RUBINA’S RADAR: PPE FUNDRAISER FOR MUMBAI’S MEDIA PERSONNEL ON THE CORONAVIRUS FRONT LINES

A conversation with a photographer friend of mine on Coronavirus news duty every single day since March 2020, impelled me into thinking about the health risks our Indian media was being exposed to, whilst I stayed safely at home, in quarantine and the lockdown, on government orders. I often wondered how they’d power through the weeks, and now months of the reportage on the pandemic everyday, which seemed endless then, and continues unabated with its relentless savagery on humans. Everyone’s lauding the first responders and medical teams, the police, the hygienists and the cleaners, and very rightly so, but nobody seems to be taking cognisance of the indispensable and crucial work photographers, videographers and journalists are doing on the ground, outside. They’re the people bringing in the news and visuals of the virus every day, and the heart-wrenching devastation and strife it’s inflicting on humans across the world. By going out and reporting from containment and red zones, they’re risking their own lives, and livelihoods, in an extremely uncertain and broken economy and that is saying something. Everything we know about the virus, right from the whats and the hows to the vaccine developments and trials, is through the eyes and lenses of the media as everyone’s in lockdown and quarantined at home. Even as some parts of the world are opening up ever so cautiously after months of isolation and physical distancing of late, their work carries on. It is their photographs and stories that tell us what the new world looks like, how human behaviour has changed and will continue to evolve in the years to come.

On April 20th, 2020, when I heard that 53 press personnel in Mumbai had tested positive for the Coronavirus, and were incapacitated and hospitalised, I just knew I had to do something about protecting them on duty as staying safe at home or working from home wasn’t an option for them. I couldn’t bear the thought of people I know and have worked with going out to work, risking their all for their jobs, without any protection from the virus.

On April 23rd, 2020, I spearheaded a fundraiser by reaching out to my network for contributions as a collective, humane responsibility to purchase Personal Protection Equipment (PPE) as a preventive measure for Mumbai’s news photographers and media personnel covering the Corona crisis on the front lines, to shield them. I am ever so thankful to the people – from all walks of life in India – that responded promptly and empathetically towards the fundraiser with their fiscal largesse like industrialist Ness Wadia, businesswoman Natasha Poonawalla (Executive Director, Serum Institute of India, Pune), filmmaker Karan Johar (Dharma Productions), actor Amrita Arora, film costumer Ana Singh, businesswoman Eesha Sukhi and jeweller Siddharth Kasliwal (Director, The Gem Palace, Jaipur). Since then, the fundraiser has received contributions from jeweller Queenie SinghShalini Passi and filmmaker Gaurav Chawla, enabling the purchase of safety eyewear too for the media.

It is because of the financial support of these very people that the PPE’s reached Mumbai on May 5th, 2020 and were distributed to the media personnel from May 6th onwards. These PPE’s are certified by SITRA – South India Textile Research Association, Coimbatore for fabric and garment – and are for one-wear only. I feel the kindness of all the contributors needs to be highlighted and celebrated, and not go unnoticed as anonymous benefactors, because talking about them will go on to inspire many others to come forward in this crisis to help each other in our country. Every contributor has stepped up as a humanitarian to help our media community, and that is reason enough to laud any helping hand. All of them have made this little fundraiser of mine a bigger success that I ever envisaged it to be and the media community are ever so grateful for their kindness. The PPE’s and safety eyewear bought with the funds raised so far have been distributed to the Mumbai media personnel and I am in the midst of ordering more PPE’s from the second round of funding that has come around. I intend to keep raising funds to provide the PPE’s for as long as they are needed during the Corona crisis.

The PPE fundraiser has been chronicled in the Mumbai Mirror (07.05.2020 edition) and the kindness of the contributors has been sincerely appreciated. The PPE initiative was featured in the Urdu press and online, and I am grateful for people supporting the fundraiser. Encouraging words and tall praise from people I love and admire across the world has raised me up, gladdened my heart (which is rather dire nowadays!) and fuelled me to strive and do even more!

SHOBHAA DE: Rubina’ s spontaneous gesture to mobilise support and order the best quality PPE suits for media colleagues risking their lives to cover the pandemic, must be acknowledged as a gesture that led to many others following her example.

JACKIE SHROFF: The media has always been there on the forefront, come what may. The fourth estate are a brave lot and will have my respect, always. And, you keep shining Rubina!

FERN MALLIS: Rubina Khan is a Covid19 hero… as a photojournalist, she watched her colleagues out in the streets and in the trenches covering the story of this ungodly pandemic and no one had their backs… they put themselves in danger to keep us all informed. Her initiative to secure funds and thereby supply this vital press corp with all the necessary PPE’s was so smart, compassionate and right on. It’s now in its second round of providing more. Thank you Rubina from the epicenter of Coronavirus in New York City.

