Chivas Regal India Launches Limited Edition | Mumbai

Chivas Regal India launched a Limited Edition festive pack designed by Ashiesh Shah at the Architectural Digest Design Show on October 26, 2018 in Mumbai. The metallic, steel grey packaging of Chivas Regal 12 draws inspiration from one of India’s greatest glories – architecture, with stepwells and arches in congruence with the inherent blending expertise and definitive taste of the world’s first luxury whisky.

Balkrishna Doshi or BV Doshi as he’s more commonly known, the first Indian laureate of the most august award in architecture, the Pritzker Prize 2018, kicked off the design show with a conversation as poetic and mellifluous as his works. Having worked with Swiss architect Le Corbusier in the 50s in his atelier in Paris and with Louis Kahn subsequently, the celebrated Indian architect is an international proponent of low-cost housing. Doshi’s Aranya project in Indore accommodates 80,000 people with houses and courtyards connected together by a maze of pathways. “As architects we’re supposed to be social, economic and cultural designers. But really we are exclusive, when we need to be inclusive,” is what Doshi thinks of the essence of architectural world. Watching Doshi celebrate life infinite size at age 91 was enchanting for me, and speaking to him was even more momentous than shooting his photographs in the Chivas Lounge.

In pictures:

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal 12 at the launch of Chivas Regal India’s limited edition festive pack at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Balkrishna Doshi

MUMBAI, INDIA – OCTOBER 26: Celebrated Indian architect Balkrishna Doshi, the first Indian to win the Pritzker Prize in 2018 at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Indian couturier Sabyasachi Mukherjee at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah, launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Sabyasachi Mukherjee, Pulkith Modi, Chivas Regal India Head and his wife Teena Modi at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Amrita Arora

MUMBAI, INDIA – OCTOBER 26: Ashiesh Shah and Amrita Arora at the launch of Chivas Regal India’s limited edition festive pack designed by him at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sussanne Khan

MUMBAI, INDIA – OCTOBER 26: Sussanne Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Homi Adajania

MUMBAI, INDIA – OCTOBER 26: Filmmaker Homi Adajania at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Gauri Khan

MUMBAI, INDIA – OCTOBER 26: Gauri Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Getty Images

©Rubina A Khan 2018

RUBINA’S RADAR | DESI GIRL PRIYANKA CHOPRA’S OFFICIAL NEW CHOKRA IS PARDESI BOY NICK JONAS

RUBINA’S RADAR

There’s been a lot of hip-holding of Priyanka Chopra’s pageant-winning waist by American musician Nick Jonas in New York, Mumbai, Brazil, Singapore and London that made for super photographs splashed across tabloids in recent months. Chopra was, after all, the Jealous singer’s and erstwhile Disney actor’s new love – he being the guy who’d dated Selena Gomez, Miley Cyrus, Kate Hudson, maybe even the stunning Kendall Jenner and former Miss Universe Olivia Culpo before her. Chopra had only been dating the Dallas-born Nicholas Jerry Jonas for a haute second, and then, bam! An engagement!

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Priyanka Chopra and Nick Jonas | Photo: Instagram

She played desi girl to the hilt with her pardesi boy Jonas flying down to Mumbai with his parents, Denise and Paul Kevin Jonas Sr for the roka ceremony. The pre-wedding ceremony held at her Juhu home was all about honouring Indian family traditions and culture and loving an American guy, amidst family and friends. More family, less friends. It was attended by the 55th richest person in the Forbes World Billionaire list 2018, Mukesh Ambani, and his wife Nita and daughter Isha and Bollywood’s almost number one actor, Alia Bhatt among others. Bollywood’s presence of popular faces was minimal here. Even Karan Johar who is literally everywhere, was on foreign shores and couldn’t strike a pose and pout for the assembled photographers on the Juhu street, but his congratulatory bouquet of flowers did make it to the photo grids. Same difference. The claims that Chopra and Jonas wanted to keep it private and low-key don’t quite match up with the calculated release of information and photographs by the machinery. A supposedly quiet visit to an orphanage, St. Catherine’s in Mumbai the morning after the ceremony not only had pictures circulating, but videos of the same posted by Jonas himself. Millennial super girl Kylie Jenner fell in love with Travis Scott, made baby Stormi and racked up billions during her pregnancy more discreetly than the engaged adults here. And closer home, Salman Khan is being human sans any visual mementos of his philanthropy.

