RUBINA’S RADAR | CHIVAS 18 ALCHEMY 2019 IN NEW DELHI

A touchdown in New Delhi fires up all five senses of sight, sound, smell, touch and taste in a human, instanter, sensus communis (common sense) be damned. And the night of Chivas 18 Alchemy 2019 on March 16 was no different. Chivas 18 Alchemy’s majestic third edition traversed the sixth sense at The Pavilion, DLF Emporio, belying Aristotle’s postulations of the non-existence of it with inimitable ardour. The five virtuosos playing host to a splendorous evening of the undefined and the very refined, were actor Malaika Arora, fashion designer Manish Malhotra, artist Sudarshan Shetty, fashion designer Rahul Mishra and jewellery designer Siddharth Kasliwal. They interpreted the senses of Fantasy, Intuition, Love, Memory and Déjà vu, with their muse being the award-winning Chivas 18 whisky blend.

NEW DELHI, INDIA – MARCH 16: Fashion designers Ashish N Soni, Rahul Mishra and Manish Malhotra and Malaika Arora, jewelry designer Siddharth Kasliwal, artist Sudarshan Shetty and Chivas India’s Pulkith Modi attend the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Malaika Arora sets off flames of fantasy wherever she goes, so turning into an illusionist of fantasy, alongside fashion designer and curator of the night, Ashish N Soni, came naturally to her. She created an immersive and polychromatic world of the real and imagined, using the Chivas whisky drop, brimful of 85 notes. Arora (soon to be Kapoor) looked stunning in a white ensemble by Soni, accessorised with an emerald and diamond necklace from Siddharth Kasliwal’s Gem Palace, as she took guests on a tour of her fantasia wonderland.

NEW DELHI, INDIA – MARCH 16: Malaika Arora at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Malaika Arora and her installation are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Malaika Arora attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Ashish N Soni at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Manish Malhotra created an amber-toned Chivas 18 bar, in what is now recognised as the Chivas Alchemy blue, to instantiate his sense of intuition. It was a glimmering mirage of mirrors, with glamorous people all around it, drinking to the night, and into the night.

NEW DELHI, INDIA – MARCH 16: A general view of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Manish Malhotra attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: A view of the bar at Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Sudarshan Shetty interpreted the sense of love, by juxtaposing a shattered chandelier on a dining table against a celluloid version of the same table and chandelier, set to Indian ragas. The eight-minute odd film spoke of love in different languages, expressed by diverse people. It was as evocatively beautiful as it was unnerving.

NEW DELHI, INDIA – MARCH 16: Artist Sudarshan Shetty attends the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Artist Sudarshan Shetty’s interpretation of love with an immersive celluloid experience at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Siddharth Kasliwal designed an arresting Chivas 18 bottle in gold with precious stones, over period of three months. Just looking at it in all its golden glory was enough to tempt a heist among the women, ala Oceans 8. The bejewelled masterpiece was an ode to the lost art of Indian craftsmanship through generations – a revival of lost legacies so to speak. Needless to add, but it was the most photographed installation of the night.

NEW DELHI, INDIA – MARCH 16: A bejewelled Chivas 18 bottle designed by jeweller Siddharth Kasliwal for three months to evoke the sense of deja vu, at an estimated value of $50,000 at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Parag Gupta with jewelry designer Siddharth Kasliwal and his mother Kalpana Kasliwal and brother Samarth Kasliwal attend the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: A view of the bejeweled Chivas 18 bottle designed by jewelry designer Siddharth Kasliwal at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Rahul Mishra’s installation for the sense of memory saw tambour frame hoops, creating a chandelier of memories in a play of light and shadows, blending layers of time with the ingredients found in Chivas 18. The unfinished embroideries on the ivory organza fabric was intentional to elicit one to add an element of one’s own memory to the pattern. To elucidate something as intimate and fleeting as memory, not to mention intangible, with something as simple as embroidery hoops was astounding.

NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra poses with his work at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)
NEW DELHI, INDIA – MARCH 16: Fashion designer Rahul Mishra’s embroidery patterns on organza are seen at the third edition of Chivas 18 Alchemy 2019 on March 16, 2019 in New Delhi, India. (Photo by Rubina A. Khan/Getty Images)

Pulkith Modi – Chivas India with wife Teena, Samarth Kasliwal, Kalpana Kasliwal, Parag Gupta, Guillaume Girard-Redyet – CEO Pernod-Ricard India MD South Asia and his wife Cecille, Schulen Fernandes, Sonam and Paras Modi, Rajesh Pratap Singh, Nida Mahmood, Rajiv Makhni and Ruchi Malhotra and Vikram Baidyanath were just some of the fashionable guests in attendance at Chivas Alchemy 2019.  “This is undoubtedly the most sophisticated and refined luxury event in India with the most genteel guests,” said Schulen Fernandes, Creative Director of the fashion label Wendell Rodricks. Touché!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2019

Chivas Regal India Launches Limited Edition | Mumbai

Chivas Regal India launched a Limited Edition festive pack designed by Ashiesh Shah at the Architectural Digest Design Show on October 26, 2018 in Mumbai. The metallic, steel grey packaging of Chivas Regal 12 draws inspiration from one of India’s greatest glories – architecture, with stepwells and arches in congruence with the inherent blending expertise and definitive taste of the world’s first luxury whisky.

Balkrishna Doshi or BV Doshi as he’s more commonly known, the first Indian laureate of the most august award in architecture, the Pritzker Prize 2018, kicked off the design show with a conversation as poetic and mellifluous as his works. Having worked with Swiss architect Le Corbusier in the 50s in his atelier in Paris and with Louis Kahn subsequently, the celebrated Indian architect is an international proponent of low-cost housing. Doshi’s Aranya project in Indore accommodates 80,000 people with houses and courtyards connected together by a maze of pathways. “As architects we’re supposed to be social, economic and cultural designers. But really we are exclusive, when we need to be inclusive,” is what Doshi thinks of the essence of architectural world. Watching Doshi celebrate life infinite size at age 91 was enchanting for me, and speaking to him was even more momentous than shooting his photographs in the Chivas Lounge.

In pictures:

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal 12 at the launch of Chivas Regal India’s limited edition festive pack at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Balkrishna Doshi

MUMBAI, INDIA – OCTOBER 26: Celebrated Indian architect Balkrishna Doshi, the first Indian to win the Pritzker Prize in 2018 at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Indian couturier Sabyasachi Mukherjee at the Chivas Regal India lounge on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah, launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sabyasachi

MUMBAI, INDIA – OCTOBER 26: Sabyasachi Mukherjee, Pulkith Modi, Chivas Regal India Head and his wife Teena Modi at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Amrita Arora

MUMBAI, INDIA – OCTOBER 26: Ashiesh Shah and Amrita Arora at the launch of Chivas Regal India’s limited edition festive pack designed by him at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Sussanne Khan

MUMBAI, INDIA – OCTOBER 26: Sussanne Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Homi Adajania

MUMBAI, INDIA – OCTOBER 26: Filmmaker Homi Adajania at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Gauri Khan

MUMBAI, INDIA – OCTOBER 26: Gauri Khan at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Chivas Regal 12

MUMBAI, INDIA – OCTOBER 26: Chivas Regal India’s limited edition festive pack, made from metal, an ode to Indian stepwells and arches, designed by Ashiesh Shah launched at Dome on October 26, 2018 in Mumbai, India. (Photo by Rubina A. Khan/Getty Images)

Getty Images

©Rubina A Khan 2018

RUBINA’S RADAR | FRIEZE IN LONDON, PUMPKIN SPICE SEASON IN NEW YORK AND BESPOKE BUSINESS IN MUMBAI

RUBINA’S RADAR

It’s time to Frieze in London. Nicky and Robert Wilson, co-founders of the Jupiter Artland Foundation are hosting a cocktail at the Institute of Contemporary Arts, London tomorrow, October 4, to celebrate ten years of the Scottish sculpture park and the launch of their anniversary publication, The Generous Landscape: Ten Years of Jupiter Artland at Frieze 2018. Artists Phyllida Barlow, Charles Jencks and Antony Gormley will be toasting to the Wilsons’ artistic decade alongside Maria Balshaw CBE, the first female Director of the Tate art museums and galleries since January 2017 and Iwona Blazwick, Director of the Whitechapel Gallery who discovered Damien Hirst in the nineties, the UK’s richest living artist today.

Jupiter Artland

Jupiter Artland

It’s pumpkin spice season in New York and Meera Gandhi of the Giving Back Foundation hosted an afternoon soiree on September 22 in honour of HRH Prince Edward, the Earl of Wessex, at her Park Avenue townhouse, more famous as the erstwhile historic home of former US First Lady, Eleanor Roosevelt. The guest of honour, Prince Edward, tenth in line to the British throne, was in the United States to promote the Duke of Edinburgh’s Award that supports physical fitness, mental strength and advances sports amongst the youth. Gandhi’s foundation works with empowering women and children with education and investing in their well-being, so it was an advantageous meeting between Prince Edward and her, with the future of the youth dominating the conversation.

