RUBINA’S RADAR | THEATRE. ART. DESIGN. FASHION

India’s finest talent, Shabana Azmi is celebrating her late father, Kaifi Azmi’s birth centenary with an ongoing series of events across India, from mushairas to plays to live musical evenings at Janki Kutir. Raag Shayari is an artistic, theatrical collaboration between Azmi, tabla maestro Zakir Hussain, singer and composer Shankar Mahadevan and lyricist Javed Akhtar, interpreting the works of the accomplished late poet in a contemporary, musical manner. “Raag Shayari’s an evening of archival value because Shankar Mahadevan sings a selection of Kaifi Azmi’s poems, Javed Akhtar recites them in Urdu and I recite the English translations with Ustad Zakir Hussain interpreting the same on the tabla,” says Azmi. The debut show of Raag Shayari was on January 13 at NCPA, Nariman Point. The second show was held the following evening at the St. Andrew’s auditorium in Bandra, Mumbai with Waheeda Rehman, Asha Parekh, Rekha, Aishwarya Rai-Bachchan, Vidya Balan, Farhan Akhtar, Divya Dutta and Madhu Chopra in attendance.

Shabana Azmi, Javed Akhtar and Shankar Mahadevan during rehearsals for Raag Shayari. Photo: Rubina A Khan
Shabana Azmi during rehearsals for Raag Shayari. Photo: Rubina A Khan
Javed Akhtar, Shabana Azmi and Zakir Hussain during rehearsals for Raag Shayari.
Photo: Rubina A Khan

Businessman Shom Hinduja’s home in Juhu, Mumbai, is a consummate realisation of art and design by his older sibling, Ambika Hinduja. Her impeccable imagination made the first live cover of Architectural Digest’s India edition this January, with Irishman Joseph Walsh’s Magnus at the heart of her art. Hinduja created the space around the bespoke Magnus‘ universal energies. Nothing screams in the consciously designed space, but the people in it, in sheer wonderment of the art that is congruous to her sustainable design métier. I’ve never met a more self-effacing design virtuoso like Hinduja. Her visual artistry here is a master stroke of her own inherent genius, which understandably, her parents, Ashok and Harsha Hinduja, are very proud of. It’s not only her imagination that’s impeccable, but it’s also the name of her art and entertainment company, with offices in India and the UAE. Impeccable Imagination represents artists from Belgium, Brazil, Iran, Ireland and the United Kingdom and the company’s only just getting ready to launch Blue Beet, a multi-sensory design and culinary space in Dubai in the coming months.

Joseph Walsh and Ambika Hinduja in Architectural Digest. Photo: Andrew Bradley
Joseph Walsh’s Magnus in Shom Hinduja’s living area. Photo: Andrew Bradley

Forts are Indian fashion’s new runways du jour in 2019. Earlier this month, the Red Fort in New Delhi made for an enchanting setting for a fashion show held on its heritage grounds, organised by the Ministry of Textiles and Sunil Sethi, President of the Fashion Design Council of India. It was a historic first for Indian fashion and a commendable one at that. After showing at the Red Fort, master couturier Rohit Bal enthralled Mumbai with Guldastah, a collection inspired by Renaissance artists and botanical paintings, at the Blender’s Pride Fashion Tour held at the Bandra Fort on Wednesday evening.

Lakshmi Rana in Rohit Bal’s Guldastah at Bandra Fort. Photo: Rubina A Khan
Sidharth Malhotra in Rohit Bal’s Guldastah at Bandra Fort.
Photo: Rubina A Khan
Models in Rohit Bal’s Guldastah at Bandra Fort. Photo: Rubina A Khan

Models walked down the bedecked steps of the fort in luxurious Bal raiments in hues of ivory, black, gold and red to the dulcet sounds of Shubha Mudgal’s live classical performance. This was the best fashion show I have ever seen in Mumbai. Guldastah was an immersive experience and you could almost smell the roses of forgotten romances with the ethereal floral dominance in Bal’s impassioned collection.

Actor Sidharth Malhotra was Bal’s showstopper, but a resident dog of Bandra Fort beat him to it, wagging its tail happily on to the runway, ahead of him, much to the delight of everyone present. Malhotra seemed to have studied Amitabh Bachchan’s walk and stance thoroughly and mirrored the same quite well on the runway. But then again, mirroring is not quite like owning it! Anju Bhavnani, now more popular as Deepika Padukone’s mother-in-law versus Ranveer Singh’s mother, was all praises for her beautiful bahu when I spoke to her for a lightning Mumbai minute. “We are very happy and blessed, hashtag blessed,” she said. A family that hashtags together stays together? Insta guess so!

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©Rubina A Khan 2019

RUBINA’S RADAR | MAKING FASHION HISTORY IN OLD DELHI AND CALCUTTA IN THE NEW YEAR 2019

The first week of 2019 kicked off with Indian fashion making historical moves on, and off, the runway on heritage sites. The formidable collaboration of the Ministry Of Textiles Government Of India, the Archaeological Survey Of India, the Ministry Of Culture and the Fashion Design Council Of India, created fashion history with Artisan Speak, a show that celebrated India’s majestic textile legacy at the Red Fort in New Delhi on January 5. The Red Fort grounds as a fashion runway was unimaginable, till it was the past Saturday. And, what a progressive first it was!

