RUBINA’S REVIEW | THE ARCHIES

DECEMBER 8, 2023

Netflix India’s most awaited film of 2023, The Archies, directed by Zoya Akhtar, released worldwide on December 7th, 2023 on a screen on your lap, in your hand or on your desk. Starring an ensemble cast of debutants in the headlining roles, The Archies is a musical adaptation of the American comic series, Archie, that traces the life of Archibald Andrews, a ginger-haired teen, and his friends in Riverdale, a town in the United States that is as fictional as its residents. Created by publisher John L. Goldwater and artist Bob Montana in collaboration with writer Vic Bloom in 1941, every character in the Archie comics is beloved around the world since, be it Veronica Lodge, Betty Cooper, Jughead Jones, Big Moose, Dilton Doiley, Reggie Mantle, Mr Weatherbee, Miss Grundy, Midge Klump, Ethel Muggs and of course, Archie himself. For lack of a contemporary reference, Archie and his Riverdale gang are the F.R.I.E.N.D.S of the comic world given anyone who has ever read an Archie comic, single or digest, knows and devours everything about the characters and their quirks, such is the endearing familiarity, yet thrilling simplicity of them all.

Referencing an American comic series with Anglo-Indianised versions of the characters set in India in 1964 seems to be the sole premise of this film, with teen angst roller skating into school, and after-school life, with milkshakes and burgers set to wonderfully choreographed musical interludes in marvellous 60s costumery. The costumes in the film are stars in themselves, never mind who is wearing them. But The Archies also appears to be a low-key environmental warrior film set in a year when climate activism did not exist worldwide, certainly not in India, but climate awareness did, and Earth Day was only recognised in 1970 in the United States. As I understand, the 60s teens didn’t really speak green, they did green.

Mihir Ahuja, Suhana Khan, Yuvraj Menda, Agastya Nanda, Aditi Dot Saigal, Khushi Kapoor and Vedang Raina in The Archies poster ©Netflix

The 143-minute film represents the Hindi film industry’s biggest names – it stars a Khan – Suhana, a Kapoor – Khushi and a Bachchan, Agastya Bachchan Nanda, who have simply joined the family business, ably and admirably. And, all three live up to the cinematic legacies they were born into, and have chosen to take forward of their own accord. They can act. If this film was created and mounted to showcase and launch the talents of the twenty-something progenies of some of India’s biggest superstars like Raj Kapoor, Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan and Sridevi, then it has succeeded as Suhana Khan and Agastya Nanda have it in spades, with Khushi Kapoor a few paces behind.

Suhana Khan is prodigiously expressive in her portrayal as the self-absorbed Veronica Lodge in the film. It takes an intelligent mind to play a clueless, millionaire teen and Khan does so with measured alacrity, her soothing voice adding to the allure of her act. And, she dances and pirouettes on skates, and without them, arched and poised like a ballerina, always in step, a grand jeté away from perfection.

Agastya Nanda’s got the Kapoor dance moves and the Bachchan voice and height, but it his very own Nanda je ne sais quoi that adds to his charismatic performance as Archie Andrews. He enunciates his lines beautifully and fills up the screen with boyish insouciance as Archie, a rhythm guitarist torn between Riverdale and England, and Ronnie and Betty, and every girl in the world. Nanda’s definitely got the rizz and has the girls, and boys, in a tizz! He is, after all, Raj Kapoor’s great-grandson and Amitabh Bachchan’s grandson!

Khushi Kapoor makes a pretty picture as the gamine Betty Cooper in the film. She is as graceful as she is statuesque in her role, but she needs to work on her dialogue delivery that is awkward and a tad mumbly. Yuvraj Menda is achingly vulnerable as he is adorable as the teen nerd finding himself, Dilton Doiley. His lilting ‘Thank you’ warrants an encore every single time! Ethel Muggs is perfectly played by Aditi Dot Saigal, a musician who has also worked on the lyrics and music of the film. Vedang Raina is slick and haute as Reggie Mantle, and he goes from smouldering silences to verbose angst with natural ease. Mihir Ahuja plays Jughead Jones ably, but the character written in the film doesn’t speak to the original essence of the forever-eating, oddball Jughead. All seven of the debutants on the film’s poster have got some serious moves and can dance their legs off. Not like Jungkook though, yet.