“It was indeed a big honor and privilege for my family and my guests to receive Prince Edward at my home. It was a wonderful gathering, enjoyed by all the guests who attended like Marla Maples, Jill Zarfin, Peter Brown and many more,” said Meera from New York. Aside from her philanthropic endeavours, Gandhi has been creating a fragrance in France called Giving with notes of Sicilian Bergamot, Myrrh Oil Nambia, and Sandalwood from Mysore that she launched only recently.

Hasleen Kaur, Miss India Earth 2011, is a regular on fashion runways. But she took on a new avatar recently turning into a master of ceremonies at the Tissot x Virat Kohli Chrono XL launch. Looking statuesque and beautiful in a midnight blue Pankaj and Nidhi dress, Kaur compered the evening with a congenial flair that is quintessentially her. “I was very nervous as it was my first time compering an event. As a model, I am paid to walk the ramp, but this was fun getting paid to talk on stage. It’s another dimension of my personality that I can now explore,” said Kaur.

Kaur is also a big proponent of returning clothes that she wears for work events, which is rare in the entitled times we live in. “I truly don’t think one should keep the garments that stylists pull for you for events because it’s a loss of revenue to the designers and brands and I’m not comfortable with that. And honestly, even if I were to keep the clothes, I probably would not wear them again and then where would I keep all these garments anyway with my overflowing wardrobe?” It’d be a fashionably sound world if the gratis brigade would just talk and walk like Kaur.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

Indian Realty Adjusts To New Realities | Gulf News

Luxury realty is the obsessive reality of the moneyed order. Spending money is the only currency that fortifies the social standing of the affluent – both on the Forbes list and off it. Real estate buys and sells make for a fiscal haven in these propitious months of the Indian calendar, but this time around, there are no buyers. The Indian realty index is stable, but it doesn’t compare to what it was prior to demonetization. The immediacy in the market is non-existent but it remains a lucrative market for investors, expats in particular, after the sharp depreciation of the rupee. But time is the key component at play here. Buying property today equals buying time too as a vital appendage.
GULF NEWS COLUMNA luxury apartment in Mumbai valued at Rs70 million will sell, eventually, but time will play a starring role in the sale today. Slashed to Rs55 million at a sizeable paper loss to the owner, it’ll sell within six months to a year. Cutting losses on luxury property investments was unthinkable, the crash of 2008 notwithstanding. I wouldn’t call this a seller’s market – it’s the buyers that decide the when and the where, with no ready money in the market. Realty purchases are entirely need-based and not investment-based, barring corporates who have the money and readily-available loans to enable their investments. Individual investors shirk buying as that entails endless tax probes and exhausting paperwork.

Realty projects are akin to a big Bollywood production that’s high on the collaborative trend today, making for sound business strategy, sharing profits and losses in the entertainment business. This seems to have found favour with realty developers too. But developers don’t really have a choice unlike Bollywood producers who can swing an independent film with Salman Khan playing the lead at whim. They’re compelled to co-build, sitting on overpriced plots that aren’t feasible to build on one’s own financial steam with the continued deceleration of money in the market. Few independent developers build in the luxury segment today. Co-building is a profitable proposition for developers but it makes it a larger liability for buyers to commit to new constructions.

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Under construction development in Mumbai | Photo: Rubina A Khan

India’s leaning more towards luxury rentals than luxury buys. Selling seems impossible. The return of investments on purchased property through leasing is abysmal, and not even marginally close to purchase costs. Reselling isn’t easy either. Future-forward individuals are now choosing to rent luxury homes with all the trappings versus buying. Fiscally, it’s more conducive to live the luxe life without a home owner’s liabilities. The freedom to shift in and out of cities, upsize and upgrade to glamorous homes and neighbourhoods when the mood strikes far outweighs setting up immoveable roots in one place – and all of it with clean bank transfers that comply with realty regulations.

Green is the new luxe word and agricultural neighborhoods is the trend du jour. India being an agrarian economy can take to agri-hoods swiftly, integrating agriculture into residential neighborhoods with working farms and green space. Agri-hoods suit the natural Indian landscape and will appeal to environment-conscious, rich millennials who are always seeking the “next level” in their lives. Living concepts of clean eating, organic produce, solar energy, climate change, rainwater harvesting and the great outdoors with fresh air are selling successfully through smart adverts worldwide. Under-construction properties advertise zealously with a definitive emphasis on green cover and integrating sustainable and organic food produce everyday – a miniscule attempt, but important nevertheless. Full-scale agri-hoods is the future of luxury realty and building agri-hoods will unify Indian community living.