Headlined by designers Anita Dongre, Rohit Bal, Rajesh Pratap Singh, Gaurang Shah, Rahul Mishra and Anju Modi, the ivory Sawan and Bhadon Pavilions, and the red sandstone Zafar Mahal made for a dramatic backdrop for the show. Artisan Speak turned a page in India’s history, transcendentally juxtaposing the regal era of yore with the immediate now. The show honoured six Padma Shri and seven Sant Kabir award winning master craftsmen, wherein the Union Minister Of Textiles, Smriti Irani, gave away Special Recognition Awards to the indomitable contributors to India’s textile sector. Craft Revivalist and Textile Conservationist Madhu Jain was recognised for her work with bamboo silk and the President of the Fashion Design Council Of India, Sunil Sethi, was awarded the honour for Promotion Of Handicraft and Textile Design, for his Made In India ideology even before it became fashionable and his relentless pursuit of elevating Indian crafts and the handloom industry in the domestic and foreign markets, working in close proximity with the Textile Ministry over the years. When Irani lauded his efforts during her speech on stage, Sethi turned uncharacteristically bashful for five seconds.

On January 7, Anamika Khanna showed her collection at the Artisan Speak show organised by the Fashion Design Council Of India for the Ministry Of Textiles Government Of India at the legendary Currency Building founded in 1833 in Kolkata. It was a felicitous venue for Khanna’s show. Whilst most heritage buildings in Kolkata, the first seat of power of the British Empire, reflect Gothic styles of architecture, the Currency Building stood out in the city with its Italian style, particularly its Venetian windows. The building went through many hands and years of neglect and demolishment till the Archaeological Survey Of India took over and restored it to its distinct Italian architectural style recently. Archaeologists have found evidence of an underground canal from the building to the river Hooghly to cool freshly minted coins in its original avatar as a currency house.

Artisan Speak in Kolkata was yet another historical step forward for Indian fashion by showing in a protected building, creating awareness for India’s textile industry, the second largest employment sector in the country, after the agricultural industry. After the momentous fashion show, the Currency Building turned into an exhibition space, open to the public, for jute, silk and handloom crafts the following day. “India has seen a growth of 24 percent in the export of jute products in the last five years,” said Smriti Irani, Union Minister Of Textiles, a pivotal voice of Artisan Speak.

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©Rubina A Khan 2019


RUBINA’S RADAR | BOLLYWOOD ACTORS DEEPIKA PADUKONE & RANVEER SINGH’S NOVEMBER WEDDING IN LAKE COMO

Bengaluru girl is marrying her Bandra lover boy for real. Bollywood actors Deepika Padukone and Ranveer Singh (Bhavnani) are getting married on November 14/15 in Lake Como, Italy. The couple announced the wedding dates, sans any other details, on instagram around 4pm on Sunday evening, sending the 42 million people following them, and more, into a ‘gramming, tweeting and whatsapping hysteria. Padukone and Singh have worked in three films together, all of which were directed by Sanjay Leela Bhansali – Goliyon Ki Raasleela Ram-Leela (2013) Bajirao Mastani (2015) and Padmaavat (2018) and have since become a haute favourite with audiences as a reel couple. Padukone, now an international actor having played the lead in xXx: Return of Xander Cage alongside Vin Diesel made it the 2018 Time 100 List as one of the 100 most influential people in the world and Singh is one of the highest paid actors in Bollywood and a hopping favourite with brands, both national and international. Their real life coupling as Mr and Mrs Bhavnani in November is only going to intensify their celluloid net worth. Together, they’ll make money move, and how! Congratulations you two!

Where there’s a wedding, there’s always jewellery in the known universe. And jewellery advisor Arundhati De-Sheth knows that and more. After graduating from the ESSEC Business School in Paris, Sheth was selected to the Louis Vuitton Moët Hennessy program to specialize in Luxury Brand Management, leading her to a working stint at Cartier Dubai. Mumbai-based Sheth pulls diamonds, rubies and emeralds from jewellers for a living, and loves it. Sheth, Mumbai’s first ever jewellery advisor, or perhaps India’s first, hosted a pop-up of jewels curated by her at Le Mill in the city recently. “I am very passionate about jewellery and the art of making it. In my role as a jewellery advisor, I work with a small group of handpicked jewellers from Mumbai that each specialise in diamonds, coloured gem stones and Jaipur jadau. I source jewellery from them on request, but I also approach other jewellers for a request that fits them. I’m not working with large brands at the moment, only private jewellers who work in a very organised and professional manner,” says Sheth of her distinctive job profile.

I think fashion stylists in India are so focused on pulling clothes for their celeb and bridal clientele that they never seem to get the accessories, or the jewellery accents right. It’s always too much or too little, never just right. Jewels can play up an ensemble majestically as can the most exquisite diamond look stunning on one individual and most unsightly on another. But then again, Sheth gets paid to tell you that as your personal jewellery advisor on call. The allure of beauteous, blinding bijoux is where Sheth steps in, nudging you towards bespoke sparkles befitting your persona, awakening your latent personal style in the process, all for a price of course.

