull his weight not just in khadi and chiffons, but in molten gold and diamonds too! And his loyalists are only queuing up for more.

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Sabyasachi Heritage Jewellery | Photo: Sabyasachi Instagram 

Emboldened by the response to his private jewellery viewings over the past two years and the multiple city exhibits across India this year, the couturier is now ready to open his first jewellery store, situated on the third level of his flagship store in Kala Ghoda in the festive quarter of 2019 in Mumbai. If the bejewelled whispers are anything to go by, the store will be a blinding sight to behold.

Manish Malhotra, fresh off Maahrumysha, a shimmering velveteen of an alluring show, that kicked off Lakme Fashion Week’s Winter/Festive 2019 edition, is launching his new jewellery line this year. Malhotra’s show on August 20th at Famous Studios, Mumbai had models wearing Raniwala 1181 jewels on the runway, including his showstopper, actor Katrina Kaif, and some of his favoured Bollywood front row regulars and social lights. It was a lucent teaser of what is to come from his jewellery design board.

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Katrina Kaif in Manish Malhotra’s Maahrumysha line | Photo: Katrina Kaif’s Instagram

“I have been carrying a Raniwala 1881 line, curated by me, in my Mumbai store since August 3rd, 2019, with some pieces at the Delhi store. But our next collection together will be the one I am designing for them. I chose to collaborate with Raniwala 1881 as they have years of expertise behind them, making genuine, good quality jewels,” says Malhotra of his upcoming jewellery line that will be available come November 2019.

Not one to conform to perform, Tarun Tahiliani is not launching an eponymous jewellery line this season, but he intends to. Having had a peripheral jewellery collection in the past, not a full-fledged one per se, he is serious about launching one going forward.

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Tarun Tahiliani’s Tarakanna couture collection | Photo: Rubina A Khan

“I am always wary of selling things that I can’t verify unless there is a buyback guarantee. I’ve heard too many horror stories of people who are buying things that are not what they claim to be. The problem lies in the quality of coloured stones and heating versus natural and the like. So I approached the World Gold Council as they took the guarantee, and they also have a buyback guarantee with the person I dabble and work with. Only if the World Gold Council and the Gold Standard have certified something, will I lend my name to it. My reputation and brand integrity are of paramount importance to me and if I don’t have the necessary tools to verify something, I don’t want to sell it bearing my name,” says Tahiliani.

As far as jewellery lines go, not surprisingly, Rohit Bal has been there and done that. “I’ve done a jewellery line before, though it wasn’t an entire collection. And I am not saying no to launching one either in the coming months,” says Bal of a possible jewellery collection.

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A model in Rohit Bal couture | Photo: Rubina A Khan

Given that India’s biggest couturiers have successfully launched their own jewellery collections, or are planning to soon, it won’t be long before every designer in the country will be selling a bridal outfit, replete with its own essential accoutrements in couture carats. No doubt some of them will be decidedly questionable on the couture and carat fronts, but it definitely won’t be a deterrent for any designer aspiring to follow the successful business expansion models of India’s biggest couture houses in a bid to rise up in the fashion ranks.

Jewellery collaborations have always been a part of India’s bridal business, but couture carat collections seem to be the new fashion currency for Indian designers. In a business that is as plagiarised with a knock-off on every street as it is, designing couture carats is a fiscally viable way forward, complementing their couture collections. Couture and carats designed by your favourite designer is a win-win for everyone. Brides and grooms couldn’t ask for more now or could they?

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

India Gets An Updated Model Tenancy Act 2019 | Gulf News

India’s rental housing market, trammelled by archaic laws and ambiguity, is adapting to the pragmatic ameliorations outlined by Finance Minister Nirmala Sitharaman in her inaugural Union Budget 2019 speech. Sitharaman’s proposed regulations in the Indian realty market have since made way for the Model Tenancy Act 2019, drafted by the Ministry of Housing and Urban Affairs, that addresses the relationship between the lessor and lessee realistically and fairly.

