RUBINA’S RADAR – THE UNEDITED LIVE INTERVIEW SERIES

Hi everyone! On January 20th, 2021, I started a new series of live conversations called RUBINA’S RADAR – UNEDITED – on Instagram and Youtube with couturier Rohit Bal, a legend on India’s fashion landscape. It’s been two months since, and twelve interviews thus far, with some of the most legendary international icons and visionaries from the worlds of fashion, film, sports, luxury travel, business and then some…

There’s more coming up, so tune in every week by following me on Instagram: @rubinaakhan.inc and subscribing to my YouTube channel: World Of Rubina Khan

Thank you! Stay safe!

Love, Rubina

©Rubina A Khan 2021

RUBINA’S RADAR: PPE FUNDRAISER FOR MUMBAI’S MEDIA PERSONNEL ON THE CORONAVIRUS FRONT LINES

A conversation with a photographer friend of mine on Coronavirus news duty every single day since March 2020, impelled me into thinking about the health risks our Indian media was being exposed to, whilst I stayed safely at home, in quarantine and the lockdown, on government orders. I often wondered how they’d power through the weeks, and now months of the reportage on the pandemic everyday, which seemed endless then, and continues unabated with its relentless savagery on humans. Everyone’s lauding the first responders and medical teams, the police, the hygienists and the cleaners, and very rightly so, but nobody seems to be taking cognisance of the indispensable and crucial work photographers, videographers and journalists are doing on the ground, outside. They’re the people bringing in the news and visuals of the virus every day, and the heart-wrenching devastation and strife it’s inflicting on humans across the world. By going out and reporting from containment and red zones, they’re risking their own lives, and livelihoods, in an extremely uncertain and broken economy and that is saying something. Everything we know about the virus, right from the whats and the hows to the vaccine developments and trials, is through the eyes and lenses of the media as everyone’s in lockdown and quarantined at home. Even as some parts of the world are opening up ever so cautiously after months of isolation and physical distancing of late, their work carries on. It is their photographs and stories that tell us what the new world looks like, how human behaviour has changed and will continue to evolve in the years to come.

On April 20th, 2020, when I heard that 53 press personnel in Mumbai had tested positive for the Coronavirus, and were incapacitated and hospitalised, I just knew I had to do something about protecting them on duty as staying safe at home or working from home wasn’t an option for them. I couldn’t bear the thought of people I know and have worked with going out to work, risking their all for their jobs, without any protection from the virus.

On April 23rd, 2020, I spearheaded a fundraiser by reaching out to my network for contributions as a collective, humane responsibility to purchase Personal Protection Equipment (PPE) as a preventive measure for Mumbai’s news photographers and media personnel covering the Corona crisis on the front lines, to shield them. I am ever so thankful to the people – from all walks of life in India – that responded promptly and empathetically towards the fundraiser with their fiscal largesse like industrialist Ness Wadia, businesswoman Natasha Poonawalla (Executive Director, Serum Institute of India, Pune), filmmaker Karan Johar (Dharma Productions), actor Amrita Arora, film costumer Ana Singh, businesswoman Eesha Sukhi and jeweller Siddharth Kasliwal (Director, The Gem Palace, Jaipur). Since then, the fundraiser has received contributions from jeweller Queenie SinghShalini Passi and filmmaker Gaurav Chawla, enabling the purchase of safety eyewear too for the media.

It is because of the financial support of these very people that the PPE’s reached Mumbai on May 5th, 2020 and were distributed to the media personnel from May 6th onwards. These PPE’s are certified by SITRA – South India Textile Research Association, Coimbatore for fabric and garment – and are for one-wear only. I feel the kindness of all the contributors needs to be highlighted and celebrated, and not go unnoticed as anonymous benefactors, because talking about them will go on to inspire many others to come forward in this crisis to help each other in our country. Every contributor has stepped up as a humanitarian to help our media community, and that is reason enough to laud any helping hand. All of them have made this little fundraiser of mine a bigger success that I ever envisaged it to be and the media community are ever so grateful for their kindness. The PPE’s and safety eyewear bought with the funds raised so far have been distributed to the Mumbai media personnel and I am in the midst of ordering more PPE’s from the second round of funding that has come around. I intend to keep raising funds to provide the PPE’s for as long as they are needed during the Corona crisis.