Mumbai’s culinary landscape is as multifarious as it’s ad-interim. Relevance, consistency and popularity make for a rare threesome in the newly-opened bars and restaurants in the city. Kode, a freestyle bar and kitchen in Kamla Mills, Mumbai that opened in June 2017 is where it’s at with contemporary flavourful fare, theatrical cocktails, speak-easy design spread across 4000 square feet of industrial ground and Friday nights as a thumping lounge with a dance floor that 500 people shimmy and shake on.

The Burrata accompanied with a Tomato Foam, Melba Toast, Rocket Leaves and Balsamic Vinegar was great. The Turkish Flat Bread, Asparagus and Gruyere Quiche, Avocado Carpaccio with Crackling Spinach, Edamame and Tofu Thai Curry with Garlic Rice, Vietnamese Rice Paper Rolls, Beurre Blanc Chargrilled Prawns, Sweet Potato Crisps with a Green Pea Truffle Oil Dip make for my favourites from the expansive menu led by Chef Momin. And there’s still desserts and cocktails! The White Chocolate French Toast with Mango looks like a sunny-side up egg but it’s anything but, despite the mango “yolk” running over. It’s like a Westernised and very elegant Shahi-Tukda so to speak. Beloved by all, the Deconstructed Black Forest Cake with Maraschino Cherries is addictive. The theatrical presentation of the food and cocktails, like the cinnamon stick on fire in the Bird’s Nest Cranberry Passion Fruit Vodka Cocktail or the crushed rose petals that go into making the exquisite Forgotten Petal Sour Gin Cocktail replete with a Campari Soap, Australian Champagne Tea Foam and Cotton Candy or the White Chocolate French Toast, does not take away from their intrinsic flavours. It just adds to the drama and fun of drinking and eating out in a city that went from being a Bombay that never slept, to a Mumbai that sleeps way too early.

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©Rubina A Khan 2018

RUBINA’S RADAR | NAME AND FAME SHAMING IN INDIA

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India’s Minister of State for External Affairs MJ Akbar, a former political journalist and editor of The Asian Age, is currently in Nigeria, Africa on a business strip, I mean trip. Akbar’s editorial chamber of sexual secrets has flooded the news belts, which ironically, he once controlled. That he tormented women beyond human comprehension, an unabated abuse of his power and gender, in and out of his newsroom for decades, has been brought to light and recounted by journalists Priya Ramani and Ghazala Wahab and many others who are coming forward with their sexual predation stories at work. It hasn’t shocked the men (because they always know) as much as it has the women reading these bone-chilling accounts of sexual perversions and life-altering acts. The Indian government hasn’t yet issued an official statement on Akbar or on the very pertinent and pressing issue of women (and men) being sexually harassed in the work place since the stories broke.

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MJ Akbar | Credit Unknown

A deafening silence is rather typical in our country wherein conditioned, controlled and cautious responses to things that really matter are the norm. Akbar’s grave transgressions as an editor were definitely not a secret when he was appointed minister, but yet he was given governmental charge. Akbar’s editorial harem stories are restricted to making headlines for now but I sincerely hope they don’t get relegated to just that. Corrective, legal action must be taken by the Indian government. An exposé of Akbar’s encounters of the sordid kind is not going to be enough – what happens after by means of unbiased investigations is what will set the tone for all Indians in the future. This is what’s wrong with our Indian sensibilities – we get all amped up about an issue and join conversations online and offline, but then, the momentum peters out. Why? Sexually harassing and tormenting women, or men or anyone, of any gender, race, caste, colour and religion at work or play is NOT OK and this has to stop now.

It is equally disturbing to think that we live in an India that allows a famous figure, a Bollywood one at that, with a well-entrenched public imagery based on celluloid histrionics, far removed from reality, to vilify a man’s believability in a trice. On October 10, 2018, the Bombay High Court quashed the charges levelled against industrialist Ness Wadia by Bollywood actor Preity Zinta with an in-chamber hearing before a division bench of Justice Ranjit More and Justice Bharati Dangre in Mumbai.

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Ness Wadia | Photo: Rubina A Khan

The case involved an altercation the former lovers had at Mumbai’s Wankhede Stadium whilst their co-owned IPL team, Kings XI Punjab was at play on May 30, 2014. Visits to the Marine Drive police station by Zinta to lodge an FIR against Wadia, a letter to the then police commissioner of Mumbai, Rakesh Maria, stating: “I (Zinta) just want him (Wadia) to be kept away from me so I can live in peace, otherwise one unfortunate day, in a fit of rage, he will kill me and that really scares me,” Facebook posts by her made for sensational headlines, believed all too easy by the country’s populace that vicariously feeds off Bollywood stars’ lives. After such a strongly worded statement to the Mumbai police, one would think Zinta would seek the fastest exit from such a “scary” situation with a court verdict on the case, but it dragged on for four years, and not because of the oft-criticised speed of the Indian judicial system most definitely. Since 2014, it was a case-in-progress, during which Wadia was judged in public for alleged charges that never got off the media carousel, till he was cleared by the Bombay High Court on Wednesday. Can the public defamation, mockery and well-documented humiliation endured during this period ever be quantified in the same measure? I would think not as the internet lives on forever. Not to undermine anyone’s truth here, but does a more visible celebrity’s truth make it the absolute truth?