I loved that the sets looked unreal, with real people and real emotions swirling through – like an Archie in Toyland atmosphere. I loved Rudra Mahuvarkar’s Big Moose dumb, muscleman act – mistaking philanderer for Phil Anderson was a riot. Jughead should have been ditzier and clumsier, and eaten way more hamburgers and fries. Ronnie didn’t need to act fashionably sustainable in 1964 by repeating that eyesore of a canvas trunk bag everywhere in Riverdale – it was just so off the Lodge brand and entirely unnecessary. It didn’t add to her rich vibe; Khan’s enactment of Ronnie did. And, she does know a thing or two about being rich. Seasoned actors like Suhaas Ahuja, Aly Khan, Vinay Pathak, Delnaaz Irani and Deven Khote enriched the performances of the debutants in the film.

Did I love the film? No. Why did I sit through it? I wanted to see SRK’s daughter, Amitabh Bachchan’s grandson and Sridevi’s daughter act, and they most definitely can. Is the film worth the wait, the worldwide marketing thrust, dollar spend and the hype? Not in the least, but all its debutant actors are! You cannot not love them all!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. The © ahead of a name is the copyright of the subject in the photograph and not shot by Rubina A Khan.

©Rubina A Khan 2023

RUBINA’S RADAR | A JUMMA AND A CHUMMA IN MUMBAI

NOVEMBER 17, 2023

Attention is a heady elixir in Mumbai, and rather addictive at that. With the world blowing kisses at Virat Kohli for breaking and making new cricket records at the Wankhede Stadium and football’s invincible goliath himself, David Beckham on a walkabout of the very same stadium with none other than the revered lord of cricket, Sachin Tendulkar, with Kohli as an assist, it’s been a very celebratory November so far. And with India playing Australia in the ICC Men’s Cricket World Cup 2023 on November 19th in Ahmedabad, the attention on cricket is only going to escalate, particularly if India wins the cup.

MUMBAI: India’s colossus of cricket, Virat Kohli became the first batter in ODI history to score 50 centuries, breaking the record for most hundreds in ODIs during the ICC Men’s Cricket World Cup 2023. Kohli broke Sachin Tendulkar’s landmark record for most ODI centuries when he hit his 50th ODI hundred in the semifinal game against New Zealand on November 15th at the Wankhede Stadium in Mumbai, India. Kohli made his ODI debut in 2008 and has played 279 innings in 291 matches to score 13,794 runs at an average of 58.69 and a strike rate of 93.62 to date. He has scored 50 centuries and 71 half-centuries in the 279 innings to date. After the 2011 World Cup win, Kohli had carried his idol, Sachin Tendulkar on his shoulders on the Wankhede grounds, and after hitting his milestone, he saluted towards the stands in the direction of his wife Anushka Sharma, and then to Tendulkar. “It’s the stuff of dreams, Anushka was sitting right there, Sachin was there in the stands. It’s very difficult for me to explain this, but if I could paint a perfect picture, I would want this to be the picture. My life partner, the person I love the most, she’s sitting there. My hero, he’s sitting there. And I was able to get there in front of all of them and all these fans in Wankhede as well, such a historic venue. It was amazing,” said Kohli of his historic moment and India’s win.

Virat Kohli at the Wankhede Stadium in Mumbai, India on November 15th, 2023.