Chopra has a definitive style when it comes to her fashion stakes, aided by Hollywood stylist Cristina Ehrlich and of late, Mimi Cuttrell, the 25-year-old primary stylist to Palestinian-Dutch-American model Gigi Hadid. Interestingly, there was no fashion to talk about really at the ceremony or the subsequent party by Chopra, but the loved-up photographs of the newly-engaged couple made for the ultimate fashion statement here, with diamonds of course.

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Priyanka Chopra and Nick Jonas | Photo: Instagram

To go from being in love with an Indian man on the right side of 50 to a JoBro of 25 was a bit sudden, if anything. As far as her love life went, there was no talk of it in the West prior to her Jonas coupling, although Mumbai knew very well of a love affair, albeit unofficially, that was storming inside of her, never mind where she lived or where she worked – Bollywood or Hollywood. But she’s now spoken for and all that Bollywood tumult seems behind her today. And as their initials NP go, there seems to be no problem or objection to this coupling, aside from some favourable and unfavourable comparisons to her last unofficial superstar boyfriend.

Chopra conquered Bollywood armed with her Miss World crown and winning smile only to power through Hollywood headlining a television series, Quantico, and now, with this East-West coupling, she seems like she’s going to be settling down happily ever after in Grammywood. She wants it all – crowns, endorsements, films, television, music, love, marriage – and is sure getting it all too. The newly-engaged couple are looking to wed on Jonas’ 26th birthday on September 16 after he popped the question on her 36th birthday on July 18 in London. There’s no word on the city, country or venue of their wedding yet and what place on Earth they will call home either.

The future Mr and Mrs Jonas are sure to make great music together, and make even better pictures in the times to come. The very fact that she’s an accomplished singer herself having cut a few tracks of her own, to fall for a musician, comes as no surprise really. And, he’s handsome and clearly smitten by her charms. I’m sure Chopra will not just be content cheering on her fiancé from vantage points at his live shows and performances but will be making some real music with him soon. I can’t wait to hear the single or album they’ll cut. And better still, a duet for a Bollywood film too.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | BAD GAL RIHANNA IN MUMBAI, SOON!

RUBINA’S RADAR

The delirium for everything Justin Bieber hasn’t abated in the least with his engagement to model Hailey Baldwin on July 7 earlier this month. If anything, it’s only gone up after the official coupling. Bieber’s live performance in Mumbai last summer left the city sweating, quite literally, and lusting (he was single then!) for more music from him. After Bieber, it’s the bad gal for every season and ALL fashionable reasons, Rihanna’s turn to run this town with her vocals and savage moves.

Rihanna at the Ocean’s 8 UK Premiere held at Cineworld Leicester Square on June 13, 2018 in London

The multifaceted fashion (Fenty x Puma, Savage x Fenty Lingerie, Rihanna Loves Chopard) and makeup (Fenty Beauty) mogul is scheduled to perform at an Indian wedding in Mumbai, to be followed by a public performance soon after. Anti (2016) was Rihanna’s eight studio album and it celebrated 100 weeks on the Billboard 200 chart, breaking yet another record as a solo female artist. Mumbai cannot wait to see the Barbadian pop star live!

One of India’s most spirited, not to mention successful models, Diandra Soares, has launched a new enterprise, the National Academy of Modelling and Grooming (NAMG).  Soares started modelling when she was barely 15-years-old at a time when it was considered unconventional, but then she is anything but.

Diandra Soares | Photo: Rubina A Khan

“I was mentored by the best in the fashion business who gave me their time and made extraordinary efforts to give me me a solid foundation to build my modelling career on, which I went on to do. All the models from my time had definitive personas and distinct looks which is lacking today. It is rather sad that everyone looks the same with zero experimentation. We need to bring back versatility, personality and unconventionality and encourage people to be themselves, sans the fair skin / white skin syndrome. I am obviously very passionate about modelling and with the academy, I want to mentor anyone who wants to model by enabling them with the know-how and the grooming required to sustain longevity in the business. We all are working hard and with great passion and hopefully, we will bring about a positive change in the world of modelling and the fashion business at large. I think we Indians are beautiful and we have a lot of talent but there is a lot that needs to be done in educating and grooming people who want to make modelling a career in India,” says Soares.

