RUBINA’S REVIEW | THE ARCHIES

DECEMBER 8, 2023

Netflix India’s most awaited film of 2023, The Archies, directed by Zoya Akhtar, released worldwide on December 7th, 2023 on a screen on your lap, in your hand or on your desk. Starring an ensemble cast of debutants in the headlining roles, The Archies is a musical adaptation of the American comic series, Archie, that traces the life of Archibald Andrews, a ginger-haired teen, and his friends in Riverdale, a town in the United States that is as fictional as its residents. Created by publisher John L. Goldwater and artist Bob Montana in collaboration with writer Vic Bloom in 1941, every character in the Archie comics is beloved around the world since, be it Veronica Lodge, Betty Cooper, Jughead Jones, Big Moose, Dilton Doiley, Reggie Mantle, Mr Weatherbee, Miss Grundy, Midge Klump, Ethel Muggs and of course, Archie himself. For lack of a contemporary reference, Archie and his Riverdale gang are the F.R.I.E.N.D.S of the comic world given anyone who has ever read an Archie comic, single or digest, knows and devours everything about the characters and their quirks, such is the endearing familiarity, yet thrilling simplicity of them all.

Referencing an American comic series with Anglo-Indianised versions of the characters set in India in 1964 seems to be the sole premise of this film, with teen angst roller skating into school, and after-school life, with milkshakes and burgers set to wonderfully choreographed musical interludes in marvellous 60s costumery. The costumes in the film are stars in themselves, never mind who is wearing them. But The Archies also appears to be a low-key environmental warrior film set in a year when climate activism did not exist worldwide, certainly not in India, but climate awareness did, and Earth Day was only recognised in 1970 in the United States. As I understand, the 60s teens didn’t really speak green, they did green.

Mihir Ahuja, Suhana Khan, Yuvraj Menda, Agastya Nanda, Aditi Dot Saigal, Khushi Kapoor and Vedang Raina in The Archies poster ©Netflix

The 143-minute film represents the Hindi film industry’s biggest names – it stars a Khan – Suhana, a Kapoor – Khushi and a Bachchan, Agastya Bachchan Nanda, who have simply joined the family business, ably and admirably. And, all three live up to the cinematic legacies they were born into, and have chosen to take forward of their own accord. They can act. If this film was created and mounted to showcase and launch the talents of the twenty-something progenies of some of India’s biggest superstars like Raj Kapoor, Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan and Sridevi, then it has succeeded as Suhana Khan and Agastya Nanda have it in spades, with Khushi Kapoor a few paces behind.

Suhana Khan is prodigiously expressive in her portrayal as the self-absorbed Veronica Lodge in the film. It takes an intelligent mind to play a clueless, millionaire teen and Khan does so with measured alacrity, her soothing voice adding to the allure of her act. And, she dances and pirouettes on skates, and without them, arched and poised like a ballerina, always in step, a grand jeté away from perfection.

Agastya Nanda’s got the Kapoor dance moves and the Bachchan voice and height, but it his very own Nanda je ne sais quoi that adds to his charismatic performance as Archie Andrews. He enunciates his lines beautifully and fills up the screen with boyish insouciance as Archie, a rhythm guitarist torn between Riverdale and England, and Ronnie and Betty, and every girl in the world. Nanda’s definitely got the rizz and has the girls, and boys, in a tizz! He is, after all, Raj Kapoor’s great-grandson and Amitabh Bachchan’s grandson!

Khushi Kapoor makes a pretty picture as the gamine Betty Cooper in the film. She is as graceful as she is statuesque in her role, but she needs to work on her dialogue delivery that is awkward and a tad mumbly. Yuvraj Menda is achingly vulnerable as he is adorable as the teen nerd finding himself, Dilton Doiley. His lilting ‘Thank you’ warrants an encore every single time! Ethel Muggs is perfectly played by Aditi Dot Saigal, a musician who has also worked on the lyrics and music of the film. Vedang Raina is slick and haute as Reggie Mantle, and he goes from smouldering silences to verbose angst with natural ease. Mihir Ahuja plays Jughead Jones ably, but the character written in the film doesn’t speak to the original essence of the forever-eating, oddball Jughead. All seven of the debutants on the film’s poster have got some serious moves and can dance their legs off. Not like Jungkook though, yet.