Of course there was another sporting goliath, David Beckham, watching the semi-final game and Kohli’s record innings from the stands. Beckham was on his first visit to India as a UNICEF goodwill ambassador, and caught up with the revered god of cricket and ICC Global Ambassador, Sachin Tendulkar in Mumbai, ahead of India’s semi-final match against New Zealand. People went wild seeing Beckham, Tendulkar and Kohli together, and the three legends of sport were met with thunderous applause and excitement by the fans at Wankhede, especially when Kohli played assist for Beckham’s legendary kick. India plays Australia at the Narendra Modi stadium in Ahmedabad on November 19th and it remains to be seen what records the boys in blue will make and break on the day.

David Beckham with Sachin Tendulkar, Akash Ambani, Kiara Advani, Siddharth Malhotra at the Wankhede Stadium in Mumbai, India

MUMBAI: The first edition of Himalayan Knot, a project exploring the textiles, weaves and crafts of the Himalayan region, namely Ladakh, orchestrated and nurtured by Royal Enfield’s (Eicher Motors Ltd) social mission, was held on November 17th at a Mukesh Mills in Mumbai. The Timeless Spirit of The Himalayas, a conversation between designer Prabal Gurung and sustainable activist and journalist, Bandana Tewari, both of Nepalese descent and heritage, spoke of their combined familiarity with the Himalayan region, and the pressing need for its rightful cultural identity on the global landscape. After all, conversations like these that stem from personal experiences, are the first drivers that action change, be it cultural, ethnic, political or climactic. The Himalayan region traverses India, Nepal, China, Pakistan and Bhutan, and is often othered and smothered by talks of the highest mountain peak in the world, Mount Everest, and not its indigenous people, their culture, their histories and the adverse effects of global warming on all aspects of their life. Tewari also moderated a panel on Empowering Communities Through Craft and Culture and Shaping Contemporary Fashion With Heritage Textiles during the course of the evening. Talking about the plurality in the singularity of our roots and our heritage is the only way forward in a world consumed with selective recognition. The Himalayan kitchen experience was crafted by culinary virtuoso, Chef Prateek Sadhu’s new restaurant NAAR (fire in Kashmiri) in Solan, and led by Chef Kamlesh Negi and a 10-member team, alongside Ladakhi home chefs in Mumbai. The Baqarkhaani, Yak Cheese Askaloo and Gucchi Pulao were incredibly flavourful and delicious. The affable Chef Negi lives in Dehradun, but he belongs to the Paudi Garhwal region of Uttarakhand, and his culinary talent for regional dishes is beyond compare. I am yet to eat something made by him that’s not wildly amazing and memorable.

©Prabal Gurung at Mukesh Mills, Mumbai, India | Photographed by Rubina A Khan

Strategically positioned on the banks of the Arabian Sea, Mukesh Mills, a favoured spot for film shootings, came alive for the night from its dilapidated, withered, barren and abandoned state of existence. Prior to this Jumma night, I had only ever seen Mukesh Mills playing shape-shifting characters in Amitabh Bachchan’s films, namely the Jumma Chumma track from Hum (1991), Khuda Gawah (1992), Agneepath (1990), all directed by the late Mukul Anand. I reckon Bachchan’s Tiger in Hum led to the spawning of many tigers in the film industry since, but Bachchan’s Tiger is an indomitably original and beloved character. I was deliciously excited to be at Mukesh Mills, a place I had wanted to visit for a long time, imagining Bachchan’s 90s era and the films he shot at the abandoned and obsolete mill. I shall go back to Mukesh Mills soon to see the jetty and the docks in all their geographical and historical glory under the warmth of the winter sun.