The new tenancy law limits the security deposit to two months’ rent and lists heavy penalties for tenants overstaying and not adhering to the contractual terms of their rental agreements. An overstay will cost a tenant twice the rent for the first two months, that quadruples in the subsequent months. However, during such a period, the landlords are not allowed to cut off essential utilities like water and electricity. The Act also talks about creating special courts to deal with disputes between tenants and landlords and puts the obligation of carrying out repairs, maintenance and upkeep of the property like painting on the owner. While the landlord can’t increase the rent during the middle of the tenancy contract, the tenant can’t sublet the premises without prior consent of the owner. The Act aims to increase accountability in alignment with the government’s equitable development plans in the housing sector. The Centre has left it to the states to implement the Act or to amend it in accordance with their existing rental laws.

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Bandra-Worli Sea Link | Photo: Rubina A Khan

The Maharashtra government has decided to enact it for new constructions and introduce an amendment that protects properties governed by the Maharashtra Rent Control Act 1999. Landlords have domineered the rental business in India, and how, for far too long, especially in Mumbai, the only Indian city to feature in a top 20 list of expensive prime residential markets in the world recorded in Knight Frank’s Wealth Report 2019. In Mumbai, a real estate agent’s opening and closing has always been about what the owner wants, demands rather, barely skimming the surface of what a tenant wants, barring the monthly rent and astronomical security deposits. The broker is almost always submissive to an owner’s preferences, despite the tenant being as much a paying customer as the landlord. This parti pris dynamic needs to change along with the Act towards a balanced equation between tenants and landlords. Tenants need to rent and owners need their money – it’s a simple business deal and it’s about time it’s conducted like one.

The realty business in India is inescapably going to change with the Act, giving impetus to luxury rentals at the expense of buys. The biggest incentive in the rental sector is the security deposit being restricted to two months’ rent, allowing a tenant to utilise and invest the money for herself/himself, rather than blocking it with a landlord that earns interest off it. The Mumbai rental market stands to gain the most from the new Act.

Luxury rentals are far more fiscally appealing and viable with the new Act coming into play than ever before. The Act increases the confidence and security for both, landlords and tenants, getting into rental agreements aligned with the new norms, leaving minimum room for legal discord. Landlords will have to desist from imposing delusional demands on a tenant like sky-high security deposits and maintenance of the property and tenants will be legally bound to pay the weighty fines for overstay and misuse of a rented property.

This feature first appeared in Gulf News on August 3, 2019

©Rubina A Khan 2019

India’s Property Market Rides Election Wave | Gulf News

The triumphant win of Narendra Modi as Prime Minister of the Indian subcontinent for a second term, in the world’s largest election, has lent maximal credence to the country’s realty business in a manner most exceptional. The ruling government’s first term, contentiously driven by infrastructural development and financial realignments like Demonetization, RERA (Real Estate Regulation and Development Act) and GST (Goods & Service Tax) hit the cash-rich realty business particularly hard. Predictably, it was met with uproarious dissent. But, luxury realty seems to have taken a real turn since the legalized reorientations in the business, with antagonism giving way to smarts.

The luxe life is an addiction like no other. As long as there is human desire to live like royalty and be an in-your-face show-off, luxury real estate in India is headed forward. It stands at a profitable vantage point today, espousing all three acts, advantageous to both, builders and buyers. Indian realty expects investments to double to $10 billion in 2019. The paper trail and financial transparency accorded to the business is dominant, making it a streamlined, and somewhat trustworthy experience today. But there’s no denying that the business is devoid of the robustness and speed it once basked in, languishing ever so often in protracted sales.
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RERA seems to have had the most impact so far, not so much on newer developers as it has on the bigger players with large, unsold inventories, given it is now mandatory for 70 percent of the money to be deposited in bank accounts through cheques, restricting unaccounted money being flushed into the realty business. Aside from its financial transparency, a RERA requisite that’s very conducive to prospective buyers, is that builders are obliged to quote prices based on carpet area (inclusive of usable spaces like the kitchen and bathrooms) and not super built-up area. Having said that, RERA needs to hasten the pace, and frequency, in providing aggrieved buyers who need long overdue compensations from unscrupulous developers across India. The clean-up in the business has only just begun. It is anything but cleaned up, as far as realty racketeers are concerned, despite the new regulations and progressive revamps of archaic Indian property laws like Insolvency & Bankruptcy Code and the Benami Transactions (Prohibition) Act being in place. For the business to regain the implicit trust of consumers and hit immediate sale highs, compensating buyers for their losses is vital, and it should become a regular occurrence as compared to the rarity it is today.