I loved that the sets looked unreal, with real people and real emotions swirling through – like an Archie in Toyland atmosphere. I loved Rudra Mahuvarkar’s Big Moose dumb, muscleman act – mistaking philanderer for Phil Anderson was a riot. Jughead should have been ditzier and clumsier, and eaten way more hamburgers and fries. Ronnie didn’t need to act fashionably sustainable in 1964 by repeating that eyesore of a canvas trunk bag everywhere in Riverdale – it was just so off the Lodge brand and entirely unnecessary. It didn’t add to her rich vibe; Khan’s enactment of Ronnie did. And, she does know a thing or two about being rich. Seasoned actors like Suhaas Ahuja, Aly Khan, Vinay Pathak, Delnaaz Irani and Deven Khote enriched the performances of the debutants in the film.

Did I love the film? No. Why did I sit through it? I wanted to see SRK’s daughter, Amitabh Bachchan’s grandson and Sridevi’s daughter act, and they most definitely can. Is the film worth the wait, the worldwide marketing thrust, dollar spend and the hype? Not in the least, but all its debutant actors are! You cannot not love them all!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. The © ahead of a name is the copyright of the subject in the photograph and not shot by Rubina A Khan.

©Rubina A Khan 2023

RUBINA’S RADAR | NEWS OF THE NEW

OCTOBER 24, 2023

It’s the last week of October and Diwali is three weeks away, with 2024 on the ascent not far behind. The season is all about celebrating the new with mithais, movies and money – making it and spending it! And when it comes to a new actor debuting in the world of films in India in 2023, Suhana Khan is the first name that comes to mind given she is Shah Rukh Khan’s daughter, the reigning superstar of India. And new films on Diwali are always almost synonymous with Yash Raj Films, this year being no different with Tiger 3 starring the consummate screen pair, Salman Khan and Katrina Kaif, with Emraan Hashmi. After the colossal worldwide collections of Pathaan (January 2023) and Jawan (September 2023) of over a ₹1,000 crore and ₹1,100 crore respectively, both starring Shah Rukh Khan, YRF is shooting for even more coin with Tiger 3.

MUMBAI: Even before the release of her first film, Archies, Suhana Khan is a recognised face, beloved and adored by the public, landing her a Maybelline New York campaign in April 2023, headlining the brand in India. That she is loved and famous has a lot to with her father being superstar Shah Rukh Khan, but more so for her personable countenance every time she steps out in public. She expresses herself articulately, and is almost always smiling, polite and affable with fans, selfie-seekers and invasive photographers. She wears her father’s fame and name ever so lightly, just as her Papa, and not the monumental celebrity he is. It’s not like she just woke up one day and decided to act for a living because her father is who he is. She seems to have worked steadily and assuredly towards her dreams, graduating from Ardingly College in the UK, in 2019, winning the Russel Cup for Exceptional Contribution To Drama, but of course, given her artistic leanings. She featured in a 10-minute short film, The Grey Part of Blue, which is about a teenager’s experience of unrequited love, directed by Theodore Gimeno in 2019. After school, she went to the Tisch School Of The Arts in New York to study acting and drama. She came back to Mumbai from Tisch, well prepared and ready to start working as a full-time actor. Her first film, Archies, directed by Zoya Akhtar airs on Netflix on December 7th, wherein she plays the brunette Veronica Logde to ginger-haired Archie Andrews played by Agastya Nanda in the fictional town of Riverdale, set in 1960’s India. She looks the part in the teasers and the songs, pirouetting on skates like a poised ballerina. Needless to add, it is the most anticipated film on everyone’s watch list! “I am 5″3 and brown, and I am extremely happy about it and you should be too,” she once wrote on Instagram in September 2020, in a bid to end colorism and today, everyone is happier for the same. Because, Khan is here to stay and play. A new film, where she will be working with her father, to be directed by Sujoy Ghosh, has also been announced in September. The shooting for this untitled thriller starts only in November 2024 and it will be Khan’s first theatrical release.