Mukesh Mills in Colaba, Mumbai, India

An excerpt from ©Amitabh Bachchan’s blog, marked Day 75 reads thus:
“My dear friend and producer of the film, Romesh Sharma and I had been battling for a number for a sequence for a while. On a private visit to Brussels, Belgium I walked past a music store and heard the notes of a song which remained with me. A few months later driving up to Abhishek’s school in Switzerland I heard some attractive notes of another song on the radio and it all came together. ‘Mukhra’ Belgium, ‘antara’ Switzerland and we had the song. Soon after it was recorded, there was Holi at Prateeksha and in the madness of the revelry of the festival, we played the song out to the hundreds of guests at an open house. Billu, as I fondly call Romesh, and I knew we had a winner. We sat on the design, we sat on the location, we sat on the choreography and picked Mukesh Mills. Set up a section of the dilapidated factory into a workers entertainment centre and shot the song. I have never witnessed such enthusiasm and energy in all, during the shooting of this catchy number. We had our moments though. A few months before that shooting I had been on a concert tour – Jumma Chumma in London. Wembley Stadium. 65,000 people. A first for any Indian concert. There was just Sridevi and myself and Kalyanji Anandji with Viju and his orchestra. But I wanted more artists. Two young first timers had suddenly erupted on the film firmament and had perhaps just one film to their credit. Aamir Khan and Salman Khan. It was their first stage show ever. I invited them to join us. Along with Anupam and Neelam we had the concert of our time. A film was made of it and it is available on dvd and video. The popularity of the song and the concert visual was now known to all. We had performed it on stage with exquisite Broadway dancers from New York. They had looked stunning. Would the impression of the song in the minds of the audience get disturbed with what they were now about to see on screen? It was a challenge. One that dance director Chinni Prakash came out in flying colors with. The lovely Kimi Katkar, so gorgeous in her red dress and the only lady on set in the song, incredible. In every shot, the crew, the light men, the spot boys the producer, director, the crowds, all screaming and shouting, egging us on to give our best. What an atmosphere.”

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. The © ahead of a name is the copyright of the subject in the photograph and not shot by Rubina A Khan.

©Rubina A Khan 2023

I Am A Remote Addict: Amitabh Bachchan #Bollywood #Throwback

Towards the end of the 1990s, Amitabh Bachchan’s fortunes were at its lowest ebb. His venture, Amitabh Bachchan Corp Ltd, stared bankruptcy in the face. Worse, his films were flopping. India’s greatest superstar’s days appeared numbered. The public, who had worshipped him for over a quarter century, seemed to be tiring of him. And then Kaun Banega Crorepati happened. Both television and Amitabh’s fortunes changed irrevocably with the quiz show. A decade later now, he returns to the living room of India as the host of the reality show Bigg Boss. His pay cheque for the laity series is rumoured to be Rs 1.5 crore per episode. Aside from being on the tube on a daily basis, by way of peddling designer threads to cars to hair oils, to the infinite reruns of his 70s smash hits to the controversies that make him national news today, Bachchan actually likes watching television. Back in Mumbai after spending time in Singapore with friend Amar Singh who was recuperating from a kidney ailment, Bachchan talked to Rubina A Khan about the small screen, friendships, relationships and his blog which terrifies journalists.

KBC changed TV dynamics forever. You are now back as pop philosopher on Bigg Boss. What do you expect from the show? 
I expect nothing more than being able to do the job assigned to me in as efficient a manner as possible. ‘Changing dynamics’ are for the producers of the show to assess. I am not aware what they mean. It will make me happy if the show does well. When the fruits of your labour taste good, it is a fulfilling experience. 

If you had a choice, whom would you put inside the house from the film industry? 
No one!

KBC prompted many film stars to follow suit. There was Govinda, Shah Rukh Khan and now, Salman Khan and Akshay Kumar. Whose hosting style do you like the most? 
Stars from film hosting shows on the small screen gave the viewing audience an opportunity to see and hear their favourites as they were in real life. They were not playing an assigned role written for them by someone else. People liked what they saw and applauded them. So for the viewing audience, each host was appealing, because they were able to see a facet of the actor hitherto unknown. Govinda, Shah Rukh, Salman, Akshay are known to me. I know what they are in real life away from the sets and camera, and they are all very appealing to me. Asking whose style of conducting a show I like, would be asking me to categorise their appeal to me. That would be wrong and unfair. They have all worked with me and have always shown me immense respect. Tell me, how does one give marks to respect?