The PPE fundraiser has been chronicled in the Mumbai Mirror (07.05.2020 edition) and the kindness of the contributors has been sincerely appreciated. The PPE initiative was featured in the Urdu press and online, and I am grateful for people supporting the fundraiser. Encouraging words and tall praise from people I love and admire across the world has raised me up, gladdened my heart (which is rather dire nowadays!) and fuelled me to strive and do even more!

SHOBHAA DE: Rubina’ s spontaneous gesture to mobilise support and order the best quality PPE suits for media colleagues risking their lives to cover the pandemic, must be acknowledged as a gesture that led to many others following her example.

JACKIE SHROFF: The media has always been there on the forefront, come what may. The fourth estate are a brave lot and will have my respect, always. And, you keep shining Rubina!

FERN MALLIS: Rubina Khan is a Covid19 hero… as a photojournalist, she watched her colleagues out in the streets and in the trenches covering the story of this ungodly pandemic and no one had their backs… they put themselves in danger to keep us all informed. Her initiative to secure funds and thereby supply this vital press corp with all the necessary PPE’s was so smart, compassionate and right on. It’s now in its second round of providing more. Thank you Rubina from the epicenter of Coronavirus in New York City.

ANA SINGH: The press has always celebrated my work and my milestones and in this particularly grave time, I feel God chose me to give back to them and I feel grateful for the opportunity. When Rubina spoke to me about the PPE fundraiser, being a journalist and photographer herself, I got a sense of what the media personnel on the field were possibly going through and what it must feel like for them, and their families at home to work outdoors. Rubina’s empathy and concern for her colleagues made this fundraiser a success and she’s leading by example of how to get things done, even when you’re not out there on the field, without being self-serving.

ELEANOR COOKSEY: I am very proud to count Rubina as a long standing family friend. Her recent PPE fundraiser activity is testament to her diverse and unique skills; her thoughtfulness (it is too easy to forget about all those affected in different ways), her resourcefulness and her determination. Here in the UK, there have been endless discussions about how to secure adequate PPE’s with endless delays and excuses. This initiative was conceived and achieved so quickly – the funds raised and the PPE’s reaching the people who needed it in two weeks. A rare positive story amid all this fear and uncertainty.

PARRIS FOTIAS: During these surreal times where we are being constantly bombarded with fake news stories, we are more reliant than ever on responsible journalism bringing us the real facts. Yet no one really thought about the media and their fate during this pandemic. I commend Rubina for her foresight and determination to help protect her colleagues out on the front lines in Mumbai. We are all in this together so much thanks to you Rubina and your PPE fundraising efforts from Australia.

UPDATE: JUNE 2020
Ness Wadia has contributed generously towards the second round of funding end May and fashion designer Manish Malhotra and Delna Poonawalla in early June.

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©Rubina A Khan 2020

RUBINA’S RADAR | INDIAN FASHION’S NEW CURRENCY – COUTURE CARATS

This month has been rather august for Sabyasachi with his jewellery line pulling in some colossal coin for the fashion house. And, I am not using the word ‘colossal’ airily here. An exhibition of heritage and fine jewellery by Sabyasachi, comprising of gold, uncut and fine diamonds and coloured stones was held at the Taj Mahal Palace hotel (a favourite Taj of mine!) in Mumbai on the 13th & 14th of August, 2019. Over the two day exhibit, the jewellery sales brought in an unexpected and staggering double digits for the label. “We had good sales at the jewellery exhibit, but it’s not dignified for us to flaunt figures and it’s not a good business practice either,” says Sabyasachi.