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MUMBAI: Founder and creative director of Primal Gray, a clothing company based in New Delhi, Yuv Bharatram introduced his fashion label to Mumbai’s fashion forwards with a LAP (label awareness party) on Saturday evening. An alumnus of the Shri Ram School in Delhi, founded by the late Manju Bharat Ram in 1988, and owned by his family, the Shri Rams, Bharatram went on to graduate from the Parson’s School of Design in New York 2017. Having worked as an intern and apprentice with many fashion firms, the last being Hermes in Paris, France, in 2019, Bharatram launched Primal Gray in November 2022. The clothes are fun and easy, crafted from conscious materials and priced accordingly. A year on from the launch, he should perhaps look into retailing the Plexi-Glass Dress he made in 2014, with a flower mask made from recycled spoons, the idea of which stands even more poignant today, making it the right climate for avant-garde Indian fashion almost a decade later. “The Plexi-Glass dress was inspired by how people blindly buy and promote brands, buying the most ostentatious items of clothing just to show off the brand. They would rather showcase their wealth over being well-dressed. The dress is a statement of how other people can see through their insecurities, while they remain blind to the fact that people can see through their veil of superiority – the entrapment of the wearer in their prison of branded clothing,” said Bharatram of the 2014 dress. Primal Gray’s garments non-toxic additions to your wardrobe, but in no way is the label responsible for the toxicity of the wearer! The company also makes candles named after cocktails like Cosmopolitan, Espresso Martini and Negroni, to keep your chakras balanced and aligned, should you need to sage away unwanted energies.

Yuv Bharatram, photographed by Rubina A Khan

MUMBAI: The third film in the Yash Raj Films’ Tiger franchise, and the fifth in their ongoing spy universe series, Tiger 3, written by Aditya Chopra and directed by Maneesh Sharma releases on Diwali this year, on November 12. Starring Salman Khan and Katrina Kaif, the consummate screen pair that made the first two films, Ek Tha Tiger (2012) and Tiger Zinda Hai (2017) blockbuster hits, Tiger 3 has Emraan Hashmi playing the principal antagonist. Chopra intends to expand his super spy universe with multiple screen agents coming together like Tiger (Salman Khan) and Pathaan (Shah Rukh Khan) in Pathaan (2023). Tiger 3 traces the events of the agents in Tiger Zinda Hai, War and Pathaan.

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The first song from the film, Leke Prabhu Ka Naam, aired on the YRF Youtube channel on October 23rd, with Katrina Kaif looking bewitchingly fine in it. Tiger 3 is Kaif’s first release of 2023 as also Hashmi’s, marking the latter’s 20th year in the film industry.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2023

Shah Rukh Loves My Work The Most, Says Design Virtuoso Gauri Khan

Whilst her husband Shah Rukh Khan is the uncrowned king of Bollywood, Gauri Khan seems to have come into her own as a design virtuoso, befitting her status royale as the celluloid sovereign’s wife. Gauri Khan Designs, her eponymous design studio, is headquartered in Mumbai, but her visual representational percipience is swiftly traversing worldwide.

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Gauri Khan at Chivas 18 Alchemy in New Delhi

The modernist designer couldn’t resist turning into an alchemist of sight at the second edition of the quintuple sensory Chivas 18 Alchemy experience in New Delhi, transforming the space with her definitive luxe aesthetic. As much as her husband is the alchemist of sound with his unequivocal eloquence, she seems to speak (the reluctant conversationalist that she is) through her alluring and arresting visual artistry. Khan makes for relaxed, affable company when she’s talking business, but turns a deep, love blush when SRK Face Times her during our conversation. “It’s Shah Rukh,” she says, tossing her hair into place and arching her frame into a flattering angle to talk to him.