The current climate in the world is all about speaking your truth, but I fear that’s turning into a dangerous social media sport, an extreme one at that – a name and fame shaming game. The face and voice of India’s Me Too movement, Bollywood actor Tanushree Dutta’s claims of sexual harassment by a senior actor, Nana Patekar in 2008 are being questioned just because she’s vociferously speaking up about it a decade later. Not that she hadn’t reported it to the authorities in 2008 to no avail. As is writer and director Vinta Nanda’s horrific account of being brutalised by actor Alok Nath on Facebook being mocked for her intentions, which is shocking to say the least. Patekar is more famous than Dutta as is Nath versus Nanda and that is where lies the real perpetrator – the fame scale. The blinding imagery of the bigger celebrity in such situations dominates the conversation, even to the extent of determining its outcome, undermining the reality of the lesser famous person in the fray, which is what is happening to Dutta, Nanda and everyone who is outing their perpetrators. It is their choice to speak when, how and about what they want; it’s a fundamental human right. There’s nothing extra about that.

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Tanushree Dutta | Instagram

Why is Dutta’s authenticity of being sexually harassed by men at her work place – a film set – the very means to her livelihood and chosen career path, questionable but Zinta’s stadium fracas with Wadia and her subsequent allegations against him in 2014 are not? Could it be because Dutta’s celebrity is less than Zinta’s, not that Zinta holds any ranking in Bollywood’s top order today? Or that Dutta speaks firmly and consistently, without intimidating media persons? Or because Zinta’s verbosity was more entertaining than Wadia’s passive quietude? Not that Dutta’s case is anywhere similar to Zinta’s, but it does make the visible fame game very questionable, albeit not the issues raised. Dutta lost her career because of Patekar’s gender power play at work and had to reluctantly move to the United States. As author and columnist Shobhaa De rightly said, “I believe Tanushree. She’s not a commodity that comes with an expiry date. There is no expiry date to speak your mind. It is her individual right to speak up, as it is everyone’s else’s too. And I truly think everyone, be it a famous person who has a platform or not, can and should condemn assault.”

How does a version of what happens, or happened to a person, become the holy truth, or not, that defies all legalese and the laws of the land against the other? Elementally, anyone can “post a truth” at any time and take anyone down in this digitally-powered world today and that is not comforting at all. And, if you’re in the million-plus followers club, paid or unpaid, it is a digital assassination of the person that is being mentioned in the post, the repercussions of which are irrevocably damaging and fatal. Worse still, if the person mentioned is not on social media, then they’re damned before they even have a chance to grasp the situation and speak in their defence. And that’s wretchedly unfair. They should be heard, and not vilified instantaneously by one-dimensional versions on social feeds. But that’s tragically lost in the cacophonous web of “whoever is the loudest and more visible face wins”.

To relay and report voices in the media is as important as the material those very voices choose to put out on social platforms, without any investigations on anyone’s part, including the authorities, save the lone voice letting it all out. By the time investigations come about, it’s already too late to do any kind of damage control for the other person, given everyone loves a story more than the truth today. Access to social media should not turn it into an armed weapon of human destruction by the user or make it an accomplice in their digital crimes and vendettas. That is so very wrong for victims who have but that voice to help them speak up, which is what is happening today. It’s not just about the Me Too movement worldwide, but all aspects of a tell-all in today’s digital era spiralling out of control, leaving an irreversible trail of hashtag insta-deaths. In a world that’s still struggling to drink responsibly, is it too much to tell our truths honourably?

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | THE INDIAN RUPEE IS WEAK, BUT DELHI’S LOTUS MAKEUP INDIA FASHION WEEK SS19 AIN’T!

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Paris Fashion Week kicked off with a Christian Dior show on September 24 in Bois de Boulogne in Paris. But what’s making more headlines than the French luxury label right now is Italian fashion house, Versace, of the famed Medusa head, with the impending Michael Kors buyout. Dior’s Creative Director, Maria Grazia Chiuri’s centerstage fashion and dance extravaganza left everyone breathless, but not more than her ethereal, bespoke designs for Italian fashion force, Chiara Ferragni’s wedding in Noto, Italy earlier on in September this year who chose Dior over every other fashion house for her special day. That’s had me screaming J’adore since. Rumour also has it that the SS19 collection in Paris was Chiuri’s last one for Dior.

American fashion designer, Michael Kors is getting ready to buy out Versace, headquartered in Milan, next week for approximately $2 billion after buying the designer shoe company, Jimmy Choo for roughly $1.2 billion in 2017.

This fashionable, not to mention consolidatory move of Kors will strengthen his position as an American powerhouse to European giants like Louis Vuitton Moët Hennessy (LVMH) that owns 70 houses, with $50 billion in revenues in 2017 and Kering that have dominated the fashion industry with brands like Louis Vuitton and Gucci. Donatella Versace has been running Versace ever since the murder of her brother, Gianni Versace in 1997, the founder of the fashion house.