ANA SINGH: The press has always celebrated my work and my milestones and in this particularly grave time, I feel God chose me to give back to them and I feel grateful for the opportunity. When Rubina spoke to me about the PPE fundraiser, being a journalist and photographer herself, I got a sense of what the media personnel on the field were possibly going through and what it must feel like for them, and their families at home to work outdoors. Rubina’s empathy and concern for her colleagues made this fundraiser a success and she’s leading by example of how to get things done, even when you’re not out there on the field, without being self-serving.

ELEANOR COOKSEY: I am very proud to count Rubina as a long standing family friend. Her recent PPE fundraiser activity is testament to her diverse and unique skills; her thoughtfulness (it is too easy to forget about all those affected in different ways), her resourcefulness and her determination. Here in the UK, there have been endless discussions about how to secure adequate PPE’s with endless delays and excuses. This initiative was conceived and achieved so quickly – the funds raised and the PPE’s reaching the people who needed it in two weeks. A rare positive story amid all this fear and uncertainty.

PARRIS FOTIAS: During these surreal times where we are being constantly bombarded with fake news stories, we are more reliant than ever on responsible journalism bringing us the real facts. Yet no one really thought about the media and their fate during this pandemic. I commend Rubina for her foresight and determination to help protect her colleagues out on the front lines in Mumbai. We are all in this together so much thanks to you Rubina and your PPE fundraising efforts from Australia.

UPDATE: JUNE 2020
Ness Wadia has contributed generously towards the second round of funding end May and fashion designer Manish Malhotra and Delna Poonawalla in early June.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2020

India’s Real Estate Adjusts To COVID19 Reality | Gulf News

The COVID-19 pandemic has irreversibly changed the world order as we know it, and the economy, forever. We thought we lived in an adamantine world controlled by humans, until a contagion microbe – that’s killing harder and faster than any missile – showed us we obviously don’t. Every human and business is hurting, held hostage in quarantine in the absence of a vaccine or cure, at least not yet. Real estate too, is an altered reality.

Indian realty witnessed an unequivocal shift in perspective, long before the virus struck. The enforcement of the Citizen Amendment Act beleaguered India, leaving a trail of bloodbaths and mayhem in New Delhi in its wake, with non-violent protests across the country since December 2019 being the norm. Unsure of the future of their inherent national identities and citizenship, the unrest and uncertainty propelled some Indians and NRI’s to re-evaluate their assets in the country, in particular real estate. Sale listings went up in Mumbai, in many cases because the of very concerns related to the CAA enforcement. These listings didn’t strictly adhere to the market’s competitive and demanding numbers, but veered more towards liquidating the assets at flexible, albeit profitable prices.

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Gateway of India Mumbai | Photo: Rubina A Khan

Virtual tours, an unheard of thing in Mumbai, have slowly started via FaceTime and WhatsApp, but it’s hard to say if that will become the norm. Virtual show-arounds will suffice for a preliminary showing, but to make a final decision, a physical tour is a must, particularly as the amenities are a big part of the tours. The innumerable fake listings for Mumbai properties that lure in susceptible renters and buyers, will cease to exist soon enough as the health clearance of a broker will become as vital as that of a prospective ROB (renter-owner-buyer).

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Bandra-Worli Sea Link Mumbai | Photo: Rubina A Khan / Getty Images

Brokers will by default have to become photographers and videographers, health screeners and learn how to disinfect their listed properties themselves. It will become standard practice for them to call a prospective buyer or a renter before a showing to make sure that he or she is feeling fine and has no cough or sore throat, and has not been out of the country recently – even after COVID-19 is contained. A short-term effect is that buyers will be less inclined to purchase or rent if they have no idea when they will actually get to visit the properties. The long-term effects are yet to unfold, but the virus will cripple sales despite lowered prices. There is no guarantee of buyers if self-isolation, travel bans and border closures continue indefinitely or intermittently.

I don’t see a likely upswing for the next two years at least. The economic uncertainty has sparked off a growing sense of unease and doomsday panic, and is likely to cost the global economy $1 trillion in 2020, according to the UN’s Trade and Development Agency (UNCTAD).