Luxury residences and serviced luxury residences make for accelerated buys and sells in India, and rightly so, as time is a luxury the wealthy can’t afford to indulge in. Newer developers in Mumbai like Aditya Kilachand, Partner at Innovation Estates LLP, seem to be on the right beach of luxury realty, building villas by the sea in Alibag, a mere three-hour drive from Mumbai. Tapping into Alibag’s infrastructure, the improved connectivity and proximity to Mumbai, its existing community and fairly undervalued land prices is just realty forethought and judiciousness. Seven luxury serviced villas called L’Hermitage, custom-designed by Sussanne Khan of The Charcoal Project, will be ready for some serious selling upwards of 10CR by Sotheby’s International Realty India, come July 2019.
villWith all the luxury constructions and developments, there is a new shift in the market of late, that of “aspirational luxury” residences that aren’t remotely luxurious, barring their price points. Priced at 7CR upwards for a 3BHK in the business suburb of the Bandra Kurla Complex in Mumbai, these residences allude to a luxurious lifestyle with cleverly scripted and assertive marketing hype. The insides of these residential towers are at most basic, with a garden path, a swimming pool and some semblance of a gym thrown in, with views of the city’s under-construction skyline off a balcony, masquerading as luxury amenities. Needless to add, it’s a “white elephant” investment for owners as resale inventory is at its lowest and unrealistic rentals dictated by the builder’s team, with few takers, stand testimony to the “mimic luxe” gimmick it’s established on. These kind of constructions need to be reined in, as these will lead to a catastrophically high, over-priced, unsold inventory in the country that will affect consumers far more than the builders.

This feature first appeared in Gulf News on June 9, 2019

©Rubina A Khan 2019

RUBINA’S RADAR | BOLLYWOOD ACTORS DEEPIKA PADUKONE & RANVEER SINGH’S NOVEMBER WEDDING IN LAKE COMO

Bengaluru girl is marrying her Bandra lover boy for real. Bollywood actors Deepika Padukone and Ranveer Singh (Bhavnani) are getting married on November 14/15 in Lake Como, Italy. The couple announced the wedding dates, sans any other details, on instagram around 4pm on Sunday evening, sending the 42 million people following them, and more, into a ‘gramming, tweeting and whatsapping hysteria. Padukone and Singh have worked in three films together, all of which were directed by Sanjay Leela Bhansali – Goliyon Ki Raasleela Ram-Leela (2013) Bajirao Mastani (2015) and Padmaavat (2018) and have since become a haute favourite with audiences as a reel couple. Padukone, now an international actor having played the lead in xXx: Return of Xander Cage alongside Vin Diesel made it the 2018 Time 100 List as one of the 100 most influential people in the world and Singh is one of the highest paid actors in Bollywood and a hopping favourite with brands, both national and international. Their real life coupling as Mr and Mrs Bhavnani in November is only going to intensify their celluloid net worth. Together, they’ll make money move, and how! Congratulations you two!

Where there’s a wedding, there’s always jewellery in the known universe. And jewellery advisor Arundhati De-Sheth knows that and more. After graduating from the ESSEC Business School in Paris, Sheth was selected to the Louis Vuitton Moët Hennessy program to specialize in Luxury Brand Management, leading her to a working stint at Cartier Dubai. Mumbai-based Sheth pulls diamonds, rubies and emeralds from jewellers for a living, and loves it. Sheth, Mumbai’s first ever jewellery advisor, or perhaps India’s first, hosted a pop-up of jewels curated by her at Le Mill in the city recently. “I am very passionate about jewellery and the art of making it. In my role as a jewellery advisor, I work with a small group of handpicked jewellers from Mumbai that each specialise in diamonds, coloured gem stones and Jaipur jadau. I source jewellery from them on request, but I also approach other jewellers for a request that fits them. I’m not working with large brands at the moment, only private jewellers who work in a very organised and professional manner,” says Sheth of her distinctive job profile.