Ever since he launched his jewellery line, it has compelled every fashion designer in India to view diamonds and precious stones with a design perspective, never mind the naysaying and economic slowdown whinging all around. Sabyasachi brides and grooms now have the added luxury of getting their bridal dreams realised in totality, in both fabric and stones, at any one of his flagship stores across India. And with the high numbers that the Mumbai jewellery exhibit brought in, it goes without saying that Sabyasachi definitely knows how to pull his weight not just in khadi and chiffons, but in molten gold and diamonds too! And his loyalists are only queuing up for more.

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Sabyasachi Heritage Jewellery | Photo: Sabyasachi Instagram 

Emboldened by the response to his private jewellery viewings over the past two years and the multiple city exhibits across India this year, the couturier is now ready to open his first jewellery store, situated on the third level of his flagship store in Kala Ghoda in the festive quarter of 2019 in Mumbai. If the bejewelled whispers are anything to go by, the store will be a blinding sight to behold.

Manish Malhotra, fresh off Maahrumysha, a shimmering velveteen of an alluring show, that kicked off Lakme Fashion Week’s Winter/Festive 2019 edition, is launching his new jewellery line this year. Malhotra’s show on August 20th at Famous Studios, Mumbai had models wearing Raniwala 1181 jewels on the runway, including his showstopper, actor Katrina Kaif, and some of his favoured Bollywood front row regulars and social lights. It was a lucent teaser of what is to come from his jewellery design board.

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Katrina Kaif in Manish Malhotra’s Maahrumysha line | Photo: Katrina Kaif’s Instagram

“I have been carrying a Raniwala 1881 line, curated by me, in my Mumbai store since August 3rd, 2019, with some pieces at the Delhi store. But our next collection together will be the one I am designing for them. I chose to collaborate with Raniwala 1881 as they have years of expertise behind them, making genuine, good quality jewels,” says Malhotra of his upcoming jewellery line that will be available come November 2019.

Not one to conform to perform, Tarun Tahiliani is not launching an eponymous jewellery line this season, but he intends to. Having had a peripheral jewellery collection in the past, not a full-fledged one per se, he is serious about launching one going forward.

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Tarun Tahiliani’s Tarakanna couture collection | Photo: Rubina A Khan

“I am always wary of selling things that I can’t verify unless there is a buyback guarantee. I’ve heard too many horror stories of people who are buying things that are not what they claim to be. The problem lies in the quality of coloured stones and heating versus natural and the like. So I approached the World Gold Council as they took the guarantee, and they also have a buyback guarantee with the person I dabble and work with. Only if the World Gold Council and the Gold Standard have certified something, will I lend my name to it. My reputation and brand integrity are of paramount importance to me and if I don’t have the necessary tools to verify something, I don’t want to sell it bearing my name,” says Tahiliani.

As far as jewellery lines go, not surprisingly, Rohit Bal has been there and done that. “I’ve done a jewellery line before, though it wasn’t an entire collection. And I am not saying no to launching one either in the coming months,” says Bal of a possible jewellery collection.

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A model in Rohit Bal couture | Photo: Rubina A Khan

Given that India’s biggest couturiers have successfully launched their own jewellery collections, or are planning to soon, it won’t be long before every designer in the country will be selling a bridal outfit, replete with its own essential accoutrements in couture carats. No doubt some of them will be decidedly questionable on the couture and carat fronts, but it definitely won’t be a deterrent for any designer aspiring to follow the successful business expansion models of India’s biggest couture houses in a bid to rise up in the fashion ranks.

Jewellery collaborations have always been a part of India’s bridal business, but couture carat collections seem to be the new fashion currency for Indian designers. In a business that is as plagiarised with a knock-off on every street as it is, designing couture carats is a fiscally viable way forward, complementing their couture collections. Couture and carats designed by your favourite designer is a win-win for everyone. Brides and grooms couldn’t ask for more now or could they?