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Under construction development in Mumbai | Photo: Rubina A Khan

Art that no longer hangs on a wall or is vulgarly placed in the middle of a room nor discussed in hushed tones, but tactile art is taking over luxury realty. Established and emerging artists are designing not just pieces of art, but entire residences, harmonizing their artistic voices with the distinct individualism of home owners. Fashion couturiers Rohit Bal and Tarun Tahiliani are both engaged in residential design, adding their genius to concrete. Fashion and art create a historical archive of the times we live in.

Architecture is almost incongruent to individualism with high-rises taking over Indian metros, cities and towns. But the highest honor in the architectural world – the Pritzker Architecture Prize Laureate – went to an Indian for the first time this year. Professor Balkrishna Doshi won the honor for his deeply personal and poetic architecture that touches lives of every socio-economic class across a broad spectrum of genres. If only the Indian realty business could turn a page as poetic as his works in its design ethos.

This feature first appeared in Gulf News on September 29, 2018

©Rubina A Khan 2018

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

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Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

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Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018

Dilip De’s Smartphone School Of Art Exhibit, Celebration Of The Unexpected, In Mumbai

Dilip De is an adventitious artist, but with no less an ardour and depth in his paintings than any creative being in the world, with his Picasso-esque digital imagery on smartphones revolutionising the art world globally. Transcending his love for art from collecting art to creating art today has been the most serendipitous turn De’s life could have taken. And all it took was an innate desire to paint an orchid on his smartphone for the love of his wife, author and columnist extraordinaire, Shobhaa De. His first solo show as a digital artist, Celebration Of Love, was held at the Jehangir Art Gallery in Mumbai in 2016 and his second show, Celebration Of The Unexpected, opens on January 26, 2018 at the same gallery.

Rubina A Khan in conversation with Indian shipping magnate and digital art trailblazer, Dilip De:

How did you chance upon an alternative creative stream of a smartphone artist, not to mention being recognised as the first person in the world to ever do so?
It is indeed wonderful to be accorded the honour of being the first smartphone artist in the world. In 2015, as I was standing in my orchid gardens in Alibag, I felt the urge to draw the beautiful flowers on my smartphone for my wife, Shobhaa. It took me a while to learn how to use a phone stylus as a ‘brush’ and ‘dip’ it in the colour box, my purported palette, which is an integral part of the smartphone. Soon, much to my delight, I started drawing the outlines of an orchid flower on the tiny screen – 5.2 x 4 inches which came to be my ‘canvas’! Regrettably, in my initial enthusiasm, a few of my paintings disappeared from the screen forever as I had unknowingly put extra pressure on the screen whilst drawing on it. Gradually, I mastered the required skill and surprised Shobhaa with a painting of a Japanese sakura! I discovered, through my accidental foray into digital artistry, that art is omnipresent; an artistic expression can be realised at any place and at any time. Art is no longer just confined to a studio, but is truly the product of spontaneity and creativity achieved at one’s leisure.

What kind of smartphone did you use for your first art creation and what do you use today?
My initiation into digital art was with a Samsung Galaxy Note 2 and then I graduated to the Note 5 and I am using the Samsung Note 8 nowadays.

What do you enjoy most about this medium?
I have been an art connoisseur and collector for a while but I was humbled when I realised I’d inadvertently pioneered a new school of art, aptly called the Smartphone School Of Painting, with the orchid flower painting I’d created on my smartphone for Shobhaa. This is a painstaking process and requires extreme concentration and control over the stylus, which I seem to have mastered and enjoy tremendously. The largest global platform launched by Intel and VICE Media, www.creatorsproject.com to celebrate creativity featured my paintings. I have secured Copyright registrations of my paintings in this “new school of art” from the Union Commerce and Industry Ministry of India. My point was, and remains simple today – an artist cannot produce art on an empty stomach. My new dream is to make every budding artist in our country realize how easy it can be to follow a dream and turn a hobby into a joyous reality. Smartphone art is yet another frontier in technology that has made things more accessible and affordable to those who love art. I want my fellow Indians to start loving and collecting artworks easily in their lives. This will also teach them to respect and cherish beauty.