I think fashion stylists in India are so focused on pulling clothes for their celeb and bridal clientele that they never seem to get the accessories, or the jewellery accents right. It’s always too much or too little, never just right. Jewels can play up an ensemble majestically as can the most exquisite diamond look stunning on one individual and most unsightly on another. But then again, Sheth gets paid to tell you that as your personal jewellery advisor on call. The allure of beauteous, blinding bijoux is where Sheth steps in, nudging you towards bespoke sparkles befitting your persona, awakening your latent personal style in the process, all for a price of course.

Mumbai’s culinary landscape is as multifarious as it’s ad-interim. Relevance, consistency and popularity make for a rare threesome in the newly-opened bars and restaurants in the city. Kode, a freestyle bar and kitchen in Kamla Mills, Mumbai that opened in June 2017 is where it’s at with contemporary flavourful fare, theatrical cocktails, speak-easy design spread across 4000 square feet of industrial ground and Friday nights as a thumping lounge with a dance floor that 500 people shimmy and shake on.

The Burrata accompanied with a Tomato Foam, Melba Toast, Rocket Leaves and Balsamic Vinegar was great. The Turkish Flat Bread, Asparagus and Gruyere Quiche, Avocado Carpaccio with Crackling Spinach, Edamame and Tofu Thai Curry with Garlic Rice, Vietnamese Rice Paper Rolls, Beurre Blanc Chargrilled Prawns, Sweet Potato Crisps with a Green Pea Truffle Oil Dip make for my favourites from the expansive menu led by Chef Momin. And there’s still desserts and cocktails! The White Chocolate French Toast with Mango looks like a sunny-side up egg but it’s anything but, despite the mango “yolk” running over. It’s like a Westernised and very elegant Shahi-Tukda so to speak. Beloved by all, the Deconstructed Black Forest Cake with Maraschino Cherries is addictive. The theatrical presentation of the food and cocktails, like the cinnamon stick on fire in the Bird’s Nest Cranberry Passion Fruit Vodka Cocktail or the crushed rose petals that go into making the exquisite Forgotten Petal Sour Gin Cocktail replete with a Campari Soap, Australian Champagne Tea Foam and Cotton Candy or the White Chocolate French Toast, does not take away from their intrinsic flavours. It just adds to the drama and fun of drinking and eating out in a city that went from being a Bombay that never slept, to a Mumbai that sleeps way too early.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | NAME AND FAME SHAMING IN INDIA

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India’s Minister of State for External Affairs MJ Akbar, a former political journalist and editor of The Asian Age, is currently in Nigeria, Africa on a business strip, I mean trip. Akbar’s editorial chamber of sexual secrets has flooded the news belts, which ironically, he once controlled. That he tormented women beyond human comprehension, an unabated abuse of his power and gender, in and out of his newsroom for decades, has been brought to light and recounted by journalists Priya Ramani and Ghazala Wahab and many others who are coming forward with their sexual predation stories at work. It hasn’t shocked the men (because they always know) as much as it has the women reading these bone-chilling accounts of sexual perversions and life-altering acts. The Indian government hasn’t yet issued an official statement on Akbar or on the very pertinent and pressing issue of women (and men) being sexually harassed in the work place since the stories broke.

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MJ Akbar | Credit Unknown

A deafening silence is rather typical in our country wherein conditioned, controlled and cautious responses to things that really matter are the norm. Akbar’s grave transgressions as an editor were definitely not a secret when he was appointed minister, but yet he was given governmental charge. Akbar’s editorial harem stories are restricted to making headlines for now but I sincerely hope they don’t get relegated to just that. Corrective, legal action must be taken by the Indian government. An exposé of Akbar’s encounters of the sordid kind is not going to be enough – what happens after by means of unbiased investigations is what will set the tone for all Indians in the future. This is what’s wrong with our Indian sensibilities – we get all amped up about an issue and join conversations online and offline, but then, the momentum peters out. Why? Sexually harassing and tormenting women, or men or anyone, of any gender, race, caste, colour and religion at work or play is NOT OK and this has to stop now.