You are an ardent follower of the international series, The West Wing. What do you like about it? Which character would you have liked to play in the show, if you were asked? 
I have liked the very concept of the format. Who would have imagined that the office of the President of the United States of America would be material for a TV serial! The whole excitement of being able to position yourself inside those hallowed portals is enough to keep one glued to the proceedings. Then as the events unfold, the speed with which incidents occur and are addressed, is an education in screenplay writing and performance acumen. Each situation, each performer is so perfectly crafted that it is impossible to find even a minuscule flaw. It’s absolutely brilliant! Just observe the camera movements on shots. It is incredible how they have operated them with such finesse and élan. The timings of the artists, the entries and exits, the lighting and the steady cam movements are done to perfection… And what of the artists! They are all simply brilliant. Each chosen and performing to such perfection that it is ompossible to imagine any other in their place. I would have been happy to play an ‘extra’, or ‘junior artist’ as we address them respectfully here in India, in the background, making my ‘passing shot’ on the odd cue, just so I would get an opportunity to watch and observe how magnificently each episode was recorded.

How many hours of television do you watch in a day? 
Depends what kind of show I am watching. A sporting event would occupy me for the entire duration of the game, a serial perhaps for the duration of the episode or not even, news and debates till the topic is over and horror shows not even a few seconds!

Which Indian show is your favourite? 
I like the debates and panel discussions and sports activities. On occasion, the History Channel and National Geographic are of great interest to me.

Do you stick out a whole show or are you a channel surfer and a remote addict?  
I am a remote addict. Though if you were to disturb a sporting event that I was watching, you’d be in serious trouble.

What’s your favorite TV dinner / snack? 
Popcorn, wafers, chura, chikki, cranberry juice, khakra..

The media dreads your blog in case they are next on your flog list. What do you make of that? 
 This is a most exaggerated assumption. The media dreads no one, and most certainly not someone of my insignificance. The media is the conscience of the nation. It would be a sad day for any nation if their conscience lived in fear. My blog is not a flog destination. It is a medium that allows me to talk to myself, with a few listening on. If I have found inaccuracy in the reported media, I correct it. If I have found merit in their writing, I have applauded it. The media has always been the one that asks the questions, and in doing so has the ability to put the one that gives the answers on the defensive. Observe Prabhu Chawla, Barkha Dutt, Rajdeep Sardesai, Prannoy Roy, Arnab Goswami, Deepak Chaurasia and a host of other most efficient interviewers on television. Their entire body language and demeanour is one of great authoritative superiority. Pan the camera now at their ‘meal for the day’ sitting opposite, and you shall find all of us quivering there like rats soaked in water, ready to be devoured. My blog gives me an opportunity to ask the questions and for the media to answer them. This is a reversal they have not faced and are therefore wary of it. But why should they? In a free and liberal society, I have equal right to question. And I now have a medium where I can be heard without the intrusion or the tacit permission of the Fourth Estate. If you are not afraid to question, be not afraid to answer too. For far too long, the celebrity on interview has almost pleaded with the interviewer ‘I hope you are going to write something good about me’. I will not hesitate to admit that there is a sense of poetic justice now, when I hear from some rather prominent journalists who come to interview when they say, ‘I hope you are not going to write about us in your blog, we’re very scared of what you will say!’ Let the media be the watchdog of society. We must welcome that. But who’s watching the dog? Or does the watchdog not deserve to be watched?