Rubina A Khan caught up with Gauri Khan in New Delhi for Gulf News tabloid!

You entered the world of design in 2011 and have been making enviable headway since designing homes, restaurants and pop-up events…
It wasn’t a planned effort to get into interior design. I’ve been an artist all my life, in school and college, and even after I got married to Shah Rukh, I used to do a lot of charcoal paintings at home. There’s a lot of connection to art in my life – I bought a lot of art and was intrigued by artists and read up on them extensively. Then I started designing my own home, Mannat, with my architect. A lot of people walked into the house and asked me to design for them. My friends, Yash and Avanti Birla opened Yantra about 15 years ago and they asked me at the time to join them and so did my friend, Kajal (Anand), as she knew I was passionate about art and design. But I wasn’t ready for it. Then Sussanne (Khan) asked me to do a collection for her store launch. So, it’s been a slow and steady pace for me into the world of design with friends.

What draws you to design – the creative pursuit of it or the final outcome?
Creating a first impression is what I set out to achieve when I start designing a space. Being creative and imaginative in my everyday life is tremendously exciting. All aspects of design, right from my drawing board to the actualization of it all enthralls me. When the thoughts in my headspace integrate seamlessly and are realized into tangible and tactile reality, from the inception stages to the final outcome, it gives me a great sense of accomplishment and it’s the most wonderful feeling.

How did you turn into an alchemist of sight for Chivas 18 Alchemy?
Fashion designer Ashish Soni approached me with the idea to participate in the second edition of Chivas 18 Alchemy as the alchemist of the sense of sight as the concept is based on the five human senses of sight, sound, touch, taste and smell. Given that I love the creative space that Alchemy mounts their campaigns and the way they format and execute them with immense style and finesse, I was immediately attracted to it and now I’m an alchemist too! I added the touch of blue velvet drapes to turn the outdoor garden space of Alchemy into an indoor one, akin to a palatial living room. It was challenging, but it turned out rather fluid as the velvet lent an indoor vibe to the space and the artisanal glass bottle chandeliers, custom made especially for Alchemy, added the molten hue of inviting warmth. Lighting is the key to all my spaces. It’s been a fantastic experience with Ashish, Pulkith and the Alchemy team and it was a joy to work with them. This is one of the best events I have attended and now, participated in, right from the venue to the scale and the exceptional invites… everything about it is extraordinarily stunning.

What is the key component to the alchemy of sight?
The key component for me is when I design a space on paper. When the eye visualizes what can be, which then manifests into a real space – that’s a visual delight for me. Subsequently, for it to then come to life exactly the way I envision it, to becoming the heart and soul of the design endeavor – that’s the key to my alchemy of sight. What I did for Alchemy on paper, and to now see it come to life in this luxurious and seductive a manner, makes me extremely happy.

What is your signature design move?
It depends on the project really – if I’m doing a restaurant, a young boy’s room, a nursery, a middle-aged couple’s home – each space is different. But I make sure every space I design is warm, easy, inviting and comfortable. That’s the quintessential design move that I adhere to in all my GKD work. I absolutely abhor cold, model homes.

How many hours do you work everyday?
I don’t work all the time. It is an artistic pursuit wherein I can create anytime and anywhere, whether it’s at home or at a site visit or a set. I spend a lot of time at home and I don’t have any fixed hours or schedule per se. That’s the beauty of my job.