Going through an obsessive phase with Banner Day’s linen tees on one end of the American fashion spectrum to almost everything Alexander Wang on the other ain’t easy, with tempting food thrown in for fashionable measure, or not. I couldn’t have been happier wearing the designer du jour on my special day with my go-to Ralph Lauren jeans, devouring Japanese cuisine at Yuuka, my favourite restaurant in Mumbai.

Friday night was all about fun, friends and food – Avocado Tartare, Spicy Salmon Tacos, Popcorn Shrimps, Spicy Salmon and Tiger Tear Maki, Lamb Rack Chops and Silken Tofu with Chef Ting’s Fried Rice with endless rounds of a bespoke vodka cocktail crafted especially for me, called Rubina’s Radar and boisterous conversationsA memorable Wangover indeed with my family and friends. A Cake Moss situation with the decadent chocolate cake made for a laugh riot that is best not written or ‘grammed about!

The first two nights at India Couture Week 2018 in New Delhi will see two of Bollywood’s sexiest “K girls” scorch up the capital – Kangana Ranaut, the invincible fashion forward and Kareena Kapoor-Khan, now popularly known as Taimur Ali Khan’s haute mom. And what’s a couture week without Bollywood stars lending their swaying hips to the  runways really? Couture dazzles, but Bollywood stars bedazzle Delhi.

Day Five - Amazon India Couture Week 2015

Kangana Ranaut

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. 

©Rubina A Khan 2018

RUBINA’S RADAR | JULY HIGH

RUBINA’S RADAR

The world’s been running on a baller adrenaline rush during FIFA 18 that finally came to a head with France winning the coveted trophy against the very able Croatian football team in Russia. Life seems to be quieter without the hysterical screams and words like game, Alireza, Portugal, goals, Ronaldo, England and the like being thrown about like chump change. While on sports, 18-year-old Hima Das from Assam won a gold medal at the IAAF Under-20 World Athletics Championship in Tampere, Finland clocking the 400m event in 51.46 seconds. Das made history as the first Indian woman to win gold at an athletic meet on a global level. This Indian girl is definitely going to run the world!

A chance encounter with a Bond girl in an elevator turned into a whale of a good time. Her name is Bond, Lisa Bond, and she works with Whale Watch in Kaikoura, New Zealand. Whale Watch was formed in 1987 at a time when Māori were casualties of Kaikōura’s declining economy. At the time, Ngāti Kuri leaders like the late Bill Solomon believed the local sperm whales held the answer to the unemployment problems of the Māori community. The Māori community’s ancestor Paikea had journeyed to a new life in New Zealand on the back of the whale Tohorā. It seemed appropriate for Paikea’s descendants to again ride on the back of the whale to a new life and prosperity. Due to the phenomenal success of Whale Watch, Kaikōura is now one of New Zealand’s leading eco-tourism destinations. Bond is in love with her job, her country and whales obviously.

Bond’s travelling in India with a Tourism New Zealand contingent, Kiwi Link India, that started with Mumbai and went on to Bangalore, Delhi, Nagpur, Kolkata and Ahmedabad  promoting their beautiful country. “It has been amazing to travel to India over the years and see the changes that have been taking place especially in regards to taking steps to caring for your environment especially with the recent move towards reducing the amount of plastic being used. New Zealand is a very sustainably-minded country so to see this is wonderful. Two highlights from this trip were taking part in an Indian cooking class – 24 of us did this and it was so much fun and so delicious. Then 10 of us took a day trip to the Taj Mahal on Saturday which was amazing! What an incredible piece of architecture,” says Bond.

It was wonderful talking to Bond about my love for whales as I reminisced about my time whale watching on the Nā Pali coast in Kauai, Hawaii. I can still hear the humpbacks singing from that trip – it’s a sound like no other. But the best memory of my life in Hawaii was watching a humpback blow under me whilst I was parasailing in the Kewalo Basin in Oahu (Honolulu) about 750 feet in the air. I don’t need a picture to remind me of the serene silence in the sky and the gush of water from the magnificent blue Pacific that thrust heavenwards towards me. I love humpbacks and I’m aiming for a “whalefie” the next time I’m in the Pacific waters.