Bollywood’s a place of fickle friendships and pseudo relationships. But you have been with your friend Amar Singh for months while he was being treated in Singapore. For an extremely busy person, how do you juggle it all so well and make it seem so effortless? 
I do not know the meaning of ‘fickle friendships’ nor do I have any knowledge of what ‘pseudo relationships’ mean. Someone is either a friend or not a friend. What are fickle and pseudo doing there? There is no room for them. I also do not like the word ‘juggle’ that you have used. It conveys a manual physical act, deployed to manoeuvre a condition, which in my reckoning requires nothing more than heart. I do not see any reason for me to justify my desire to be with Amar Singhji. To me, he is not a friend, he is a member of my family. I was aware of his medical condition and was aware of the amount of time it would require for him to heal. I therefore finished all my work by end June and came to Singapore to be with him for as long it would take for him to get back. I have not taken on any work and I have no films on hand. Only recently, on seeing his progress and his possible discharge, have I taken on a TV programme that requires my involvement from October. I have been by his side for almost three months now and not moved out for a single day. You say I have made it ‘seem so effortless’. Dear lady, the day I shall have to make an effort in friendship, it will be the end of the relationship!

Abhishek and Aishwarya shot for the Oprah Winfrey show recently. Will we see you and Jaya on her show sometime soon? 
How’d I know? Ask Oprah!

This feature first appeared in OPEN on September 26, 2009 and is a part of my #Bollywood #Throwback series 

©Rubina A Khan 2018

Dilip De’s Smartphone School Of Art Exhibit, Celebration Of The Unexpected, In Mumbai

Dilip De is an adventitious artist, but with no less an ardour and depth in his paintings than any creative being in the world, with his Picasso-esque digital imagery on smartphones revolutionising the art world globally. Transcending his love for art from collecting art to creating art today has been the most serendipitous turn De’s life could have taken. And all it took was an innate desire to paint an orchid on his smartphone for the love of his wife, author and columnist extraordinaire, Shobhaa De. His first solo show as a digital artist, Celebration Of Love, was held at the Jehangir Art Gallery in Mumbai in 2016 and his second show, Celebration Of The Unexpected, opens on January 26, 2018 at the same gallery.

Rubina A Khan in conversation with Indian shipping magnate and digital art trailblazer, Dilip De:

How did you chance upon an alternative creative stream of a smartphone artist, not to mention being recognised as the first person in the world to ever do so?
It is indeed wonderful to be accorded the honour of being the first smartphone artist in the world. In 2015, as I was standing in my orchid gardens in Alibag, I felt the urge to draw the beautiful flowers on my smartphone for my wife, Shobhaa. It took me a while to learn how to use a phone stylus as a ‘brush’ and ‘dip’ it in the colour box, my purported palette, which is an integral part of the smartphone. Soon, much to my delight, I started drawing the outlines of an orchid flower on the tiny screen – 5.2 x 4 inches which came to be my ‘canvas’! Regrettably, in my initial enthusiasm, a few of my paintings disappeared from the screen forever as I had unknowingly put extra pressure on the screen whilst drawing on it. Gradually, I mastered the required skill and surprised Shobhaa with a painting of a Japanese sakura! I discovered, through my accidental foray into digital artistry, that art is omnipresent; an artistic expression can be realised at any place and at any time. Art is no longer just confined to a studio, but is truly the product of spontaneity and creativity achieved at one’s leisure.

What kind of smartphone did you use for your first art creation and what do you use today?
My initiation into digital art was with a Samsung Galaxy Note 2 and then I graduated to the Note 5 and I am using the Samsung Note 8 nowadays.

What do you enjoy most about this medium?
I have been an art connoisseur and collector for a while but I was humbled when I realised I’d inadvertently pioneered a new school of art, aptly called the Smartphone School Of Painting, with the orchid flower painting I’d created on my smartphone for Shobhaa. This is a painstaking process and requires extreme concentration and control over the stylus, which I seem to have mastered and enjoy tremendously. The largest global platform launched by Intel and VICE Media, www.creatorsproject.com to celebrate creativity featured my paintings. I have secured Copyright registrations of my paintings in this “new school of art” from the Union Commerce and Industry Ministry of India. My point was, and remains simple today – an artist cannot produce art on an empty stomach. My new dream is to make every budding artist in our country realize how easy it can be to follow a dream and turn a hobby into a joyous reality. Smartphone art is yet another frontier in technology that has made things more accessible and affordable to those who love art. I want my fellow Indians to start loving and collecting artworks easily in their lives. This will also teach them to respect and cherish beauty.