Some Gauri Khan Designs’ tips for homes?
When I am doing up a residence, I try to make the elements come together in such a way that the owners feel comfortable and at peace in their home. My design aesthetic is luxurious and glam as I love these aspects of good living, but that doesn’t mean the home loses its warmth and comfort or that I’d put chandeliers in a baby’s nursery.

a) Make any space your own, where you belong, with your own distinct individualism. It could be anything from lights to an art piece, something that tells the story of your personality.

b) Don’t try to make a touch-me-not home where it becomes more like a museum and less of a warm, inviting home. When a home has super fancy elements with a trying-too-hard feel, the fear of disturbing the elements keeps you from enjoying the space and creates an uncomfortable aura in the home for you as well as your guests.

c) Luxurious and glamorous homes should be designed such that the owners should not find the comforts of their own homes even in luxury hotels. Despite all the luxe elements, the comfort of a home should never be compromised.

Who loves your work the most?
Shah Rukh loves my work the most. I have been attending award functions with him for 30 years and now, I’ve won my very first Excellence in Design Award this month; we both couldn’t be happier.

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Shah Rukh Khan

What’s the biggest love of your life?
Design is my biggest love! It consumes me.

What’s your dream project?
My most exciting dream project is Karan Johar’s new home. I’ve done the nursery for his kids and the terrace in his current home. Karan’s always been my inspiration and he’s been my support, in my personal and professional life, so I’m super excited to start this project. He’s a creative being himself and when I create something for him, and he appreciates it, it makes me feel like I’ve got an ‘A’ in a school report card. It makes me very happy when Karan “approves” of my work.

Any plans of opening a store in Dubai?
Dubai is home to us and I love coming to our home in Dubai. I’m looking forward to bringing Gauri Khan Designs to Dubai very soon. It’s already in the works.

This feature first appeared in Gulf News on 18 March, 2018

©Rubina A Khan 2018

RUBINA’S REVIEW: PADMAAVAT IS THE NEW PADMAVATI

Padmaavat, with Deepika Padukone playing the valorous Queen Padmavati of Chittor, finally releases on Friday with a gender swap in its title from the original Padmavati to Padmaavat. From a film on periods (Padman) being pushed to a February release by its lead actor, Akshay Kumar, to give the period drama that is Padmaavat more theatre play due to the fiscally debilitating off-screen histrionics around it, the ongoing PMS (Padmavati Movie Stress) hasn’t abated just as yet.

I saw the film on Tuesday evening at journalist and author, Shobhaa De’s screening in Mumbai. 120 minutes into the film, I simply couldn’t fathom why the director, Sanjay Leela Bhansali would even call his film Padmavati in the first place; he very well could have called it Khilji as it’s a glorified, and almost one-directional ode to Alauddin Khilji’s insatiable lust for immortality, battle and sex. And, his relentless desire to possess Queen Padmavati of course. The film highlights the Rajput and Kshatriya codes of honour and living in a manner most celebratory, Bhansali’s chandeliers, diyas and picturesque frames notwithstanding. In no way does it demean Indian culture and its customs, and no Indian will be affronted with the film. Though Bhansali does seem to unnecessarily lionise Khilji beyond his omnipresent pillaging fame.
imagesAs the antagonist Khilji, Ranveer Singh looks menacing and monstrous physically, but his wavering accent that switches from Arabian to contemporary Hindi to Afghan, along with an inept enunciation of the language of his Sultanate, makes it difficult to believe he’s a 14th century imperial Sultan. Singh’s performance is flamboyant, loud and open to interpretation sexually, but he is not convincing as an erstwhile ruler or wannabe Alexander the Great in the making in the least. And, as for the costumery, when Singh ascends the throne of his slain uncle, Jalaluddin Khilji (Raza Murad) he wears heeled boots with the royal regalia on his person! Sure, high-heeled boots for men were in use as early as the 10th century for equestrian sports, but it seems highly unlikely that Khilji would have had access to those during his time in India.