Filmmaker Anubhav Sinha, he of Ra.One directorial fame, sent me the trailer of his latest film, Mulk, that sees a theatrical release on August 3. Rishi Kapoor has lent his stellar acting skills to the film alongside Taapsee Pannu.

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“I thoroughly enjoyed playing Murad Ali in Mulk. The film is about the atrocities Muslims are facing the world over and the repercussions. It’s a voice waiting to be heard all over. People have taken to the trailer in a big way – at least we have made a bang which was necessary. Rest, of course, is upto God. As a matter of fact, this is the right kind of film that can be called an ensemble film. All the actors in it contribute to the film; none are hanging about loosely,” says Kapoor of the film even as Sinha takes on naysayers on social media.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

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Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

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Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018

RUBINA’S REVIEW: PADMAAVAT IS THE NEW PADMAVATI

Padmaavat, with Deepika Padukone playing the valorous Queen Padmavati of Chittor, finally releases on Friday with a gender swap in its title from the original Padmavati to Padmaavat. From a film on periods (Padman) being pushed to a February release by its lead actor, Akshay Kumar, to give the period drama that is Padmaavat more theatre play due to the fiscally debilitating off-screen histrionics around it, the ongoing PMS (Padmavati Movie Stress) hasn’t abated just as yet.

I saw the film on Tuesday evening at journalist and author, Shobhaa De’s screening in Mumbai. 120 minutes into the film, I simply couldn’t fathom why the director, Sanjay Leela Bhansali would even call his film Padmavati in the first place; he very well could have called it Khilji as it’s a glorified, and almost one-directional ode to Alauddin Khilji’s insatiable lust for immortality, battle and sex. And, his relentless desire to possess Queen Padmavati of course. The film highlights the Rajput and Kshatriya codes of honour and living in a manner most celebratory, Bhansali’s chandeliers, diyas and picturesque frames notwithstanding. In no way does it demean Indian culture and its customs, and no Indian will be affronted with the film. Though Bhansali does seem to unnecessarily lionise Khilji beyond his omnipresent pillaging fame.
imagesAs the antagonist Khilji, Ranveer Singh looks menacing and monstrous physically, but his wavering accent that switches from Arabian to contemporary Hindi to Afghan, along with an inept enunciation of the language of his Sultanate, makes it difficult to believe he’s a 14th century imperial Sultan. Singh’s performance is flamboyant, loud and open to interpretation sexually, but he is not convincing as an erstwhile ruler or wannabe Alexander the Great in the making in the least. And, as for the costumery, when Singh ascends the throne of his slain uncle, Jalaluddin Khilji (Raza Murad) he wears heeled boots with the royal regalia on his person! Sure, high-heeled boots for men were in use as early as the 10th century for equestrian sports, but it seems highly unlikely that Khilji would have had access to those during his time in India.

Shahid Kapoor as Maharawal Ratan Singh of Mewar is ineffectual in the film. But in his regal dhoti/lungi, he makes for an exquisite kohl-eyed, eight pack ab-fab model that Calvin Klein needs to add to its brand new Kardashian-Jenner spread immediately! As Queen Padmavati’s paramour and subsequent husband, he is rather rigid and impassive, which is very unlike Kapoor’s able celluloid skills. Padukone is flawlessly beautiful (more so in 3D) serene and poised in every single frame, looking as cinematically desirable as she possibly can, but Kapoor meets her stellar, restrained performance with a face bereft of any emotion, romantic or otherwise. There are no subtle layers or nuances to his performance as a royal in command and especially so in the intimate scenes with Padukone. And no one does the neck quite like Shah Rukh Khan, in Khan’s own words. The only time Kapoor shines in the film is during his duel in the desert with the lust-lorn Sultan. His quiet resolve and aggressive battle moves speak volumes here.