What do you do with the money generated from this “new job” of yours as a smartphone artist?
As you know, I gave away the proceeds from my first exhibition, Celebration Of Love, which was held in Mumbai on August 16, 2016 to the Cancer Patients Aid Association (CPAA). I respect the devotion of YK and Rekha Sapru and their dedicated CPAA team. My wife Shobhaa is also associated with them. This time around, I have decided to contribute the proceeds to the Jehangir Art Gallery – the iconic art establishment in Mumbai – for the promotion of art and the modernisation of their galleries.

Your second exhibit, Celebration Of The Unexpected, alongwith a charity auction of your work, opens on 26th January 2018, at Jehangir Art Gallery, with Amitabh Bachchan as your chief guest in attendance again. Why him?
Amitabh and I met in the 60s in Kolkata as young mercantile executives engaged in the business of international shipping. I suppose we have an old “Calcutta” connection and bond that formed many years ago. At that time, I found him to be an immensely gifted stage actor who went on to scale dizzying heights in his career, and continues to create new frontiers in his field. We also share a warm Bong vibe as his wife, Jaya, is a Bengali. I’ve known him for 51 years now. For me, and the multitude of his fans across the world, Amitabh is undoubtedly the ‘Ultimate Superstar of Bollywood’! His achievements make me proud. There’s a surprise pertaining to Amitabh in this exhibit of mine which he has, in his own words, described as “outstanding”.

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Amitabh Bachchan

Your wife is of the written word and you seem to be visually inclined…
Shobhaa creates and tells stories through the magic of her words and I express my emotions and inspirations through my images. We express ourselves in different disciplines, but we are both storytellers nevertheless. One day, I must attempt to reproduce the essence of one of her stories in the form of images. That’s a colossal ambition, but I will definitely give it a try.

Celebration Of The Unexpected is on view from January 27 to February 3, 2018 at
Jehangir Art Gallery, 161 Kala Ghoda, Mumbai 400001 from 11AM to 7PM.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

 

RUBINA’S RADAR | SHOBHAA DE’S BOOK LAUNCH IN MUMBAI & A CELEBRATORY FASHION MILESTONE IN LUTYENS DELHI

RUBINA’S RADAR

The magnificently restored Royal Opera House a historic address in Mumbai since its inauguration by King George V in 1911 and India’s only surviving opera house relegated to redundancy in the 90s, is now open to the culturati. It is no longer just a geographical landmark on the Uber app, but a live destination that’s marking up newer glories contrasting from its original, sepia-toned ones today. This vintage Baroque edifice was where author and columnist, not to mention “ready-to-be-lynched-for-anything” Shobhaa De launched her latest book, Seventy And To Hell With It on a fine December evening last Wednesday. At the garden gathering amidst family and friends, De was on fire, as a discerning hostess in a cobalt blue, custom couture blouse by Abu Jani-Sandeep Khosla and a real zari Jaipur Kota Doria sari greeting her guests, with her luminosity lighting up the de riguer photo-ops and selfies. She then went on to breathe fire in her role as a celebrated author on stage, in conversation with journalist Barkha Dutt and Bollywood actor Kangana Ranaut.

The conversation revolved around sex, the celebration of age and beauty in every stage of a woman’s life, the empowerment of women and the power of speaking up, changing the patriarchal guard and living your life wholly on your terms to a full (Opera) House. De’s quintessential ability to turn anything on its head without so much of an arch of her eyebrows or her “De resting face” with a diverse point of view that could swing from radical to pure nonchalance is what makes her one of the most read and heard “Made in Mumbai” voices in India. Had I been in conversation with her about the book on stage, my opening question would have been “How is sex at seventy, Shobhaa?” because her immediate response would have been far more entertaining and memorable than the latest Bollywood film!

In Delhi, designer Ashish N Soni celebrated a milestone in the fashion business, with a Lutyens lawn gig at The Lodhi. The mannequins looked exquisite in Soni’s all-black Spring Summer 2018 line in a contemporary hard-metal open-air installation tent, alongside a white garment installation which was as enchanting as it was dreamy, exhibiting his structured and minimalistic design ethos beautifully.

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Ashish N Soni SS ’18

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Yuvraj Singh and Ashish N Soni

There was Artificial Intelligence to talk to Soni nd Saif Ali Khan (Taimur’s father!) about all things fashion which was interesting, but the Glam-Cam was a monster fail. A garden gig on a Saturday night in the freezing cold temperatures of Delhi surprisingly brought out the warmth in all its glamorous guests, well, almost all. To attend an alfresco cocktail event like this is a Game of Thrones gamble – you either winter wing it in Uggs and cashmere or you whinge all night about the cold, over endless drinks, which is rather unfashionable.