Shahid Kapoor as Maharawal Ratan Singh of Mewar is ineffectual in the film. But in his regal dhoti/lungi, he makes for an exquisite kohl-eyed, eight pack ab-fab model that Calvin Klein needs to add to its brand new Kardashian-Jenner spread immediately! As Queen Padmavati’s paramour and subsequent husband, he is rather rigid and impassive, which is very unlike Kapoor’s able celluloid skills. Padukone is flawlessly beautiful (more so in 3D) serene and poised in every single frame, looking as cinematically desirable as she possibly can, but Kapoor meets her stellar, restrained performance with a face bereft of any emotion, romantic or otherwise. There are no subtle layers or nuances to his performance as a royal in command and especially so in the intimate scenes with Padukone. And no one does the neck quite like Shah Rukh Khan, in Khan’s own words. The only time Kapoor shines in the film is during his duel in the desert with the lust-lorn Sultan. His quiet resolve and aggressive battle moves speak volumes here.

Padmaavat plays on Khilji’s self-serving megalomania and his obsession with Padmavati’s beauty. Padmavati is his unattainable dream in the film till Padukone takes on her role as queen in the last hour of the film’s screen time. In effect, the film is a take on Khilji and his obsession with her luminous beauty that is a mere catalyst to his narcissistic lust. The battle scenes are reminiscent of Troy (2004) as is the story line pertaining to the quest and conquest of a beautiful woman. The dialogues are rife with varying language styles – in some scenes, Kapoor says waqt in a Rajasthani accent when the word samay would have worked just as well for his character. The Ghoomar song is basic, nothing extra really. It is just another well-choreographed Bollywood number and incomparable to the greats Bhansali has orchestrated in the past in films like Hum Dil De Chuke Sanam (1999) and Devdas (2002). But then, who knows what the uncut version of the song looked like! The film is based on the legend of Khilji and Padmavati, assuming everyone is aware of this historical obsession, and that does not suffice for 180 odd minutes on film. The screenplay does not offer any backstory to Khilji’s temperament or his dynasty’s reign, or take cinematic licence with Maharawal’s and Padmavati’s romantic interludes or add more authenticity to the time period the film is set in, besides heavily embroidered clothes and Bhansali-esque sets. Language, both verbal and body, is terribly askew in the film.

Padukone is the only actor who stays in character, in language and poise, and costume throughout Padmavati-turned-Padmaavat’s over three hour runtime. It is her aura and acting prowess that Padmaavat will be remembered for, not to mention also taking home the highest fee for any Indian actress to date for the film. And just for that, I am glad the film was named after her central character, with or without an “I”.

Did I like the film? Well, let’s just say I was forced into a massive historical throwback and it’s not even Thursday yet!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2018

RUBINA’S RADAR | HOLLYWOOD ONE NIGHTS IN MUMBAI TO CHAMPAGNE PAPI DRAKE PERFORMING LIVE IN INDIA SOON?

RUBINA’S RADAR

If anything is hotter than the summer of 2017, it’s Drake! The Canadian Grammy award winning artist who swept the Billboard Music Awards with 13 honors earlier this month in Las Vegas, Nevada, surpassing Adele’s record of the highest BBMA wins, is allegedly headed eastward to Mumbai for a concert. The legitimacy of this claim is as thin as paper, and damp too, in Mumbai’s humid weather forecast, but this seems to be the trend du jour. After Justin Bieber’s live gig in the city, anyone, and I mean anyone with a bank account (the many advantages of PM Modi’s demonetisation in the country) is dropping big tickets names like Drake performing in Mumbai, akin to these artistes’ dropping their platinum selling hit tracks! Except their music is real, but these flighty murmurings, not so much. Such is the residual fever of Bieber’s Mumbai trip that getting Canadian, Barbadian and British pop icons to perform in the country is now a conversation opener that can at best be described as delusions of pop grandeur of the highest kind. Vague as the conversations might be, with ambiguous overtones that could throw serious shade on US President Donald Trump’s speeches, they’re definitely in vogue, riding on names like Drake, Ed Sheeran, Rihanna and gasp, even Adele!