This feature first appeared in Gulf News on March 27, 2020

©Rubina A Khan 2020

RUBINA’S RADAR | INDUSTRIALIST NESS WADIA AT THE CN WADIA GOLD CUP 2020 RACE DAY

One of the most beautiful, earth-to-sky open spaces in Mumbai is the Royal Western India Turf Club’s racecourse at Mahalaxmi. The RWITC is one of the oldest and most well-known horse racing clubs in India. The landscape and architectural style of the oval-shaped 2400-metre Mahalaxmi race track is inspired by the Flemington Racecourse by the Maribyrnong River in Melbourne, Victoria (Australia). Flemington hosts Australia’s most famous thoroughbred horse race, the Melbourne Cup, the richest two-mile handicap in the world and one of the richest turf races, on the first Tuesday of November every year. The first race was held on its grounds in 1861.
gettyimages-1208482066-2048x2048The Mahalaxmi race track’s elite equestrian play has witnessed regal heads of state like Queen Elizabeth II of England attending its racing calendar in 1961, as also the Shah of Iran and the King of Saudi Arabia. The Mahalaxmi racecourse is of the essence in the architectural narrative of Mumbai, and the equestrian legacy of India. Founded in 1800 by Sir Charles Forbes, G. Hall, A. Campbell and P. Haddow as the Bombay Turf Club in the Byculla Club Grounds, it went on to being renamed the Western India Turf Club in 1864. But it was only when philanthropist and industrialist Sir Cusrow Nowrosjee Wadia donated 225 acres of land to the Western India Turf Club in 1878 and advanced an interest-free loan to the club to build the racecourse and grandstands, that it was built under the direction of Major J E Hughes, and horse racing shifted to its current and permanent home in Mahalaxmi in 1883. HRH King George V, the then Emperor of India, allowed the club to add the prefix ‘Royal’ to its name in 1935.

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Industrialist Ness Wadia at the CN Wadia Gold Cup 2020 Race Day on March 08, 2020 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

March 8, 2020 saw industrialist Ness Wadia in attendance, with his nephew Jah and niece Ella, at the 76th edition of the CN Wadia Gold Cup. The CN Wadia Gold Cup is held every year at the racecourse in Sir Cusrow Nowrosjee Wadia’s honour for his largesse and equestrian patronage. Sir Cusrow was born to Nowrosjee Nusserwanjee Wadia (August 30, 1849 – December 19, 1899) who’d established the Bombay Dyeing & Manufacturing Co. for textiles in 1879. Nowrosjee was awarded the honour of Champion of the Indian Empire (CIE) by the British government in 1889 for his business strengths and extensive socio-economic philanthropy and his wife, Bai Jerbai Wadia, built baugs or housing colonies in Mumbai between 1908 and 1956 on more than 35 acres of land for lower income groups in the city. Inspired by their parents, both Cusrow and Ness, the sons of Nowrosjee and Bai Jerbai, built the Nowrosjee Wadia Maternity Hospital and the Bai Jerbai Wadia Hospital for Women and Children in their memory and continued the philanthropic legacy they’d inherited till they were alive.

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Zavaray Poonawalla, Chairman of the Royal Western India Turf Club (RWITC) with industrialist Ness Wadia and his niece, Ella Wadia at the CN Wadia Gold Cup 2020 Race Day on March 08, 2020 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Mr Zavaray Poonawalla, Chairman, Royal Western India Turf Club (RWITC) lauded Wadia’s philanthropic pursuits and thanked him profusely for his family’s continued patronage of the racecourse. Poonawalla also honoured him with a commemorative trophy to mark the occasion. The CN Wadia Gold Cup 2020 (Gr. 2) was won by seven-year-old Vulcan, ridden by A. Sandesh, who also won three other races on the day.  

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Industrialist Ness Wadia with young survivors of cardiac ailments treated by the Bai Jerbai Wadia Hospital for Children, at the CN Wadia Gold Cup 2020 Race Day at the Royal Western India Turf Club (RWITC) on March 08, 2020 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

After the race, children afflicted by heart ailments, who have been successfully treated by the Bai Jerbai Wadia Hospital for Children, performed a little song and dance routine in the paddock – a heartening moment for all. The little kids looked healthy and happy, and cheerfully posed for pictures in the warm, afternoon sun.

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Ella Wadia, Ness Wadia and Jah Wadia at the CN Wadia Gold Cup 2020 Race Day on March 08, 2020 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

The CN Wadia Gold Cup is supported by the Wadia Group and their companies – Britannia Industries Ltd, Bombay Dyeing & Manufacturing Co, GoAir, Bombay Realty, Bombay Burmah Trading Company Ltd, National Peroxide Ltd, and the Wadia Hospitals.

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Industrialist Ness Wadia at the CN Wadia Gold Cup 2020 Race Day on March 08, 2020 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

“It is a moment of pride for me to represent the Wadia Group on this special occasion to commemorate the immense contributions made by Sir Cusrow Nowrosjee Wadia, not only as a successful businessman, but as a custodian of the legacy of philanthropy his parents left him. A keen horseracing enthusiast, Sir C N Wadia was instrumental in giving Mumbai it’s first and only world-class racecourse, which is one of Mumbai’s greatest architectural landmarks. The lasting legacy left behind by him has been a huge responsibility for successive generations of the Wadia family to carry on, and I am certain that our future generations will continue to walk the path laid down by him,” said Wadia of his presence.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2020

MANDARIN ORIENTAL DOHA, QATAR – A Culturally Coherent Regnant Of Qatari Design & Heritage

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DOHA, QATAR: The main entrance of the Mandarin Oriental, Doha in Qatar.