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | CHIVAS 18 ALCHEMY 2019 IN NEW DELHI

A touchdown in New Delhi fires up all five senses of sight, sound, smell, touch and taste in a human, instanter, sensus communis (common sense) be damned. And the night of Chivas 18 Alchemy 2019 on March 16 was no different. Chivas 18 Alchemy’s majestic third edition traversed the sixth sense at The Pavilion, DLF Emporio, belying Aristotle’s postulations of the non-existence of it with inimitable ardour. The five virtuosos playing host to a splendorous evening of the undefined and the very refined, were actor Malaika Arora, fashion designer Manish Malhotra, artist Sudarshan Shetty, fashion designer Rahul Mishra and jewellery designer Siddharth Kasliwal. They interpreted the senses of Fantasy, Intuition, Love, Memory and Déjà vu, with their muse being the award-winning Chivas 18 whisky blend.

NEW DELHI, INDIA – MARCH 16: Fashion designers Ashish N Soni, Rahul Mishra and Manish Malhotra and Malaika Arora, jewelry designer Siddharth Kasliwal, artist Sudarshan Shetty and Chivas India’s Pulkith Modi attend the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Malaika Arora sets off flames of fantasy wherever she goes, so turning into an illusionist of fantasy, alongside fashion designer and curator of the night, Ashish N Soni, came naturally to her. She created an immersive and polychromatic world of the real and imagined, using the Chivas whisky drop, brimful of 85 notes. Arora (soon to be Kapoor) looked stunning in a white ensemble by Soni, accessorised with an emerald and diamond necklace from Siddharth Kasliwal’s Gem Palace, as she took guests on a tour of her fantasia wonderland.

NEW DELHI, INDIA – MARCH 16: Malaika Arora at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Malaika Arora and her installation are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Malaika Arora attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Ashish N Soni at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Manish Malhotra created an amber-toned Chivas 18 bar, in what is now recognised as the Chivas Alchemy blue, to instantiate his sense of intuition. It was a glimmering mirage of mirrors, with glamorous people all around it, drinking to the night, and into the night.

NEW DELHI, INDIA – MARCH 16: A general view of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Manish Malhotra attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: A view of the bar at Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Sudarshan Shetty interpreted the sense of love, by juxtaposing a shattered chandelier on a dining table against a celluloid version of the same table and chandelier, set to Indian ragas. The eight-minute odd film spoke of love in different languages, expressed by diverse people. It was as evocatively beautiful as it was unnerving.

NEW DELHI, INDIA – MARCH 16: Artist Sudarshan Shetty attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Artist Sudarshan Shetty’s interpretation of love with an immersive celluloid experience at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Siddharth Kasliwal designed an arresting Chivas 18 bottle in gold with precious stones, over period of three months. Just looking at it in all its golden glory was enough to tempt a heist among the women, ala Oceans 8. The bejewelled masterpiece was an ode to the lost art of Indian craftsmanship through generations – a revival of lost legacies so to speak. Needless to add, but it was the most photographed installation of the night.

NEW DELHI, INDIA – MARCH 16: A bejewelled Chivas 18 bottle designed by jeweller Siddharth Kasliwal for three months to evoke the sense of deja vu, at an estimated value of $50,000 at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Parag Gupta with jewelry designer Siddharth Kasliwal and his mother Kalpana Kasliwal and brother Samarth Kasliwal attend the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: A view of the bejeweled Chivas 18 bottle designed by jewelry designer Siddharth Kasliwal at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Rahul Mishra’s installation for the sense of memory saw tambour frame hoops, creating a chandelier of memories in a play of light and shadows, blending layers of time with the ingredients found in Chivas 18. The unfinished embroideries on the ivory organza fabric was intentional to elicit one to add an element of one’s own memory to the pattern. To elucidate something as intimate and fleeting as memory, not to mention intangible, with something as simple as embroidery hoops was astounding.

NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra poses with his work at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Pulkith Modi – Chivas India with wife Teena, Samarth Kasliwal, Kalpana Kasliwal, Parag Gupta, Guillaume Girard-Redyet – CEO Pernod-Ricard India MD South Asia and his wife Cecille, Schulen Fernandes, Rajesh Pratap Singh, Nida Mahmood, Rajiv Makhni and Ruchi Malhotra and Vikram Baidyanath were just some of the fashionable guests in attendance at Chivas Alchemy 2019.  “This is undoubtedly the most sophisticated and refined luxury event in India with the most genteel guests,” said Schulen Fernandes, Creative Director of the fashion label Wendell Rodricks. Touché!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

RUBINA’S RADAR | FDCI’S INDIA COUTURE WEEK 2017

RUBINA’S RADAR 

The 10th edition of the Fashion Design Council of India’s (FDCI) India Couture Week 2017 (24th-31st July), was a splendacious celebration of India’s fashion vanguards at the Taj Palace Hotel in New Delhi. India Couture Week has earned its laurels for the past decade of being the best in the country with its marked excellence in fashion. And what’s a fashion week in India without some Bollywood stardust thrown in? ICW 2017’s couture catwalk had actors like Alia Bhatt, Ranveer Singh, Aditi Rao Hydari, Shilpa Shetty and many more walking for the participating couturiers.

TARUN TAHILIANI | Tarakanna:
Tarakanna was an alluring experience with an “evolved vocabulary of design” befitting the legendary status of Tahiliani and his majestic consummation of couture. His design constructs were fluid, almost seamless, in silk, velvet, brocade, Italian tulle and georgette, in hues of burnished rose, gold, olive, black, ivory, midnight blue and the de riguer bridal palette of red.  The unparalleled artistry of Tahiliani’s craft shone on the runway. As the models glided on to the breathtaking autumnal leaved set, designed to semble the end of autumn, Central Park in New York perhaps, the earthy tones came alive with the shimmering Swarovski crystal-embellished ensembles, all 85 of them, taking over the runway. The line alluded to a bride’s lightness of being, akin to her dancing in the glory of her marital coupling in bespoke designs, fitted not just to her body, but also to her soul. Scenographer Sumant Jayakrishnan’s visual aesthetic lent itself beautifully to the magnificent confluence of the Tarakanna line and the buoyancy of the human spirit it embodied. Throughout its duration, the show appeared to have suspended the audience in the most exalted place of happiness and wonderment, that stayed on long after it had ended. 

MONISHA JAISING | Opera:
Sexy is a vibe Jaising shoots for consistently, and her Opera collection wasn’t left wanting in the least. The clothes were tantalising and edgy, and a tad theatrical too, primarily made in lamé, velvet metallics, Italian organza, banarasi brocade and metallic satins. The light and set design of the runway didn’t really take you into the world of operatic tenors and high octaves that inspired her line this season, as the models walked in her evening dresses and gowns, cocktail saris, crop tops and ball skirts. The multi-faceted actor-turned-businesswoman-turned-yoga-guru, Shilpa Shetty – a flawless showstopper who nails it every single time, tripped on the brocade train of her gown, not once, not twice, but four times, as it kept getting caught on the runway floor. To say that the runway nailed Shetty, rather than the other way around, would be an understatement here. Shetty of course, let it slide and slayed it forward on the runway, with a strut only her enviable body is capable of, coupled with the radiance of her persona.

ANITA DONGRE | Tree Of Love:
Anita Dongre is a relatively new entrant in the Indian couture and bridal wear landscape, having started her couture line, Bridal, only six years ago. But, she is a veteran player, and a very successful one at that in the prêt-à-porter business of fashion for the last two decades, with her labels – AND, Global Desi, Pink City and Grassroot. Dongre opened her first Grassroot store in Manhattan, New York, recently and will be opening the doors to her Bridal store there subsequently. Her Tree Of Love collection was inspired by the Bishnoi community and their spiritual reverence for nature. Dongre married her “love for trees, rich Indian craftsmanship and music into one joyous collection” with dominant shades of blue, green and red. 
Beautiful SEWA (Self Employed Women’s Association) embroidered tabards, paired with tulle skirts, mushroo and hand-embroidered tea-length dresses with gottapatti lehengas, obi belts, embroidered flat shoes and cross-body potli bags made up the very desirable contemporary bridal line. The uncut diamond jewellery from her Pink City line as stunning. Dongre’s runway felt like an Indian summer wedding, with the metallic trees adding dramatic flair to the aureate mood board.