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Drake at the 2017 Billboard Music Awards in Las Vegas, Nevada with his 13 honors

It is suffice to say that May has been all about one nights in Mumbai as far as Hollywood goes. Brad Pitt flew in on Wednesday, May 24th to promote his film War Machine on Netflix, along with his director David Michôd. The visit was so short that even calling it a quickie feels abusive to the word itself. It was almost a guerilla surprise, with the film being screened at PVR Phoenix Mills, and Pitt and Michôd’s subsequent interaction with Shah Rukh Khan. Pitt had promoted the film earlier on in the month on The Late Show with Stephen Colbert in New York by lying down with Colbert on a blanket on the CBS set to talk about the film, which was unusual and weird, but very entertaining nevertheless. Before he landed in Mumbai, Pitt posed for selfies and signed autographs for his fans at the film’s premiere in Tokyo, Japan but chose not to interact with his fans in Mumbai which was rather strange. Unless of course the one night in Mumbai was a part of some sort of nouveau stealth strategy, which is extremely doubtful.

Justin Bieber was all set to explore Mumbai on his first trip to India for his Purpose Tour concert, but his visit lasted a mere 20 hours with him spending one night in the city at the St Regis Mumbai, despite being booked for four nights and five days. He came, he performed and went straight to the airport to fly off to South Africa for his next show from the concert venue right after his gig. Confidential details of Bieber’s contractual asks and obligations made their way into the press as a “leak” prior to his arrival in the country and that wasn’t exactly the smartest move, making Bieber look like an extremely demanding artiste, not to mention it was a total breach of trust too. Bieber chose to respond to the screaming headlines of his exaggerated tour demands and party plans by staying on in Dubai post his gig there, enjoying the decadent Arab hospitality at the iconic Burj Al Arab hotel, arriving in Mumbai only past midnight on May 10th, the day he was scheduled to perform and left before the date changed to May 11th. Touché Bieber!

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Justin Bieber exiting the Mumbai airport at 1.20AM on May 10, 2017

Mumbai has always had Hollywood and celebrities from around the world falling in love with the city, and definitely for more than just one night. Pitt was visibly charmed when he’d visited Mumbai back in November 2006 with Angelina Jolie and their adopted kids, Maddox and Zahara. So if Champagne Papi Drake does come to Mumbai for a live concert, despite all the ambitious conversations that do not seem conclusive in the least, I hope it’s third time lucky for Mumbai this year and the Hotline Bling singer stays on for more than just one night only, and One Dance.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017 

 

 

RUBINA’S RADAR | WHERE’S JUSTIN BIEBER SLEEPING IN MUMBAI TONIGHT? #BIEBERFEVER #BIEBERINMUMBAI

RUBINA’S RADAR

Justin Bieber’s hit track, Where Are You Now is the endless refrain of Beliebers in India who just can’t wait to see him perform live for the very first time in Mumbai tomorrow. The Grammy award winning artiste is scheduled to land in Mumbai today for his Purpose Tour show tomorrow evening, May 10th, at the DY Patil Stadium. He was slated to fly in on May 7th but the singer is still in Dubai, partying at Cavalli Club at the Fairmont Dubai, soaking up the sun with pool parties at Zero Gravity (with his security detail in the pool with him!) rounds of football at the Habtoor Grand hotel, dune bashing in the desert and shopping jaunts at the newly opened Apple store in the Dubai Mall. Earlier this morning Bieber tweeted “Dubai is incredible, India you’re next” from Dubai. Bieber is definitely doing Dubai right!
535290970He’s booked in two hotels in the city – the St Regis Mumbai in midtown Mumbai (where his team and tour manager have been staying in since May 7th) and The Oberoi hotel in Nariman Point. Now, it remains to be seen where, (not with whom!) Bieber will be sleeping tonight in Mumbai! But first, can he land in the city already?

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017

 

Shah Rukh Khan For TAG Heuer Watches

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Photographs by ©Rubina A Khan / Getty Images

Shah Rukh Khan | Getty Images