The Mandarin Oriental, Doha opened in March 2019 in Msheireb Downtown Doha, a planned, smart-city district in Qatar, and the world’s first sustainable downtown regeneration project. The sand-hued hotel overlooks the enchanting Barahat Msheireb Town Square, the largest open-air covered town square in the Middle East, encompassing 7000 sqm with the biggest retractable, climate-controlled cooling roof in the region. The design concept of the golden square references the welcoming and luxurious sitting rooms of traditional Qatari homes, and the backlit onyx cladding at night in translucent honey tones, echoes the inherent spirit of the desert. Msheireb Downtown Doha, developed by Msheireb Properties, whose Chairwoman is HRH Highness Sheikha Moza bint Nasser, adheres to the highest standards in green building in re-creating a way of indigenous Qatari living and culture, in the centre of the capital city. Qatar is not just kicking ball by hosting the 2022 FIFA World Cup, it’s venerating its history and heritage through artistic avant-garde advancement in every sphere. This 11,000 km desert kingdom is on its way to becoming a nonpareil cultural capital of the world.

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DOHA, QATAR: The Mandarin Oriental, Doha overlooks the Barahat Msheireb Town Square in Msheireb Downtown Doha, Qatar.

The Mandarin Oriental, Doha is not a glass and glimmer skyscraper tearing into the blue skies, as one is wont to think of luxury hotels in the Middle East, blazoning the apodictic wealth of the country. It confutes the very notion the second your car rolls up the narrow, stone-cobbled alleyways, especially designed thus to give you a feel of old Qatari residential neighbourhoods, but not without a distinct, contemporary finesse befitting of a luxury hotel. Brick, mortar, wood, metal and a whole lot of soul make up the architectural and design language of the Mandarin Oriental, Doha that is culturally coherent with Qatari living and the heritage of the desert nation. The ferej, an intrinsic part of Qatari homes, built to provide shade from the desert sun and for air circulation (a natural air-conditioner so to speak) for respite from the heat, makes its modern-day presence felt in the hotel’s corridors and landings.

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DOHA, QATAR: A street view of the main entrance of the Mandarin Oriental, Doha, Qatar.

The shifting shapes of sand dunes inspired the key design element for the interiors of the property. Right from the imposing entrance pillars to the walls, marble floors and ceiling reliefs, an artistic representation of sand dunes runs through the hotel consummately. The design is as conspicuous and as unobtrusive as you want it to be. If you want to see it, you can see it everywhere and if you don’t, well, then you don’t. But the sand dunes of Qatar are there, hearkening the travelling bedouin origins of Qatar to the current day on your calendar.

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DOHA, QATAR: A general view from the Mandarin Oriental, Doha of the ferej or narrow alleyway sstreets in Doha, Qatar

The fretwork sand dune panels, with a painted eggshell finish on the ceiling, with a brass veil, influenced by the awnings and canopies of Arab dhows and ocean waves, designed by the David Collins Studio and Alexander Lamont’s straw marquetry adorn the lobby of the hotel. The brass veil, alongside the straw marquetry, is a breathtaking design genius.  Lamont used dried straw stems, spliced open and flattened, inlaying them individually on wood, creating a sustainable quintessence of his own. The straw fibres reflect light, changing with the time of day in the lobby and the Baraha Lounge, lending a natural sheen to each panel.

Apart from the fretwork sand dune panels that run through the entire hotel, the rooms and bathrooms resonate with elements from the rich seafaring, maritime history of Qatar, albeit subtly. The metal studs on the walls are a contemporary interpretation of the old wooden beams that extended horizontally from the walls of Qatari homes called danshal, procured with great difficulty by the bedouins due to the lack of natural vegetation in the region, to build sturdy roofs for their clay homes. The beautiful lamp shades are asymmetrically shaped, inspired by Arab dhows and the mirrors in the bathroom hang from ropes that were used at sea for fishing and pearl-diving. The black and white tile work wall behind the bathtub and jacuzzi honours the weaving traditions of Qatari women. I love the heady fragrance the Atelier Cologne Rose Anonyme bath line, a Rose Oud, that’s congruous to the landscape’s Desert Rose crystal formations, used by Qataris as talismans for protection and spirit guidance.

A serene sense of calm envelops you, once you’re inside the pristine and quiet (I loved that!) of your room, and the plush bed is meant for sleeping, especially after an exquisite Oriental Essence treatment at the Spa with its very own indoor swimming pool. Flight fatigue what? Though I worked through most nights on my bed, and that was snug and restful too. Imagine discovering a yoga mat, a jaanamaz and a hair straightener (not just a hairdryer) in your room, not to mention the mini-bar snacks packaged in exclusively designed tin boxes bearing palm trees – this is artistic design commingling with human desires and essentials in a manner most natural and decorous.