Padmaavat plays on Khilji’s self-serving megalomania and his obsession with Padmavati’s beauty. Padmavati is his unattainable dream in the film till Padukone takes on her role as queen in the last hour of the film’s screen time. In effect, the film is a take on Khilji and his obsession with her luminous beauty that is a mere catalyst to his narcissistic lust. The battle scenes are reminiscent of Troy (2004) as is the story line pertaining to the quest and conquest of a beautiful woman. The dialogues are rife with varying language styles – in some scenes, Kapoor says waqt in a Rajasthani accent when the word samay would have worked just as well for his character. The Ghoomar song is basic, nothing extra really. It is just another well-choreographed Bollywood number and incomparable to the greats Bhansali has orchestrated in the past in films like Hum Dil De Chuke Sanam (1999) and Devdas (2002). But then, who knows what the uncut version of the song looked like! The film is based on the legend of Khilji and Padmavati, assuming everyone is aware of this historical obsession, and that does not suffice for 180 odd minutes on film. The screenplay does not offer any backstory to Khilji’s temperament or his dynasty’s reign, or take cinematic licence with Maharawal’s and Padmavati’s romantic interludes or add more authenticity to the time period the film is set in, besides heavily embroidered clothes and Bhansali-esque sets. Language, both verbal and body, is terribly askew in the film.

Padukone is the only actor who stays in character, in language and poise, and costume throughout Padmavati-turned-Padmaavat’s over three hour runtime. It is her aura and acting prowess that Padmaavat will be remembered for, not to mention also taking home the highest fee for any Indian actress to date for the film. And just for that, I am glad the film was named after her central character, with or without an “I”.

Did I like the film? Well, let’s just say I was forced into a massive historical throwback and it’s not even Thursday yet!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

New Indian Kidswear Line, Sam & Friends, Is Making Some Cool New Friends Around The World

The fashion playing field in India is rather adult with an emphatic intensity on bridal lines masquerading as couture. In India, the word fashion in itself conjures up blush visuals of shimmering Tarun Tahiliani couture, Anita Dongre’s prêt-à-porter lines and reigning Bollywood stars in designer threads. Fashion for kids is not of any relevance really in the massive Indian design scape, despite it bringing in some serious money to international brands that carry kidswear lines. In an evolving fashion landscape, pre-teens and teens are walking and talking fashion louder than adults globally, something that international fashion house, Zara, understood a long time ago.

Rishi and Neetu Kapoor’s first born, Riddhima Kapoor-Sahni, a jewellery designer and her businessman husband, Bharat Sahni, launched their indigenous new clothing line for kids, Sam & Friends, in December 2017 in a bid to change the fashion stakes, and styles, of kidswear in India. And

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Riddhima Kapoor-Sahni with daughter, Samara in Sam & Friends apparel

Rubina A Khan spoke to Riddhima Kapoor-Sahni in New Delhi:

Why did you think of doing a kid’s fashion line and not one for adults, given your inherent style and persona?
My husband, Bharat, has been in the kids’ clothing business for over fifteen years now and he is very passionate about it and I trust his business sense implicitly. This is why we chose to do a fashion line for kids only. Sam & Friends is for children between the ages of 0-16.

Why is the line called Sam & Friends?
We have named it after our adorable daughter Samara. Sam stands for Samara.

How much is Samara involved in the design and style aesthetic of the line?
Samara is too young to be involved at the moment. Yet she still gives her likes, dislikes and preferences on the collection.

Who has she taken after in the fashion stakes in the Kapoor / Sahni family?
Me! (laughs)

Sam & Friends is not frilly and flouncy, nor is it inspired by what Bollywood stars are wearing. Was it an intentional move to steer away from flamboyant fashion for kids?
Kidswear is one of the fastest moving segments in India and today’s kids are well informed and aware of fashion due to social media. As I mentioned earlier, Bharat has been in the business of fashion for kids for a while now and he truly understands kids fashion, so technically we have stepped into the arena a level ahead of the others. With our unbeatable price points and an uncompromising quality for the fabric, finish, style and design in the garments, Sam & Friends is being loved by both kids, and their parents. All our garments are made with international quality and safety standards which I reckon a majority of Indian customers are not aware of.

What are the pieces you wish you could wear today?
I wish I could wear the bomber jackets with flashy sequins, party skirts and sequinned dresses!

What is Samara’s favourite piece from the collection?
A pink jacquard dress with a beautiful corsage.

Who is Samara’s style icon?
Her Nani (Neetu Kapoor) 

What is the future of Sam & Friends?
As of now, we are trying to make Sam & Friends reach the maximum number of  Indians and the response so far has been overwhelming. Furthermore, we will be launching our own website in January 2018 to reach all our online shoppers and retail through online portals.