GAURAV GUPTA | Moondust: 
Gaurav Gupta’s knows how to haute couture the runway up. Structure and form are Gupta’s forte and he plays that well, like a consumed installation artist, with “blurred boundaries of traditional and modern couture”, choosing to “sit on the cusp of both worlds”. The Moondust collection is Gupta’s interpretation of a surreal ball Cinderella went to, in sculpted ensembles created from translucent textiles in pale tones of grey, blue, green and teal, playing with shadow and light. Handcrafted embroideries and silhouettes accentuating one aspect of the body – either the legs, the back, the arms  or the shoulders – but never all at once, kept the collection elegant and sassy. Though he was going for an immersive experience with this line, it was anything but immersive. Aditi Rao Hydari was Gupta’s showstopper and surprisingly, she was one of the best ramp walkers in the lineup of Bollywood stars.

MANISH MALHOTRA | Sensual Affair:
Manish Malhotra’s exceedingly mirrored runway for his Sensual Affair collection, seemed to be asking, “Mirror mirror on the wall, on the ceiling and on the floor, Who is the grandest couturier of them all?” Satin organzas, silk tulles, satin velvets made up the fabric for Malhotra’s lehengas, sherwanis, voluminous skirts and gowns with trains and the gorgeous fitted corsets, in ivory, soft grey, vintage rose, burgundy and teal tones. The models swirled around on the gleaming catwalk, left, right and centre in a fast-paced, synchronised rhythm, showing off 85 ensembles, with not a second to breathe. It left you wanting to see more of the clothes, with just a little bit of stay. Rapturous glamour is what Malhotra does best, be it sensual, sexual or unusual. There is no one grand couturier of them all, but t
he grandest finale to a decade of couture at the India Couture Week 2017 was undeniably Malhotra’s, with Alia Bhatt and Ranveer Singh walking for him. The raucous screams that erupted throughout the show area were deafening and most definitely burst an eardrum or two amidst the audience in the excitement of it all. Tears were shed at not meeting Singh, who seems to be the star, no, superstar of Delhi. Sure he’s popular, but really? Bhatt was an enchanting delight on the runway as always, looking like the Bollywood belle of the ball. 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017

India Couture Week 2017’s 10th Anniversary Edition

The Fashion Design Council of India’s annual event extraordinaire, India Couture Week 2017, celebrates its 10th edition this year with a seven-day fashion extravaganza in New Delhi. The luxuriously indulgent runway week commences on July 24th with opening shows by designers, Rohit Bal and Anamika Khanna, and a grand finale on July 30th by Manish Malhotra with his Sensual Affair

A legendary vanguard of Indian fashion and a headliner for all things luxurious, couturier Tarun Tahiliani, will exhibit his Tarakanna collection on July 26th at 9.30PM at the Taj Palace Hotel, New Delhi. “This year our India Couture Week show is about lightness, borne by a new construct and a conscious desire to make the most floaty couture that women desire to wear a hundred times over. Tarakanna is stardust,” says Tahiliani in his quintessential smoky voice. 

Rohit Bal’s ICW show is offsite, at the restored Bikaner House on opening night at 9.30PM. “My collection is an ode to lost craft and tradition. A journey from the past to the present with a gentle nudge of contemporary influences. It is an effort to revive heritage pieces from the costume collections of royal Mughals which have been immortalised in museums. The collection highlights an amalgamation of traditional craft with modern sensibilities preserving its timeless beauty,” says Bal of his new collection.  

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017