It is equally disturbing to think that we live in an India that allows a famous figure, a Bollywood one at that, with a well-entrenched public imagery based on celluloid histrionics, far removed from reality, to vilify a man’s believability in a trice. On October 10, 2018, the Bombay High Court quashed the charges levelled against industrialist Ness Wadia by Bollywood actor Preity Zinta with an in-chamber hearing before a division bench of Justice Ranjit More and Justice Bharati Dangre in Mumbai.

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Ness Wadia | Photo: Rubina A Khan

The case involved an altercation the former lovers had at Mumbai’s Wankhede Stadium whilst their co-owned IPL team, Kings XI Punjab was at play on May 30, 2014. Visits to the Marine Drive police station by Zinta to lodge an FIR against Wadia, a letter to the then police commissioner of Mumbai, Rakesh Maria, stating: “I (Zinta) just want him (Wadia) to be kept away from me so I can live in peace, otherwise one unfortunate day, in a fit of rage, he will kill me and that really scares me,” Facebook posts by her made for sensational headlines, believed all too easy by the country’s populace that vicariously feeds off Bollywood stars’ lives. After such a strongly worded statement to the Mumbai police, one would think Zinta would seek the fastest exit from such a “scary” situation with a court verdict on the case, but it dragged on for four years, and not because of the oft-criticised speed of the Indian judicial system most definitely. Since 2014, it was a case-in-progress, during which Wadia was judged in public for alleged charges that never got off the media carousel, till he was cleared by the Bombay High Court on Wednesday. Can the public defamation, mockery and well-documented humiliation endured during this period ever be quantified in the same measure? I would think not as the internet lives on forever. Not to undermine anyone’s truth here, but does a more visible celebrity’s truth make it the absolute truth?

The current climate in the world is all about speaking your truth, but I fear that’s turning into a dangerous social media sport, an extreme one at that – a name and fame shaming game. The face and voice of India’s Me Too movement, Bollywood actor Tanushree Dutta’s claims of sexual harassment by a senior actor, Nana Patekar in 2008 are being questioned just because she’s vociferously speaking up about it a decade later. Not that she hadn’t reported it to the authorities in 2008 to no avail. As is writer and director Vinta Nanda’s horrific account of being brutalised by actor Alok Nath on Facebook being mocked for her intentions, which is shocking to say the least. Patekar is more famous than Dutta as is Nath versus Nanda and that is where lies the real perpetrator – the fame scale. The blinding imagery of the bigger celebrity in such situations dominates the conversation, even to the extent of determining its outcome, undermining the reality of the lesser famous person in the fray, which is what is happening to Dutta, Nanda and everyone who is outing their perpetrators. It is their choice to speak when, how and about what they want; it’s a fundamental human right. There’s nothing extra about that.

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Tanushree Dutta | Instagram

Why is Dutta’s authenticity of being sexually harassed by men at her work place – a film set – the very means to her livelihood and chosen career path, questionable but Zinta’s stadium fracas with Wadia and her subsequent allegations against him in 2014 are not? Could it be because Dutta’s celebrity is less than Zinta’s, not that Zinta holds any ranking in Bollywood’s top order today? Or that Dutta speaks firmly and consistently, without intimidating media persons? Or because Zinta’s verbosity was more entertaining than Wadia’s passive quietude? Not that Dutta’s case is anywhere similar to Zinta’s, but it does make the visible fame game very questionable, albeit not the issues raised. Dutta lost her career because of Patekar’s gender power play at work and had to reluctantly move to the United States. As author and columnist Shobhaa De rightly said, “I believe Tanushree. She’s not a commodity that comes with an expiry date. There is no expiry date to speak your mind. It is her individual right to speak up, as it is everyone’s else’s too. And I truly think everyone, be it a famous person who has a platform or not, can and should condemn assault.”

How does a version of what happens, or happened to a person, become the holy truth, or not, that defies all legalese and the laws of the land against the other? Elementally, anyone can “post a truth” at any time and take anyone down in this digitally-powered world today and that is not comforting at all. And, if you’re in the million-plus followers club, paid or unpaid, it is a digital assassination of the person that is being mentioned in the post, the repercussions of which are irrevocably damaging and fatal. Worse still, if the person mentioned is not on social media, then they’re damned before they even have a chance to grasp the situation and speak in their defence. And that’s wretchedly unfair. They should be heard, and not vilified instantaneously by one-dimensional versions on social feeds. But that’s tragically lost in the cacophonous web of “whoever is the loudest and more visible face wins”.