PS. I’m a new friend of Sam too. Interestingly and not quite by design, I wore my Sam & Friends tee to a screening of the Hollywood film, The Greatest Showman, a title associated with the late Indian legend, Raj Kapoor, for his achievements in the cinematic world – leaving me in a total Bollywood state of mind. If you’ve seen the Zac Efron/Hugh Jackman/Zendaya circus theatrics, you’ll know what I’m talking about! 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

@Rubina A Khan 2017

 

 

RUBINA’S REVIEW: TIGER ZINDA HAI

It’s been half a decade since Salman “Tiger” Khan’s romantic action thriller Ek Tha Tiger hit theatres on Independence Day in 2012 to a resounding ka-ching at the box office, that Yash Raj Films is all too familiar with. The film ended with India’s most indispensable RAW agent Avinash Rathore aka Tiger vamoosing off to Havana, Cuba to live a life of quiet anonymity (hah!) with his Pakistani ISI agent love, Zoya (Katrina Kaif).

tigerjpg
The sequel’s title says it all – he’s alive and kicking up powder in Austria with his son, Junior, fighting off packs of wolves (without killing them) unarmed with bare hands, skiing down the slopes, without taking off his winter jacket even once in the sequence. It cannot get any more real than that in Bollywood. And when he’s not busy playing dad or a spy in voluntary retirement, he spray-paints his love for wife Zoya on snow-capped mountain slopes to Atif Aslam’s Dil Diya Gallan in big-eyed wonderment. Nothing much has changed for Khan and his indomitable cinematic appeal since Ek Tha Tiger, though the same cannot be said for Kaif, despite her enviable pilates lean body. This Tiger is burning brighter than ever and Khan wings the film with indefatigable ease, never mind a couple of awkward supporting cast members and an askew, inconsistent pace of the film which could have been sharper and faster.

What I loved about Tiger Zinda Hai:

  1. Sheer girl power in the film. Where in Bollywood films does a wife rescue her husband in a war-struck country and drive him around without him switching to the wheel mid-save? The said wife, Katrina, is a bad-ass Bhabhi from her current location in Austria who swivels guns better than rolling pins in Ikrit, Iraq.
  2. Salman Khan skiing on the Innsbruck slopes, fully clothed.
  3. What’s better than a shirtless Salman? A bloodied warrior Salman toting double guns saving 39 Indian and Pakistani nurses!
  4. I loved Iranian born and UAE resident, Sajjad Delafrooz’s consummate performance as the antagonist Abu Usman, but for a verbose sermon he had to give Tiger at the tail end of the film. Restrained and confident acting on his part.
  5. Horses in the action sequences remind you why fast cars and bikes use horse power units of measurement in the first place and with Salman riding one, it’s a cinema freeze frame for life.
  6. Not using divisive political tactics in the film’s narrative, but humanitarian ones.
  7. The White House representative with an uncanny Sarah Huckabee accent, sans any Trumpa Loompa.
  8. The film only has two songs picturized on the lead cast of Khan and Kaif – Dil Diya Gallan in the beginning and the second, Swag Se Swagat at the end.
  9. What Khan’s presence in the Liwa Desert does for Abu Dhabi tourism is incomparable to anything they could have envisaged for themselves. And Khan wasn’t just another mirage!
  10. I had fun watching Tiger Zinda Hai and wanted to clap in all of Katrina’s bad-ass Bhabhi scenes, and most of the cool sequences.

©Rubina A Khan 2017

RUBINA’S RADAR | FDCI’S INDIA COUTURE WEEK 2017

RUBINA’S RADAR 

The 10th edition of the Fashion Design Council of India’s (FDCI) India Couture Week 2017 (24th-31st July), was a splendacious celebration of India’s fashion vanguards at the Taj Palace Hotel in New Delhi. India Couture Week has earned its laurels for the past decade of being the best in the country with its marked excellence in fashion. And what’s a fashion week in India without some Bollywood stardust thrown in? ICW 2017’s couture catwalk had actors like Alia Bhatt, Ranveer Singh, Aditi Rao Hydari, Shilpa Shetty and many more walking for the participating couturiers.