©Rubina A Khan 2017

Wendell Rodricks On aLL Primero, His First Ever Runway Collection For Plus Sized Fashion Forwards

Wendell Rodricks is a cultural revivalist with a cause. Conferring the sole status of just a fashion designer to Rodricks, a Padma Shri winning Indian icon, would be a tad indecorous. His is a career of many fashion firsts – from exhibiting a sustainable collection, that’s du jour today, back in the 90s, to being an advisory voice and key player in the first edition of LFW (2000) to working with white cottons and linens to reviving the Goan Kunbi cotton sari weave to writing incisive books on fashion. Rodricks was the first Indian designer to open Dubai Fashion Week (2001) and today, he’s turned into a museologist, converting his private residence into the Moda Goa Museum for all things fashionable and cultural to the state. This Goaphile is doing it all, the aLL Primero collection for plus sizes this season being yet another first in his exemplary career.

Ahead of his August 19 showing at Lakme Fashion Week Winter/Festive 2017 in Mumbai, Rodricks spoke exclusively to Rubina A Khan | Gulf News tabloid! 

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Wendell Rodricks with his Creative Director, Schulen Fernandes

The aLL Primero show is the first of its kind in India for plus-sized people at LFW in Mumbai. Does the line adhere to the minimalistic métier of your label?
The aLL Primero Collection by Wendell Rodricks is the first Plus Size line to be shown in a Main Show Area at Fashion Week, bringing it to the public’s attention. The line is similar to our label in terms of minimalism. There is no embellishment, very little sparkle and the aesthetic is in harmony with the Wendell Rodricks philosophy of design. I believe in fashion democracy –  it is for everyone, no matter what age, colour or size. In fact, when we showed the sketches to some of our clients, they wanted to buy them in regular sizes too. I am confident of the Primero line doing very well at LFW and in the aLL Plus size stores. When I see the unnecessary drama and chaos in fashion, I’m amazed and amused. The sycophancy, paranoia and insecurity are surreal. For God’s sake, we are just glorified tailors, not Messiahs of a new religion!

How did you and your label’s creative director, Schulen Fernandes, go about setting up the aLL Primero line, which is in sharp contrast to the vibrant, geometric silhouettes of the AW17 Cubist Rose runway collection?
Primero was conceived entirely by Schulen. She has imbibed my method of working without a mood board as I find them restrictive and they “lift” old concepts and one tends to copy past eras, fabric treatments and colour combinations. I prefer keeping a clear mind.

What is the essence of you that Fernandes has brought into the aLL collection?
Schulen has my DNA very firmly in our collections. It is for this reason that I appointed her my successor. When the media and public look at the new collections, they can’t tell that there is a new person spearheading the collection. It looks like Wendell Rodricks all the way from colour to concept, styling and silhouette.

How does designing for plus sizes vary from a runway collection for slim and lithe bodies?
It’s easier to make runway clothes for regular models as they’re almost factory produced at 34-25-36. With Plus sizes, I love the challenge. People imagine that curvy is all there to Plus sizes, but that’s not true at all as there are hour-glass, apple, pear, carrot and rectangular shapes too. For the aLL show, we chose models that fit every one of these shapes so that voluptuous people can find clothes that suit their shape.

The Cubist Rose collection was loved instantaneously. Do you think Primero will hit a fashion frontier for plus-sized fashion forwards?
I’m certain she will score a hat trick with Primero. She did so with Trapezoid and Cubist Rose. Now it is time for the aLL Primero collection to shine and send out a vibrant, fashion statement. I’ve chosen the music, and the backdrop and I think curvy will be the next trend from LFW. This collection has a happy vibe, quite like the happy people that will wear them.

Will this collection break runway stereotypes in India and encourage more designers to design plus-sized fashion?
There are many myths that we will shatter with the aLL Primero collection. Whites, bright colours, colour blocking, neutrals… most people feel that Plus sizes should stay away from all this. Not at all! We made it a point not to include black in the collection. Black is boring and safe. When I first said ‘white’ for Plus sizes, people gagged. After the show they won’t be gagging, but applauding.