To relay and report voices in the media is as important as the material those very voices choose to put out on social platforms, without any investigations on anyone’s part, including the authorities, save the lone voice letting it all out. By the time investigations come about, it’s already too late to do any kind of damage control for the other person, given everyone loves a story more than the truth today. Access to social media should not turn it into an armed weapon of human destruction by the user or make it an accomplice in their digital crimes and vendettas. That is so very wrong for victims who have but that voice to help them speak up, which is what is happening today. It’s not just about the Me Too movement worldwide, but all aspects of a tell-all in today’s digital era spiralling out of control, leaving an irreversible trail of hashtag insta-deaths. In a world that’s still struggling to drink responsibly, is it too much to tell our truths honourably?

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©Rubina A Khan 2018

RUBINA’S RADAR | FRIEZE IN LONDON, PUMPKIN SPICE SEASON IN NEW YORK AND BESPOKE BUSINESS IN MUMBAI

RUBINA’S RADAR

It’s time to Frieze in London. Nicky and Robert Wilson, co-founders of the Jupiter Artland Foundation are hosting a cocktail at the Institute of Contemporary Arts, London tomorrow, October 4, to celebrate ten years of the Scottish sculpture park and the launch of their anniversary publication, The Generous Landscape: Ten Years of Jupiter Artland at Frieze 2018. Artists Phyllida Barlow, Charles Jencks and Antony Gormley will be toasting to the Wilsons’ artistic decade alongside Maria Balshaw CBE, the first female Director of the Tate art museums and galleries since January 2017 and Iwona Blazwick, Director of the Whitechapel Gallery who discovered Damien Hirst in the nineties, the UK’s richest living artist today.

Jupiter Artland

Jupiter Artland

It’s pumpkin spice season in New York and Meera Gandhi of the Giving Back Foundation hosted an afternoon soiree on September 22 in honour of HRH Prince Edward, the Earl of Wessex, at her Park Avenue townhouse, more famous as the erstwhile historic home of former US First Lady, Eleanor Roosevelt. The guest of honour, Prince Edward, tenth in line to the British throne, was in the United States to promote the Duke of Edinburgh’s Award that supports physical fitness, mental strength and advances sports amongst the youth. Gandhi’s foundation works with empowering women and children with education and investing in their well-being, so it was an advantageous meeting between Prince Edward and her, with the future of the youth dominating the conversation.

“It was indeed a big honor and privilege for my family and my guests to receive Prince Edward at my home. It was a wonderful gathering, enjoyed by all the guests who attended like Marla Maples, Jill Zarfin, Peter Brown and many more,” said Meera from New York. Aside from her philanthropic endeavours, Gandhi has been creating a fragrance in France called Giving with notes of Sicilian Bergamot, Myrrh Oil Nambia, and Sandalwood from Mysore that she launched only recently.

Hasleen Kaur, Miss India Earth 2011, is a regular on fashion runways. But she took on a new avatar recently turning into a master of ceremonies at the Tissot x Virat Kohli Chrono XL launch. Looking statuesque and beautiful in a midnight blue Pankaj and Nidhi dress, Kaur compered the evening with a congenial flair that is quintessentially her. “I was very nervous as it was my first time compering an event. As a model, I am paid to walk the ramp, but this was fun getting paid to talk on stage. It’s another dimension of my personality that I can now explore,” said Kaur.