TARUN TAHILIANI | Tarakanna:
Tarakanna was an alluring experience with an “evolved vocabulary of design” befitting the legendary status of Tahiliani and his majestic consummation of couture. His design constructs were fluid, almost seamless, in silk, velvet, brocade, Italian tulle and georgette, in hues of burnished rose, gold, olive, black, ivory, midnight blue and the de riguer bridal palette of red.  The unparalleled artistry of Tahiliani’s craft shone on the runway. As the models glided on to the breathtaking autumnal leaved set, designed to semble the end of autumn, Central Park in New York perhaps, the earthy tones came alive with the shimmering Swarovski crystal-embellished ensembles, all 85 of them, taking over the runway. The line alluded to a bride’s lightness of being, akin to her dancing in the glory of her marital coupling in bespoke designs, fitted not just to her body, but also to her soul. Scenographer Sumant Jayakrishnan’s visual aesthetic lent itself beautifully to the magnificent confluence of the Tarakanna line and the buoyancy of the human spirit it embodied. Throughout its duration, the show appeared to have suspended the audience in the most exalted place of happiness and wonderment, that stayed on long after it had ended. 

MONISHA JAISING | Opera:
Sexy is a vibe Jaising shoots for consistently, and her Opera collection wasn’t left wanting in the least. The clothes were tantalising and edgy, and a tad theatrical too, primarily made in lamé, velvet metallics, Italian organza, banarasi brocade and metallic satins. The light and set design of the runway didn’t really take you into the world of operatic tenors and high octaves that inspired her line this season, as the models walked in her evening dresses and gowns, cocktail saris, crop tops and ball skirts. The multi-faceted actor-turned-businesswoman-turned-yoga-guru, Shilpa Shetty – a flawless showstopper who nails it every single time, tripped on the brocade train of her gown, not once, not twice, but four times, as it kept getting caught on the runway floor. To say that the runway nailed Shetty, rather than the other way around, would be an understatement here. Shetty of course, let it slide and slayed it forward on the runway, with a strut only her enviable body is capable of, coupled with the radiance of her persona.

ANITA DONGRE | Tree Of Love:
Anita Dongre is a relatively new entrant in the Indian couture and bridal wear landscape, having started her couture line, Bridal, only six years ago. But, she is a veteran player, and a very successful one at that in the prêt-à-porter business of fashion for the last two decades, with her labels – AND, Global Desi, Pink City and Grassroot. Dongre opened her first Grassroot store in Manhattan, New York, recently and will be opening the doors to her Bridal store there subsequently. Her Tree Of Love collection was inspired by the Bishnoi community and their spiritual reverence for nature. Dongre married her “love for trees, rich Indian craftsmanship and music into one joyous collection” with dominant shades of blue, green and red. 
Beautiful SEWA (Self Employed Women’s Association) embroidered tabards, paired with tulle skirts, mushroo and hand-embroidered tea-length dresses with gottapatti lehengas, obi belts, embroidered flat shoes and cross-body potli bags made up the very desirable contemporary bridal line. The uncut diamond jewellery from her Pink City line as stunning. Dongre’s runway felt like an Indian summer wedding, with the metallic trees adding dramatic flair to the aureate mood board.

GAURAV GUPTA | Moondust: 
Gaurav Gupta’s knows how to haute couture the runway up. Structure and form are Gupta’s forte and he plays that well, like a consumed installation artist, with “blurred boundaries of traditional and modern couture”, choosing to “sit on the cusp of both worlds”. The Moondust collection is Gupta’s interpretation of a surreal ball Cinderella went to, in sculpted ensembles created from translucent textiles in pale tones of grey, blue, green and teal, playing with shadow and light. Handcrafted embroideries and silhouettes accentuating one aspect of the body – either the legs, the back, the arms  or the shoulders – but never all at once, kept the collection elegant and sassy. Though he was going for an immersive experience with this line, it was anything but immersive. Aditi Rao Hydari was Gupta’s showstopper and surprisingly, she was one of the best ramp walkers in the lineup of Bollywood stars.