It sounds like you’re bringing voluptuous to the fashion fore with Primero, where skinny takes to the shadows…
Whoever said dogs like bones and men like flesh knew what they were talking about, and 60% of the world’s population of Plus size women will agree. This is a real show for real people and therein lies the strength of the collection. This is real, not virtual fashion fluff.

Who selected the models for the aLL Primero show and was there any training involved for their “runway strut”?
aLL and IMG Reliance had an audition where we chose 21 models from almost 300 entries. We chose them based on their confidence with their own bodies. They are a happy, excited lot. I loved them at first sight. Our choreographer Anu Ahuja, doesn’t want them to do a runway strut. At the fittings she told them, “At the end of it all, comfortable models are happy models”. I second that.

Have you ever had a muse?
Malaika Arora was my first and only muse, till I made all women a collective muse. I have a job to do and I’m obliged to please the public muse. My job is to make them look slimmer, taller and feel more beautiful – that’s all women want.

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Jerome Marrel and Wendell Rodricks at the Poskem book launch in Mumbai

You have the Moda Goa museum opening end 2018, you’re an impassioned traveler, author, you’re designing silverware, gourmet coffees and the Goa Police Band costume and you love food. How do you maintain your fit persona and sense of self with your diverse creative pursuits?
I am a creative spirit. I guess some people are just made this way. People ask me how I do so much all the time. It really is no effort. I am a Gemini and an expert at multi-tasking. But I am also extremely disciplined. After IHM, a career in hotel management in Mumbai and my sweat and blood years working with the Royal Oman Police, handling Sultans, Sheikhs, Presidents, Prime Ministers et al, I realized one can take on the world in a disciplined, restrained and orderly manner. I learnt discipline from a young age. Give me a 24-hour challenge and I will strive to deliver it in 12 hours. As for loving food, I am an epicurean for sure. Since I lived in Paris, I learnt to ‘indulge in limitation’. Do not believe that I eat everything I post on Instagram, Facebook or Twitter. I taste, but don’t gorge, except for dark chocolate.

What achievements in your life are you most proud of and what do you love the most?
I don’t think about myself or my past glories at all. For that, there is google and my website, wendellrodricks.com to refresh my memory. There is much to do without thinking of one’s self and developing an unnecessary ego. I would like to learn Sanskrit and Latin. After aLL Primero, I will be focussing on Moda Goa Museum.  I live in a real world in a small village in Goa. Life in an ivory tower is just so not my vibe. Apart from my partner and my dogs, I love this journey called life. I am on a constant high with life and this big, beautiful world.

This feature first appeared in Gulf News on 17 August, 2017

©Rubina A Khan 2017

RUBINA’S RADAR | FDCI’S INDIA COUTURE WEEK 2017

RUBINA’S RADAR 

The 10th edition of the Fashion Design Council of India’s (FDCI) India Couture Week 2017 (24th-31st July), was a splendacious celebration of India’s fashion vanguards at the Taj Palace Hotel in New Delhi. India Couture Week has earned its laurels for the past decade of being the best in the country with its marked excellence in fashion. And what’s a fashion week in India without some Bollywood stardust thrown in? ICW 2017’s couture catwalk had actors like Alia Bhatt, Ranveer Singh, Aditi Rao Hydari, Shilpa Shetty and many more walking for the participating couturiers.

TARUN TAHILIANI | Tarakanna:
Tarakanna was an alluring experience with an “evolved vocabulary of design” befitting the legendary status of Tahiliani and his majestic consummation of couture. His design constructs were fluid, almost seamless, in silk, velvet, brocade, Italian tulle and georgette, in hues of burnished rose, gold, olive, black, ivory, midnight blue and the de riguer bridal palette of red.  The unparalleled artistry of Tahiliani’s craft shone on the runway. As the models glided on to the breathtaking autumnal leaved set, designed to semble the end of autumn, Central Park in New York perhaps, the earthy tones came alive with the shimmering Swarovski crystal-embellished ensembles, all 85 of them, taking over the runway. The line alluded to a bride’s lightness of being, akin to her dancing in the glory of her marital coupling in bespoke designs, fitted not just to her body, but also to her soul. Scenographer Sumant Jayakrishnan’s visual aesthetic lent itself beautifully to the magnificent confluence of the Tarakanna line and the buoyancy of the human spirit it embodied. Throughout its duration, the show appeared to have suspended the audience in the most exalted place of happiness and wonderment, that stayed on long after it had ended. 