The location of the Mandarin Oriental, Doha is enviable, given it’s a short 20-minute drive from Hamad International Airport and is adjacent to the Amiri Diwan, Qatar’s seat of government and the Emir of Qatar, HRH Tamim bin Hamad Al Thani’s palace. It is a five-minute walk to the Msheireb Museum and the redeveloped and very lively (not noisy) and alive Souk Waqif, with its Falcon Souks, a Camel Pen and of course, the Gold Souk. The Museum of Islamic Art, designed by the late I.M. Pei and the National Museum of Qatar, designed by Jean Nouvel to look like the natural Desert Rose crystal formations that are found in Qatar, with inward-curving disks, intersections and cantilevered elements, with 1.5 kilometers of gallery space, giving voice to the unique story of Qatar and its people in an immersive and experiential manner in three chapters — Beginnings, Life in Qatar and The Modern History of Qatar are a short drive away and stand testament to the invested vision of the country’s love and liberal furtherance of the arts. The recherché National Museum of Qatar is a must visit. To give you perspective, the Metropolitan Museum of Art in New York’s annual budget for new acquisitions is USD 30 million and the Qatar Museums’ is USD 1 billion, chaired by HRH Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani.
gettyimages-1188450522-2048x2048The food is exemplary at all the four restaurants in the hotel, and at the Mandarin and Baraha Lounges. My first meal was an Angus Beef Burger at Aqua, the alfresco rooftop restaurant and bar that serves up easy-sharing dishes like Arabic mezze, sliders and pide.  Mosaic, the specialty nine-kitchen restaurant on the eighth floor is where the vibe is relaxed and the sun filters in through the metal grills inspired by traditional windows with intricate lattice panels called mashrabiya. Even the lifts bear a prominent pearl motif on the metal grills in honour of the pearling history of the country. Volcanic Torched Tuna Sushi, the Thai Beef Salad with a Lucha Libre cocktail here are to live for! I had a Turkish Pide (flat bread made of wheat flour) with Beef Pepperoni and Olive with Oregano and Parmesan for the fist time, and it was great. Mosaic is also where the elegant Qatari ladies breakfast and that says a lot about the food. I loved the Malika Honey, a delicious Qatari honey that’s harvested from the Busaif Apiary, of which 15 beehives are owned by the Mandarin Oriental, Doha as part of their sustainability program. It’s something that should really be sold to the guests at the hotel, it’s that good. The cream-filled Pistachio and Red Velvet Croissants, the Apple Detox Water, the Beef Cecina and all things beef honestly made me extremely happy to breakfast at Mosaic everyday.

Izu, the Mediterranean cuisine restaurant facing the Barahat Msheireb town square, with three seating areas – an indoor ground and mezzanine level and the popular outdoor terrace is where the culinary artistry is at, led by Nigerian chef, Izu Ani. Chef Izu is beyond gifted – Fried Organic Eggs with Foie Gras and Truffle Sauce, the Wagyu burger, Slow Braised Beef Short Ribs with Padron Peppers, the Burrata with Cherry Tomatoes and Basil, Watermelon and Feta Salad, the Mandarin Gelato, the Le Verger drink made with fresh basil leaves, lemon and apple juice – there’s a discernible Izu addition to the simple classics, that takes his creations to a whole new level of delectable, and memorable flavours. He’d Izu’d everything I ate and drank, and loved, from the very first bite and swill to the very last! You have to be Izu’d at Izu people.

The English afternoon tea service at the Baraha Lounge, overlooking the Barahat Msheireb town square, and at the Mandarin Lounge from 2-6PM everyday, is immensely popular with the Qataris and locals. Gilded cakes, pink rose madelines and savouries with bespoke blends anyone? Gelato, the frozen dessert and gelato restaurant, also overlooking the Barahat Msheireb town square hits everyone’s sweet spot with its vast array of flavours, from vegan chocolate to Arabic coffee to anything your heart desires. If The Secret Bar at Izu is rather rad whilst Ambar is its sophisticated equal to quaff in at the hotel.

Newer luxury hotels, unlike the Mandarin Oriental, Doha, aim to make you feel like you could be anywhere in the world once you’re inside, and that just does not cut it for me. I have my own bed at home where I can imagine such inanities in my pyjamas on my own time, thanks, but no thanks! I don’t need to take a flight to Doha to imagine that I am in the Seychelles! Every morning, when I woke up and had my morning Nespresso, I knew I was in Doha and not in a ‘home away from home’. I so despise that sell! Everything in the room, and outside my window overlooking the modern ferej, told me so and this is what I loved the most about staying at the Mandarin Oriental, Doha. I felt like I was invited into the luxe confines of a Qatari home that’s most certainly not mine, or like mine, and I am a treasured guest of theirs for the weekend. And that’s how you feel like you ‘belong’ innately to a new place. The Mandarin Doha team is ebullient and professional, led ably by their General Manager, Martin Schnider.