What do you do with the money generated from this “new job” of yours as a smartphone artist?
As you know, I gave away the proceeds from my first exhibition, Celebration Of Love, which was held in Mumbai on August 16, 2016 to the Cancer Patients Aid Association (CPAA). I respect the devotion of YK and Rekha Sapru and their dedicated CPAA team. My wife Shobhaa is also associated with them. This time around, I have decided to contribute the proceeds to the Jehangir Art Gallery – the iconic art establishment in Mumbai – for the promotion of art and the modernisation of their galleries.

Your second exhibit, Celebration Of The Unexpected, alongwith a charity auction of your work, opens on 26th January 2018, at Jehangir Art Gallery, with Amitabh Bachchan as your chief guest in attendance again. Why him?
Amitabh and I met in the 60s in Kolkata as young mercantile executives engaged in the business of international shipping. I suppose we have an old “Calcutta” connection and bond that formed many years ago. At that time, I found him to be an immensely gifted stage actor who went on to scale dizzying heights in his career, and continues to create new frontiers in his field. We also share a warm Bong vibe as his wife, Jaya, is a Bengali. I’ve known him for 51 years now. For me, and the multitude of his fans across the world, Amitabh is undoubtedly the ‘Ultimate Superstar of Bollywood’! His achievements make me proud. There’s a surprise pertaining to Amitabh in this exhibit of mine which he has, in his own words, described as “outstanding”.

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Amitabh Bachchan

Your wife is of the written word and you seem to be visually inclined…
Shobhaa creates and tells stories through the magic of her words and I express my emotions and inspirations through my images. We express ourselves in different disciplines, but we are both storytellers nevertheless. One day, I must attempt to reproduce the essence of one of her stories in the form of images. That’s a colossal ambition, but I will definitely give it a try.

Celebration Of The Unexpected is on view from January 27 to February 3, 2018 at
Jehangir Art Gallery, 161 Kala Ghoda, Mumbai 400001 from 11AM to 7PM.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

 

An Evening Of Pandeymonium With Amitabh Bachchan, Sachin Tendulkar And Piyush Pandey!

Amitabh Bachchan launched Pandeymonium, a book  written by India’s most lauded, awarded and loved advertising creative, Piyush Pandey, on 14th October, 2015 in Mumbai amidst a large gathering of the city’s intelligentsia.

Amitabh Bachchan / Getty Images

Amitabh Bachchan

The conversations between Amitabh and Piyush about the world of advertising and how they worked together for eight long years on a campaign to make India Polio free or how they did their respective mothers’ shraadh in Sidhpur (the only place in India where one can do so) in Gujarat whilst filming the Gujarat Tourism campaign or how Piyush had to make Power Point presentations (his first and last!) for Amitabh for the Cadbury campaign or how Amitabh has stopped disclosing things to his wife Jaya as it is never good enough for her, made for an engaging and amusing insight into their world.

Sachin Tendulkar / Getty Images

Piyush Pandey, Amitabh Bachchan and Sachin Tendulkar

Sachin Tendulkar spoke about his experiences, working with Piyush as a 16-year-old boy who knew nothing about advertising or looking good, only cricket, in a vein most humorous. A delightful evening indeed, spent amidst the greatest Indian luminaries from the world of film, cricket and advertising.

Sachin Tendulkar / Getty Images

Sachin and Anjali Tendulkar with Piyush Pandey

All images are subject to copyright and can be purchased on Getty Images

©Rubina A Khan 2015