MONISHA JAISING | Opera:
Sexy is a vibe Jaising shoots for consistently, and her Opera collection wasn’t left wanting in the least. The clothes were tantalising and edgy, and a tad theatrical too, primarily made in lamé, velvet metallics, Italian organza, banarasi brocade and metallic satins. The light and set design of the runway didn’t really take you into the world of operatic tenors and high octaves that inspired her line this season, as the models walked in her evening dresses and gowns, cocktail saris, crop tops and ball skirts. The multi-faceted actor-turned-businesswoman-turned-yoga-guru, Shilpa Shetty – a flawless showstopper who nails it every single time, tripped on the brocade train of her gown, not once, not twice, but four times, as it kept getting caught on the runway floor. To say that the runway nailed Shetty, rather than the other way around, would be an understatement here. Shetty of course, let it slide and slayed it forward on the runway, with a strut only her enviable body is capable of, coupled with the radiance of her persona.

ANITA DONGRE | Tree Of Love:
Anita Dongre is a relatively new entrant in the Indian couture and bridal wear landscape, having started her couture line, Bridal, only six years ago. But, she is a veteran player, and a very successful one at that in the prêt-à-porter business of fashion for the last two decades, with her labels – AND, Global Desi, Pink City and Grassroot. Dongre opened her first Grassroot store in Manhattan, New York, recently and will be opening the doors to her Bridal store there subsequently. Her Tree Of Love collection was inspired by the Bishnoi community and their spiritual reverence for nature. Dongre married her “love for trees, rich Indian craftsmanship and music into one joyous collection” with dominant shades of blue, green and red. 
Beautiful SEWA (Self Employed Women’s Association) embroidered tabards, paired with tulle skirts, mushroo and hand-embroidered tea-length dresses with gottapatti lehengas, obi belts, embroidered flat shoes and cross-body potli bags made up the very desirable contemporary bridal line. The uncut diamond jewellery from her Pink City line as stunning. Dongre’s runway felt like an Indian summer wedding, with the metallic trees adding dramatic flair to the aureate mood board.

GAURAV GUPTA | Moondust: 
Gaurav Gupta’s knows how to haute couture the runway up. Structure and form are Gupta’s forte and he plays that well, like a consumed installation artist, with “blurred boundaries of traditional and modern couture”, choosing to “sit on the cusp of both worlds”. The Moondust collection is Gupta’s interpretation of a surreal ball Cinderella went to, in sculpted ensembles created from translucent textiles in pale tones of grey, blue, green and teal, playing with shadow and light. Handcrafted embroideries and silhouettes accentuating one aspect of the body – either the legs, the back, the arms  or the shoulders – but never all at once, kept the collection elegant and sassy. Though he was going for an immersive experience with this line, it was anything but immersive. Aditi Rao Hydari was Gupta’s showstopper and surprisingly, she was one of the best ramp walkers in the lineup of Bollywood stars.

MANISH MALHOTRA | Sensual Affair:
Manish Malhotra’s exceedingly mirrored runway for his Sensual Affair collection, seemed to be asking, “Mirror mirror on the wall, on the ceiling and on the floor, Who is the grandest couturier of them all?” Satin organzas, silk tulles, satin velvets made up the fabric for Malhotra’s lehengas, sherwanis, voluminous skirts and gowns with trains and the gorgeous fitted corsets, in ivory, soft grey, vintage rose, burgundy and teal tones. The models swirled around on the gleaming catwalk, left, right and centre in a fast-paced, synchronised rhythm, showing off 85 ensembles, with not a second to breathe. It left you wanting to see more of the clothes, with just a little bit of stay. Rapturous glamour is what Malhotra does best, be it sensual, sexual or unusual. There is no one grand couturier of them all, but t
he grandest finale to a decade of couture at the India Couture Week 2017 was undeniably Malhotra’s, with Alia Bhatt and Ranveer Singh walking for him. The raucous screams that erupted throughout the show area were deafening and most definitely burst an eardrum or two amidst the audience in the excitement of it all. Tears were shed at not meeting Singh, who seems to be the star, no, superstar of Delhi. Sure he’s popular, but really? Bhatt was an enchanting delight on the runway as always, looking like the Bollywood belle of the ball. 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017

Hinduja Sisters, Ambika And Satya, Collaborate On Their First Immersive Art Show – Hanami – Together

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Ambika Hinduja Macker

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Ambika and Satya Hinduja

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Satya and Ambika Hinduja 

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Ambika Hinduja Macker

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Satya Hinduja 

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Ambika and Satya Hinduja collaborate on their first immersive art show together

©Rubina A Khan 2016