No evening at the Mandarin Oriental, Doha felt complete without looking out at the molten glow of the Barahat Msheireb town square or a ‘cool’ walk around it, literally. Doha will always be ManDOHArin for me!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

@Rubina A Khan 2019

 

Italian-American Cuisine At The BlueBop Cafe, Mumbai

Rubina A Khan reviews The Bluebop Cafe, Mumbai: “Italian-American gluttony with live jazz performances.”

The Bluebop Cafe is a new jim-dandy of a bar cafe in Mumbai, serving Italian-American cuisine along with a musical side of jazz blues and bop, live. Inspired by the musical evolution of jazz, which came to mean jazz music in Chicago, USA, around 1915, and bebop, which is a style of jazz that came to be in the United States of America in the 1940s, Eesha Sukhi, the owner and creator of The Bluebop Cafe, decided to name her first independent culinary space thus.

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The Bluebop Cafe entrance | Photo: Rubina A Khan

The restaurant is located right on Linking Road, Khar, and not on some long-winding inner bylane with the dreaded no-entry signages. As you walk into the inviting, verdure (a rare sighting in Mumbai) courtyard with wrought-iron benches and an old Peepal tree leaning into it, you are instantly drawn in. I can just imagine myself sitting on one of the benches on a December night, breathing in fresh oxygen from the Peepal tree.

I loved the Asparagus and Polenta that set the tone for the Italian-American food gluttony ahead – the crunch of the freshly sautéed green asparagus spears, along with the polenta and the manchego cheese was delicious. There’s grits of the American South, and then there’s the vegetarian, Indian version, of the classic Italian polenta right here in Mumbai at Bluebop.

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Asparagus & Polenta | Photo: Rubina A Khan

The Spaghetti Aglio Olio was flavoursome, as was the creamy Mushroom Risotto, accompanied by a Citrus Spritzer cocktail. The New York style pizzas, and I’m not a pizza person at all (I owe all my indulgent allegiance to burgers and fries) were great. I tried the Goat Cheese and Spinach as well as the Jerk Chicken pizza and it’s the dough that really makes all the difference to the overall taste as it is made in-house.

The Matcha Mousse is innovative, and the Tiramisu is made for the Indian sweet palate. Bluebop sources all its produce locally and makes a sincere effort to keep its dishes authentic to the regions of Italy and America that they originate from. 

The wine-hued walls, patterned flooring, cane-backed chairs with arm-rests and seating booths lend a 70s vibe to the cafe, but not entirely, as the illuminated bar breaks away with its contemporary design, with mixologist Dinesh Mondkar concocting and crafting the heady cocktails. The culinary team is led by Chef Saurabh Raturi, who interestingly, also moonlights as a musician (a guitar hangs above the kitchen entry) when he’s not developing and perfecting a new dish for the cafe. The Bluebop team is knowledgeable, curious and willing to adapt, without a trace of the “I know it all” affectations, in an ever evolving and extremely competitive business.

The BlueBop Cafe is open all days, from 12:00PM-1AM.
Sunday Brunch: 12PM-3PM.
The BlueBop Cafe
318, Linking Rd, Khar West,
Mumbai 400052 India
+91 22 62366444 | 93 722 02586

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

@Rubina A Khan 2019

India’s Property Market Rides Election Wave | Gulf News

The triumphant win of Narendra Modi as Prime Minister of the Indian subcontinent for a second term, in the world’s largest election, has lent maximal credence to the country’s realty business in a manner most exceptional. The ruling government’s first term, contentiously driven by infrastructural development and financial realignments like Demonetization, RERA (Real Estate Regulation and Development Act) and GST (Goods & Service Tax) hit the cash-rich realty business particularly hard. Predictably, it was met with uproarious dissent. But, luxury realty seems to have taken a real turn since the legalized reorientations in the business, with antagonism giving way to smarts.

The luxe life is an addiction like no other. As long as there is human desire to live like royalty and be an in-your-face show-off, luxury real estate in India is headed forward. It stands at a profitable vantage point today, espousing all three acts, advantageous to both, builders and buyers. Indian realty expects investments to double to $10 billion in 2019. The paper trail and financial transparency accorded to the business is dominant, making it a streamlined, and somewhat trustworthy experience today. But there’s no denying that the business is devoid of the robustness and speed it once basked in, languishing ever so often in protracted sales.
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RERA seems to have had the most impact so far, not so much on newer developers as it has on the bigger players with large, unsold inventories, given it is now mandatory for 70 percent of the money to be deposited in bank accounts through cheques, restricting unaccounted money being flushed into the realty business. Aside from its financial transparency, a RERA requisite that’s very conducive to prospective buyers, is that builders are obliged to quote prices based on carpet area (inclusive of usable spaces like the kitchen and bathrooms) and not super built-up area. Having said that, RERA needs to hasten the pace, and frequency, in providing aggrieved buyers who need long overdue compensations from unscrupulous developers across India. The clean-up in the business has only just begun. It is anything but cleaned up, as far as realty racketeers are concerned, despite the new regulations and progressive revamps of archaic Indian property laws like Insolvency & Bankruptcy Code and the Benami Transactions (Prohibition) Act being in place. For the business to regain the implicit trust of consumers and hit immediate sale highs, compensating buyers for their losses is vital, and it should become a regular occurrence as compared to the rarity it is today.