It’s always been a Paris versus Milan situation for fashion forwards, quite like the Mumbai and Delhi fashion weeks in India, but it’s always fashion that rules the runway regardless of geographical optics. The October Spring Summer 2019 edition of India Fashion Week, presented by the Fashion Design Council of India, takes on a new name – Lotus Makeup India Fashion Week with Lotus Makeup as its title sponsor. LMIFW takes place from October 10 to October 13 2018 at the Jawaharlal Nehru Stadium in New Delhi. “Lotus is a leading make-up and skincare brand and what makes this partnership exciting is that it is a homegrown brand with indigenous offerings, which are rooted in India just like our constant endeavours to celebrate the innate Indian-ness in our design spheres,” says Sunil Sethi, President of the FDCI. LMIFW SS19 will see a Japanese designer showcase his designs, a first, on the Delhi runway and a triumvirate of designers together – Rajesh Pratap Singh, Rohit Gandhi & Rahul Khanna and Ashish N Soni, telling India what’s next on the fashion landscape in a sponsored show by LMIFW’s associate sponsor, Nexa.

Sunil Sethi, President FDCI

International beauty brands like Maybelline and Fiama Di Wills have sponsored India Fashion Week in the past, but this is the first time an authentically Indian beauty brand, Lotus Makeup, is collaborating with the FDCI’s India Fashion Week as its title sponsor. The sponsorship will add a definitive edge to Lotus Makeup’s thriving beauty business, an integral part of the fashion business. Given the crazed obsessions of beauty and fashion worldwide, this is a fiscal win for both. Add natural, sustainable and vegan beauty products that are cruelty-free with zero animal testing to Lotus Makeup’s beauty currency and you’ve got an Indian company that is fashionably on trend.

Abhishek Bachchan’s voluntary breather from acting saw him ironically breathe love and life in Anurag Kashyap’s Manmarziyaan as Robby a couple of Fridays ago. Kashyap is obviously happy with his narrative resonating with the audiences who’ve loved the film. The film is a lighter shade of love in comparison to his previous romantic dramas like Dev D (2009) and Gangs Of Wasseypur (2012) that celebrated dark loving. “This is the lightest shade of love that I can get. I need to keep it real. I can’t see myself making unrealistic films with no connection to the lives we all live. I now conserve my energies more for work than anything else and it seems to be working. Though, finding some semblance of importance in my teen-aged daughter’s life is another thing altogether,” laughs Kashyap over the phone from Strasbourg, France. “I’m delighted with the engaged response to Manmarziyaan and more so for my actors, Abhishek (Bachchan), Vicky (Kaushal) and Taapsee (Pannu) who portrayed them just so.”

So does Manmarziyaan indicate a more loved-up state of films from him, with say Salman Khan playing the lead? “Oh, that’s not going to happen as Salman is upset with me, but of course I would love to work with him,” he says nonchalantly. Whatever for? “Well, I was supposed to direct him in Tere Naam almost 18 years ago and I asked him to grow his chest hair and somehow, that did not go down well with him. We haven’t spoken since. I reckon he’s still mad at me though I am not sure. I’ve never told anyone about this but then again, it’s been a decade and more,” says the filmmaker.

Chest hair, really?

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | A LITTLE GLAMOUR NEVER HURT NOBODY

RUBINA’S RADAR

The Beyoncé of the beauty business is celebrity makeup lines. Everyone’s got one or wants one, not Bey of course. Lip Kits, Kyshadows, Kylighters and what have you for that Calabassas glow-up by the 21-year-old billionairess on the block, Kylie Jenner and her company, Kylie Cosmetics, founded in 2016 to Kim Kardashian West’s KKW Beauty and fragrances that launched in June 2017 to Jennifer Lopez’s 70-piece limited edition collaboration with Inglot in April 2018 to Rihanna’s Fenty Beauty line that dropped in September 2017 – every girl in the world is obsessed with these race, gender and colour inclusive beauty products that make you look like the glam goddesses pushing them. Not only do they make you look and feel beautiful, they’re selling out in seconds globally with every new collection drop! It seems like everyone wakes up to makeup with these celebrity lines!

It’s taken India a while to get on the collaborative beauty carousel aside from the passé promotional posts on Instagram where everybody’s an advertorial beauty advisor, trying to Kontour like a Kardashian. As if! Lakmé India’s stepped up its beauty game by dropping its first ever celebrity makeup line with Bollywood’s most original and enviable pout – Kareena Kapoor Khan in August 2018. Taimur Ali Khan’s haute mom’s limited edition collection – Shades Of A Diva, the Kareena Kapoor Khan Signature Lakmé Absolute Range celebrates Indian skin tones and beauty vivacity with Pout Definers (duh!), Face and Cheek Contours, Waterproof Lip Definers and the works. What’s missing though is a definitive Khan Kajal for our beauteous Indian eyes. At least some of those ghastly makeup video wanna shines can now Kontour like Kareena or Pout like Poo, with a makeup range designed for Indian skin tones, curated and endorsed by a Bollywood star, the biggest magnet of all. Let’s see if this celebrity collection is a blockbuster in the beauty market and the kind of numbers it pulls in with her name.