MANISH MALHOTRA | Sensual Affair:
Manish Malhotra’s exceedingly mirrored runway for his Sensual Affair collection, seemed to be asking, “Mirror mirror on the wall, on the ceiling and on the floor, Who is the grandest couturier of them all?” Satin organzas, silk tulles, satin velvets made up the fabric for Malhotra’s lehengas, sherwanis, voluminous skirts and gowns with trains and the gorgeous fitted corsets, in ivory, soft grey, vintage rose, burgundy and teal tones. The models swirled around on the gleaming catwalk, left, right and centre in a fast-paced, synchronised rhythm, showing off 85 ensembles, with not a second to breathe. It left you wanting to see more of the clothes, with just a little bit of stay. Rapturous glamour is what Malhotra does best, be it sensual, sexual or unusual. There is no one grand couturier of them all, but t
he grandest finale to a decade of couture at the India Couture Week 2017 was undeniably Malhotra’s, with Alia Bhatt and Ranveer Singh walking for him. The raucous screams that erupted throughout the show area were deafening and most definitely burst an eardrum or two amidst the audience in the excitement of it all. Tears were shed at not meeting Singh, who seems to be the star, no, superstar of Delhi. Sure he’s popular, but really? Bhatt was an enchanting delight on the runway as always, looking like the Bollywood belle of the ball. 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017

Shaken, Not Stirred Martinis At The House Of Nomad

Rubina A Khan reviews the House Of Nomad, Mumbai: “this is where the wandering liquorists are at, conversing and laughing up a storm over shaken martinis, cocktails and wines.”

There’s a splendid new drinkery in Mumbai that’s shaking and stirring things up, in and out of the Bandra zip code. It’s called House Of Nomad at the Taj Lands End hotel in picturesque Bandstand. This is where the wandering liquorists are at, ensconced in its mellow confines, conversing and laughing up a storm over shaken martinis, cocktails and wine. An intimate space, designed on the lines of a 19th century British private club, it is just the place to kick back a few, away from the endless human footprint at the astir hotel. The Taj Lands End is a quintessential Bollywood sighting spot in Mumbai, with Shah Rukh Khan’s residence, Mannat situated a mere second away from the hotel and Salman Khan’s apartment a minute further down at Galaxy, not to mention an events calendar that has celebrities walking in and out of the property almost every single day. It is also the Khans’ preferred choice of venue for most of their work commitments, making fans gravitate to the hotel in a bid to catch a glimpse of them, or better still, score a selfie with the indomitable Khan’s or Bachchan’s or Kapoor’s.

House of Nomad’s Guava Martini, which is not on the menu at the moment, is delectable and you just can’t stop at one, or two or six! Be sure to request for at least one. The Slap & Tickle cocktail crafted with Aperol, peaches, mint, lemon tea syrup and bitters on cracked ice is just as heady as it is refreshing. The julep tin it was served in took away from what I like to call a flaming orange sunset in a glass, but none of its divine flavours. The Chanel No 6 vodka martini with lychee, coconut and bitters makes a pomp and show of an entry on your table, replete with an edible lipstick made of raspberries and an atomiser, and it tastes great! A floor to ceiling wine wall stocked with wines from India, South Africa, Argentina, Chile, Australia, New Zealand, France and the United States of America has wine aficionados and connoisseurs enthralled.

House of Nomad serves up tapas and small eats like Lamb Sliders with Spiced Potato Wedges,
Peri- Peri Popcorn, Jalapeno and Cheese Popcorn that are delightful, my favourites being the Wasabi Popcorn, the Burrata Focaccia Croutons and the Bandra Sheermal Lamb Seekh Rolls. You can never go wrong with smashing cocktails and kebabs, ever! The Lamb Pie with Tomato Chutney didn’t quite cut it with its dry pastry and overdone lamb filling.

Not everyone likes to hang out at the hotel’s very popular atrium for the very abused “coffee catch-ups”, and the disinterested “Hi’s” you have to engage in for politesse.  House of Nomad, however, feels like your very own private bar, with a playlist that ranges from progressive to house to pop music, where you can have a good time with friends or be deeply engrossed in a business conversation, even on a busy Friday night.

House of Nomad is where Scandal Water happens, except it is not in olde England, but in modern Mumbai over Tea Punch and Slap & Tickle and not English afternoon tea!

House Of Nomad is open everyday Monday-Sunday 3.00PM – 1.30AM
Taj Lands End
Byramji Jeejeebhoy Road, Bandstand, Bandra West, Mumbai 400050 India
+91 22 6668-1234 House of Nomad 

@Rubina A Khan 2017