Luxury residences and serviced luxury residences make for accelerated buys and sells in India, and rightly so, as time is a luxury the wealthy can’t afford to indulge in. Newer developers in Mumbai like Aditya Kilachand, Partner at Innovation Estates LLP, seem to be on the right beach of luxury realty, building villas by the sea in Alibag, a mere three-hour drive from Mumbai. Tapping into Alibag’s infrastructure, the improved connectivity and proximity to Mumbai, its existing community and fairly undervalued land prices is just realty forethought and judiciousness. Seven luxury serviced villas called L’Hermitage, custom-designed by Sussanne Khan of The Charcoal Project, will be ready for some serious selling upwards of 10CR by Sotheby’s International Realty India, come July 2019.
villWith all the luxury constructions and developments, there is a new shift in the market of late, that of “aspirational luxury” residences that aren’t remotely luxurious, barring their price points. Priced at 7CR upwards for a 3BHK in the business suburb of the Bandra Kurla Complex in Mumbai, these residences allude to a luxurious lifestyle with cleverly scripted and assertive marketing hype. The insides of these residential towers are at most basic, with a garden path, a swimming pool and some semblance of a gym thrown in, with views of the city’s under-construction skyline off a balcony, masquerading as luxury amenities. Needless to add, it’s a “white elephant” investment for owners as resale inventory is at its lowest and unrealistic rentals dictated by the builder’s team, with few takers, stand testimony to the “mimic luxe” gimmick it’s established on. These kind of constructions need to be reined in, as these will lead to a catastrophically high, over-priced, unsold inventory in the country that will affect consumers far more than the builders.

This feature first appeared in Gulf News on June 9, 2019

©Rubina A Khan 2019

RUBINA’S RADAR | THEATRE & FASHION ROYALE

India’s finest talent, Shabana Azmi is celebrating her late father, Kaifi Azmi’s birth centenary with an ongoing series of events across India, from mushairas to plays to live musical evenings at Janki Kutir. Raag Shayari is an artistic, theatrical collaboration between Azmi, tabla maestro Zakir Hussain, singer and composer Shankar Mahadevan and lyricist Javed Akhtar, interpreting the works of the accomplished late poet in a contemporary, musical manner. “Raag Shayari’s an evening of archival value because Shankar Mahadevan sings a selection of Kaifi Azmi’s poems, Javed Akhtar recites them in Urdu and I recite the English translations with Ustad Zakir Hussain interpreting the same on the tabla,” says Azmi. The debut show of Raag Shayari was on January 13 at NCPA, Nariman Point. The second show was held the following evening at the St. Andrew’s auditorium in Bandra, Mumbai with Waheeda Rehman, Asha Parekh, Rekha, Aishwarya Rai-Bachchan, Vidya Balan, Farhan Akhtar, Divya Dutta and Madhu Chopra in attendance.

Shabana Azmi during rehearsals for Raag Shayari. Photo: Rubina A Khan
Javed Akhtar, Shabana Azmi and Zakir Hussain during rehearsals for Raag Shayari. Photo: Rubina A Khan

Forts are Indian fashion’s new runways du jour in 2019. Earlier this month, the Red Fort in New Delhi made for an enchanting setting for a fashion show held on its heritage grounds, organised by the Ministry of Textiles. It was a historic first for Indian fashion and a commendable one at that. After showing at the Red Fort, master couturier Rohit Bal enthralled Mumbai with Guldastah, a collection inspired by Renaissance artists and botanical paintings, at the Blender’s Pride Fashion Tour held at the Bandra Fort on Wednesday evening. 

Models walked down the bedecked steps of the fort in luxurious Bal raiments in hues of ivory, black, gold and red to the dulcet sounds of Shubha Mudgal’s live classical performance. This was the best fashion show I have ever seen in Mumbai. Guldastah was an immersive experience and you could almost smell the roses of forgotten romances with the ethereal floral dominance in Bal’s impassioned collection.