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Kareena Kapoor Khan | Lakme

India’s grand couturier Rohit Bal’s giving “Are you wearing Rohit” a whole new essence ever since he dropped his own fragrance line for men and women in February this year. Bal launched an Arab essential, Oudh and Aab for men and Vana and Oas for women. Bal is known to experiment with his inherent talents, having collaborated on an exquisite home decor line with Good Earth in November 2016, an extension of his 2015 Husn-E-Taairat couture collection. In keeping with his indomitable spirit for artistic excellence, Bal’s velvety, luxurious fragrances add another dimension to his creative pursuits marking an impressive debut in the beauty business. Bal’s Oudh is enchanting and as seductive as the Arabian originals in the Middle East. What’s a desert country like Dubai without the exotic Oudh wafting through its architectural modernisms anyway? Wearing Rohit Bal apparel and couture is de rigueur, but the fragrance line has taken Bal to another level of luxe altogether. What’s next? A makeup collaboration?

Whilst on all things glamorous, flying to exotic locales is quintessential to fashion forwards worldwide. The Wadia Group’s domestic airline, Go Air, is all set to go international come October 2018 with direct flights to two of the world’s most fashionable and luxe destinations – Male, Maldives and Phuket, Thailand from Mumbai and New Delhi. Go Air’s direct flights to both Male and Phuket from Mumbai will definitely put an end to the stretched nights spent at the Mumbai airport flying into Male via Colombo at unearthly hours on SriLankan Airlines. In this demonetised Indian economy, I had to read the tempting introductory fares twice over to believe them. The Wadia Group launched Go Air in November 2005 as a low-fare domestic airline operating over 230 daily flights across 23 destinations. Taking flight as an international airline in October 2018 after 14 years of domestic operations, is a great move forward for the company and one of great pride for India.

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Go Air | Photo: Rubina A Khan

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©Rubina A Khan 2018

RUBINA’S RADAR | BAD GAL RIHANNA IN MUMBAI, SOON!

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The delirium for everything Justin Bieber hasn’t abated in the least with his engagement to model Hailey Baldwin on July 7 earlier this month. If anything, it’s only gone up after the official coupling. Bieber’s live performance in Mumbai last summer left the city sweating, quite literally, and lusting (he was single then!) for more music from him. After Bieber, it’s the bad gal for every season and ALL fashionable reasons, Rihanna’s turn to run this town with her vocals and savage moves.

Rihanna at the Ocean’s 8 UK Premiere held at Cineworld Leicester Square on June 13, 2018 in London

The multifaceted fashion (Fenty x Puma, Savage x Fenty Lingerie, Rihanna Loves Chopard) and makeup (Fenty Beauty) mogul is scheduled to perform at an Indian wedding in Mumbai, to be followed by a public performance soon after. Anti (2016) was Rihanna’s eight studio album and it celebrated 100 weeks on the Billboard 200 chart, breaking yet another record as a solo female artist. Mumbai cannot wait to see the Barbadian pop star live!

One of India’s most spirited, not to mention successful models, Diandra Soares, has launched a new enterprise, the National Academy of Modelling and Grooming (NAMG).  Soares started modelling when she was barely 15-years-old at a time when it was considered unconventional, but then she is anything but.

Diandra Soares | Photo: Rubina A Khan

“I was mentored by the best in the fashion business who gave me their time and made extraordinary efforts to give me me a solid foundation to build my modelling career on, which I went on to do. All the models from my time had definitive personas and distinct looks which is lacking today. It is rather sad that everyone looks the same with zero experimentation. We need to bring back versatility, personality and unconventionality and encourage people to be themselves, sans the fair skin / white skin syndrome. I am obviously very passionate about modelling and with the academy, I want to mentor anyone who wants to model by enabling them with the know-how and the grooming required to sustain longevity in the business. We all are working hard and with great passion and hopefully, we will bring about a positive change in the world of modelling and the fashion business at large. I think we Indians are beautiful and we have a lot of talent but there is a lot that needs to be done in educating and grooming people who want to make modelling a career in India,” says Soares.

Going through an obsessive phase with Banner Day’s linen tees on one end of the American fashion spectrum to almost everything Alexander Wang on the other ain’t easy, with tempting food thrown in for fashionable measure, or not. I couldn’t have been happier wearing the designer du jour on my special day with my go-to Ralph Lauren jeans, devouring Japanese cuisine at Yuuka, my favourite restaurant in Mumbai.

Friday night was all about fun, friends and food – Avocado Tartare, Spicy Salmon Tacos, Popcorn Shrimps, Spicy Salmon and Tiger Tear Maki, Lamb Rack Chops and Silken Tofu with Chef Ting’s Fried Rice with endless rounds of a bespoke vodka cocktail crafted especially for me, called Rubina’s Radar and boisterous conversationsA memorable Wangover indeed with my family and friends. A Cake Moss situation with the decadent chocolate cake made for a laugh riot that is best not written or ‘grammed about!

The first two nights at India Couture Week 2018 in New Delhi will see two of Bollywood’s sexiest “K girls” scorch up the capital – Kangana Ranaut, the invincible fashion forward and Kareena Kapoor-Khan, now popularly known as Taimur Ali Khan’s haute mom. And what’s a couture week without Bollywood stars lending their swaying hips to the  runways really? Couture dazzles, but Bollywood stars bedazzle Delhi.