Kaur is also a big proponent of returning clothes that she wears for work events, which is rare in the entitled times we live in. “I truly don’t think one should keep the garments that stylists pull for you for events because it’s a loss of revenue to the designers and brands and I’m not comfortable with that. And honestly, even if I were to keep the clothes, I probably would not wear them again and then where would I keep all these garments anyway with my overflowing wardrobe?” It’d be a fashionably sound world if the gratis brigade would just talk and walk like Kaur.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | DESI GIRL PRIYANKA CHOPRA’S OFFICIAL NEW CHOKRA IS PARDESI BOY NICK JONAS

RUBINA’S RADAR

There’s been a lot of hip-holding of Priyanka Chopra’s pageant-winning waist by American musician Nick Jonas in New York, Mumbai, Brazil, Singapore and London that made for super photographs splashed across tabloids in recent months. Chopra was, after all, the Jealous singer’s and erstwhile Disney actor’s new love – he being the guy who’d dated Selena Gomez, Miley Cyrus, Kate Hudson, maybe even the stunning Kendall Jenner and former Miss Universe Olivia Culpo before her. Chopra had only been dating the Dallas-born Nicholas Jerry Jonas for a haute second, and then, bam! An engagement!

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Priyanka Chopra and Nick Jonas | Photo: Instagram

She played desi girl to the hilt with her pardesi boy Jonas flying down to Mumbai with his parents, Denise and Paul Kevin Jonas Sr for the roka ceremony. The pre-wedding ceremony held at her Juhu home was all about honouring Indian family traditions and culture and loving an American guy, amidst family and friends. More family, less friends. It was attended by the 55th richest person in the Forbes World Billionaire list 2018, Mukesh Ambani, and his wife Nita and daughter Isha and Bollywood’s almost number one actor, Alia Bhatt among others. Bollywood’s presence of popular faces was minimal here. Even Karan Johar who is literally everywhere, was on foreign shores and couldn’t strike a pose and pout for the assembled photographers on the Juhu street, but his congratulatory bouquet of flowers did make it to the photo grids. Same difference. The claims that Chopra and Jonas wanted to keep it private and low-key don’t quite match up with the calculated release of information and photographs by the machinery. A supposedly quiet visit to an orphanage, St. Catherine’s in Mumbai the morning after the ceremony not only had pictures circulating, but videos of the same posted by Jonas himself. Millennial super girl Kylie Jenner fell in love with Travis Scott, made baby Stormi and racked up billions during her pregnancy more discreetly than the engaged adults here. And closer home, Salman Khan is being human sans any visual mementos of his philanthropy.

Chopra has a definitive style when it comes to her fashion stakes, aided by Hollywood stylist Cristina Ehrlich and of late, Mimi Cuttrell, the 25-year-old primary stylist to Palestinian-Dutch-American model Gigi Hadid. Interestingly, there was no fashion to talk about really at the ceremony or the subsequent party by Chopra, but the loved-up photographs of the newly-engaged couple made for the ultimate fashion statement here, with diamonds of course.

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Priyanka Chopra and Nick Jonas | Photo: Instagram

To go from being in love with an Indian man on the right side of 50 to a JoBro of 25 was a bit sudden, if anything. As far as her love life went, there was no talk of it in the West prior to her Jonas coupling, although Mumbai knew very well of a love affair, albeit unofficially, that was storming inside of her, never mind where she lived or where she worked – Bollywood or Hollywood. But she’s now spoken for and all that Bollywood tumult seems behind her today. And as their initials NP go, there seems to be no problem or objection to this coupling, aside from some favourable and unfavourable comparisons to her last unofficial superstar boyfriend.

Chopra conquered Bollywood armed with her Miss World crown and winning smile only to power through Hollywood headlining a television series, Quantico, and now, with this East-West coupling, she seems like she’s going to be settling down happily ever after in Grammywood. She wants it all – crowns, endorsements, films, television, music, love, marriage – and is sure getting it all too. The newly-engaged couple are looking to wed on Jonas’ 26th birthday on September 16 after he popped the question on her 36th birthday on July 18 in London. There’s no word on the city, country or venue of their wedding yet and what place on Earth they will call home either.

The future Mr and Mrs Jonas are sure to make great music together, and make even better pictures in the times to come. The very fact that she’s an accomplished singer herself having cut a few tracks of her own, to fall for a musician, comes as no surprise really. And, he’s handsome and clearly smitten by her charms. I’m sure Chopra will not just be content cheering on her fiancé from vantage points at his live shows and performances but will be making some real music with him soon. I can’t wait to hear the single or album they’ll cut. And better still, a duet for a Bollywood film too.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

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Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

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Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018