Actor Sidharth Malhotra was Bal’s showstopper, but a resident dog of Bandra Fort beat him to it, wagging its tail happily on to the runway, ahead of him, much to the delight of everyone present. Malhotra seemed to have studied Amitabh Bachchan’s walk and stance thoroughly and mirrored the same quite well on the runway. But then again, mirroring is not quite like owning it! Anju Bhavnani, now more popular as Deepika Padukone’s mother-in-law versus Ranveer Singh’s mother, was all praises for her beautiful bahu when I spoke to her for a lightning Mumbai minute. “We are very happy and blessed, hashtag blessed,” she said. A family that hashtags together stays together? Insta guess so!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | MAKING FASHION HISTORY IN OLD DELHI AND CALCUTTA IN THE NEW YEAR 2019

The first week of 2019 kicked off with Indian fashion making historical moves on, and off, the runway on heritage sites. The formidable collaboration of the Ministry Of Textiles Government Of India, the Archaeological Survey Of India, the Ministry Of Culture and the Fashion Design Council Of India, created fashion history with Artisan Speak, a show that celebrated India’s majestic textile legacy at the Red Fort in New Delhi on January 5. The Red Fort grounds as a fashion runway was unimaginable, till it was the past Saturday. And, what a progressive first it was!

Headlined by designers Anita Dongre, Rohit Bal, Rajesh Pratap Singh, Gaurang Shah, Rahul Mishra and Anju Modi, the ivory Sawan and Bhadon Pavilions, and the red sandstone Zafar Mahal made for a dramatic backdrop for the show. Artisan Speak turned a page in India’s history, transcendentally juxtaposing the regal era of yore with the immediate now. The show honoured six Padma Shri and seven Sant Kabir award winning master craftsmen, wherein the Union Minister Of Textiles, Smriti Irani, gave away Special Recognition Awards to the indomitable contributors to India’s textile sector. 

On January 7, Anamika Khanna showed her collection at the Artisan Speak show organised by the Fashion Design Council Of India for the Ministry Of Textiles Government Of India at the legendary Currency Building founded in 1833 in Kolkata. It was a felicitous venue for Khanna’s show. Whilst most heritage buildings in Kolkata, the first seat of power of the British Empire, reflect Gothic styles of architecture, the Currency Building stood out in the city with its Italian style, particularly its Venetian windows. The building went through many hands and years of neglect and demolishment till the Archaeological Survey Of India took over and restored it to its distinct Italian architectural style recently. Archaeologists have found evidence of an underground canal from the building to the river Hooghly to cool freshly minted coins in its original avatar as a currency house.

Artisan Speak in Kolkata was yet another historical step forward for Indian fashion by showing in a protected building, creating awareness for India’s textile industry, the second largest employment sector in the country, after the agricultural industry. After the momentous fashion show, the Currency Building turned into an exhibition space, open to the public, for jute, silk and handloom crafts the following day. “India has seen a growth of 24 percent in the export of jute products in the last five years,” said Smriti Irani, Union Minister Of Textiles, a pivotal voice of Artisan Speak.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

 

Chivas Regal India Launches Limited Edition | Mumbai

Chivas Regal India launched a Limited Edition festive pack designed by Ashiesh Shah at the Architectural Digest Design Show on October 26, 2018 in Mumbai. The metallic, steel grey packaging of Chivas Regal 12 draws inspiration from one of India’s greatest glories – architecture, with stepwells and arches in congruence with the inherent blending expertise and definitive taste of the world’s first luxury whisky.

Balkrishna Doshi or BV Doshi as he’s more commonly known, the first Indian laureate of the most august award in architecture, the Pritzker Prize 2018, kicked off the design show with a conversation as poetic and mellifluous as his works. Having worked with Swiss architect Le Corbusier in the 50s in his atelier in Paris and with Louis Kahn subsequently, the celebrated Indian architect is an international proponent of low-cost housing. Doshi’s Aranya project in Indore accommodates 80,000 people with houses and courtyards connected together by a maze of pathways. “As architects we’re supposed to be social, economic and cultural designers. But really we are exclusive, when we need to be inclusive,” is what Doshi thinks of the essence of architectural world. Watching Doshi celebrate life infinite size at age 91 was enchanting for me, and speaking to him was even more momentous than shooting his photographs in the Chivas Lounge.

In pictures:

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal 12 at the launch of Chivas Regal India’s limited edition festive pack at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Balkrishna Doshi

MUMBAI, INDIA – OCTOBER 26: Celebrated Indian architect Balkrishna Doshi, the first Indian to win the Pritzker Prize in 2018 at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Indian couturier Sabyasachi Mukherjee at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah, launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Sabyasachi Mukherjee, Pulkith Modi, Chivas Regal India Head and his wife Teena Modi at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Amrita Arora

MUMBAI, INDIA – OCTOBER 26: Ashiesh Shah and Amrita Arora at the launch of Chivas Regal India’s limited edition festive pack designed by him at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sussanne Khan

MUMBAI, INDIA – OCTOBER 26: Sussanne Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Homi Adajania

MUMBAI, INDIA – OCTOBER 26: Filmmaker Homi Adajania at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Gauri Khan

MUMBAI, INDIA – OCTOBER 26: Gauri Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Getty Images

©Rubina A Khan 2018

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

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Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

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Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018