Day Five - Amazon India Couture Week 2015

Kangana Ranaut

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. 

©Rubina A Khan 2018

RUBINA’S RADAR | OMI & HOMI = BOMBAY BONHOMIE

RUBINA’S RADAR

A vociferous political scythe-lash has taken over Bollywood’s song and dance routine in recent times, taking the fun out of confined, air-conditioned entertainment. But international artists can’t seem to get enough of their one-night gigs in Mumbai, especially Hollywood stars and musicians and Mumbai is not known to keep it down, and definitely not when it comes to its music.

Jamaican singer, OMI, of the reggae-pop worldwide hit, Cheerleader, that’s remixed by German DJ Felix Jaehn, is headed to the city for the very first time, all the way from his home base Clarendon in Jamaica.

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Singer OMI | Getty Images

The singer, born Omar Samuel Pasley, is slated to perform on Saturday, February 23, at Kitty Su, a nightclub at The Lalit, Mumbai. He knows what it takes to hit the Billboard Hot 100 with a melody he woke up randomly humming when he was 21 years old, but it remains to be seen, and heard, if his live gig shakes Mumbai up. While he’s quite cool and popular with the ladies, all the Indian boys just wanna know if the very haute girls in his breakthrough video are accompanying him on his maiden India trip!

On film terrain, filmmaker Homi Adajania’s been playing out his own Parsi, not to mention very PG version, of Two And A Half Men at home with his sons, Zane and Zreh. The entertaining instagram videos Adajania posts of his boys, replete with their super acting skills and put-on accents, are more hilarious and entertaining than anything one’s seen on celluloid lately. But that’s not all Adajania’s busy with in his role as a modernist, stay-at-home-dad.

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Homi Adajania | Instagram

He’s working on his next project, a web series called Saas, Bahu Aur Cocaine for Amazon. A rather blasphemous name that’s already a conversation opener, and perhaps even an eye-opener, for a saas-bahu obsessed nation. But then what else can one expect from someone who kicked off his cinematic leanings with Being Cyrus (2006) a dark, psychological drama produced by Ambika Hinduja-Macker, starring Naseeruddin Shah, Saif Ali Khan, Dimple Kapadia and Boman Irani and went on to make Cocktail (2012), exhibiting the sexiest and coolest version of Deepika Padukone to Finding Fanny (2014). Interestingly, Being Cyrus was shot in the filmmaker’s erstwhile home in Panchgani, which he later sold off to actor Aamir Khan. Saas Bahu Aur Cocaine sounds like a wildly mad ride, just like its creator Adajania and if he swings in Dimple Kapadia to play a part, it could very well be a smashing series. 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | THE FIRST WEEK OF 2018

RUBINA’S RADAR 

2017 ended with a thunderous affirmation of Salman “Tiger” Khan being more than just alive with ₹300 crore and counting at the box office with Tiger Zinda Hai. 2018 opened with a worldwide reverberation of Oprah Winfrey’s acceptance speech, in Atelier Versace in Time’s Up black at the 75th Annual Golden Globe Awards in Los Angeles. Add a celebrated Sri Lankan/Japanese masterchef to that and the first week of 2018’s been all about film, fashion, food and fiercely female.

Sri Lankan chef, Dharshan Munidasa of the famed Ministry Of Crab in Colombo, Sri Lanka, is finally bringing his restaurant to Mumbai in May 2018. Munidasa, of both Sri Lankan and Japanese descent, owns Ministry Of Crab, one of the World’s Top 50 Restaurants 2017, alongside business partners and cricketing legends, Mahela Jayawardene and Kumar Sangakarra in his home country. The masterchef was in the city for a day with Jayawardene to announce the opening of the restaurant, in collaboration with Gourmet Investments Pvt Ltd at the newly opened, The Runway Project, in Phoenix Mills. The signing of the partnership amidst flashbulbs was rather unfashionably Trump-esque, but aside from that, it was a mirthful evening. There’s always a story behind everything and everyone famous today, including Munidasa. India’s best known wine connoisseur, Sanjay Menon, chanced upon Munidasa’s culinary skills at his standalone Japanese restaurant, Nihonbashi in Colombo, about a decade ago, when Ministry Of Crab did not even exist. Menon is a friend Munidasa values highly as his word of mouth, and a private pop-up dinner at the ITC Parel that he organised with Munidasa in the kitchen some moons ago, created the Munidasa magic that subsequently led to the opening of the first Ministry Of Crab. Mumbai will be the second outpost of the restaurant, the location of which still being a classified secret, and the third is slated to open in Bangkok, Thailand later this year. Mumbai is ready for some “crab excellence” Munidasa style, this summer.

A new resto-bar, Mashhad is opening this January at a first-of-its-kind location in Mumbai. Mashhad is situated right inside the entrance corridor of the Taj Santacruz hotel at the city’s domestic airport in Santacruz. Comprising of Persian-Lebanese-Indian cuisine, it is an unusual spot to open a fine-dining, only by reservation, restaurant and lounge. Mashhad was scheduled to open on Salman Khan’s birthday on December 27th, with him as the guest of honour, but it had to be postponed to January due to unforeseeable circumstances. Khan will be at Mashhad on opening night, supposedly on the 10th of this month, alongside a smattering of celebrities and wannashines who’d like to reaffirm their own existence in the presence of the elusive Tiger.

And the United States created fiercely female history that stands testament to the fact that America is a land where dreams and aspirations come true. Oprah Winfrey received the Cecil B. DeMille Award Lifetime Achievement Award at the 75th Annual Golden Globes in LA with an acceptance speech that will reverberate for years to come, not to mention the long standing ovation she received from everyone in the room at the Beverly Hilton. Winfrey is the first African-American woman to receive this award, bestowed by the Hollywood Foreign Press Association for “outstanding contributions to the world of entertainment”. “In 1964, I was a little girl sitting on the linoleum floor of my mother’s house in Milwaukee watching Anne Bancroft present the Oscar for Best Actor at the 36th Academy Awards. She opened the envelope, and said five words that literally made history: ‘The winner is Sidney Poitier.’ Up to the stage came the most elegant man I had ever seen. I remember his tie was white and, of course, his skin was black. And I’d never seen a black man being celebrated like that. But all I can do is quote and say that the explanation in Sidney’s performance in Lilies of the Field, ‘Amen, amen. Amen, amen’. In 1982, Sidney received the Cecil B. DeMille Award right here at the Golden Globes, and it is not lost on me that at this moment, there are some little girls watching as I become the first black woman to be given this same award. I’d like to thank the Hollywood Foreign Press Association because we all know that the press is under siege these days, but we also know that it is the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice, to tyrants and victims and secrets and lies. I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: what I know for sure is that speaking your truth is the most powerful tool we all have. And I’m especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories,” said Winfrey on stage.

If the rumblings of Winfrey running for the US Presidency 2020 are true, and she does run, I will be the happiest girl in the world. I too, was once a little girl, watching The Oprah Winfrey Show every chance I got, being mesmerised by her work, her kindness, her humour and laughter and her unflailing faith in the fabric of humanity. I learnt a lot from her talk show – right from serious issues plaguing the world, exposes on the macabre practices of mankind, every fun fashion and makeup item on her favourites list, what books to read, Maya Angelou poems, her philanthropic work across the world and every celebrity I should know of, and wanted to meet, through her show. She made me believe I could do anything I wanted to, and in the greater tomorrows to come.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | SHOBHAA DE’S BOOK LAUNCH IN MUMBAI & SUNIL SETHI’S INDIE EYE PREVIEW IN NEW DELHI

RUBINA’S RADAR

The magnificently restored Royal Opera House a historic address in Mumbai since its inauguration by King George V in 1911 and India’s only surviving opera house relegated to redundancy in the 90s, is now open to the culturati. It is no longer just a geographical landmark on the Uber app, but a live destination that’s marking up newer glories contrasting from its original, sepia-toned ones today. This vintage Baroque edifice was where author and columnist, not to mention “ready-to-be-lynched-for-anything” Shobhaa De launched her latest book, Seventy And To Hell With It on a fine December evening last Wednesday. At the garden gathering amidst family and friends, De was on fire, as a discerning hostess in a cobalt blue, custom couture blouse by Abu Jani-Sandeep Khosla and a real zari Jaipur Kota Doria sari greeting her guests, with her luminosity lighting up the de riguer photo-ops and selfies. She then went on to breathe fire in her role as a celebrated author on stage, in conversation with journalist Barkha Dutt and Bollywood actor Kangana Ranaut.

The conversation revolved around sex, the celebration of age and beauty in every stage of a woman’s life, the empowerment of women and the power of speaking up, changing the patriarchal guard and living your life wholly on your terms to a full (Opera) House. De’s quintessential ability to turn anything on its head without so much of an arch of her eyebrows or her “De resting face” with a diverse point of view that could swing from radical to pure nonchalance is what makes her one of the most read and heard “Made in Mumbai” voices in India. Had I been in conversation with her about the book on stage, my opening question would have been “How is sex at seventy, Shobhaa?” because her immediate response would have been far more entertaining and memorable than the latest Bollywood film!

In Delhi, fashion’s most formidable force, Sunil Sethi previewed his collaborative design effort, Indie Eye sunglasses and eyewear, with artist Jayanta Roy and designer Tanira Sethi at a Lutyens lawn gig at The Lodhi in conjunction with designer Ashish N Soni’s celebratory 25 year milestone in the fashion business. Indie Eye will be launched in Milan in 2018. The mannequins wore the fashionXart eyewear dressed in Soni’s exquisite all-black Spring Summer 2018 line in a contemporary hard-metal open-air installation tent, alongside a white garment installation which was as enchanting as it was dreamy, exhibiting his structured and minimalistic design ethos beautifully.

There was Artificial Intelligence to talk to Soni, Sethi and Saif Ali Khan (Taimur’s father!) about all things fashion which was interesting, but the Glam-Cam was a monster fail. A garden gig on a Saturday night in the freezing cold temperatures of Delhi surprisingly brought out the warmth in all its glamorous guests, well, almost all. To attend an alfresco cocktail event like this is a Game of Thrones gamble – you either winter wing it in Uggs and cashmere or you whinge all night about the cold, over endless drinks, which is rather unfashionable.

©Rubina A Khan 2017