RUBINA’S RADAR | TO BE AS FLY AS SLY!

NOVEMBER 14, 2023

The world premiere of Sylvester Stallone’s documentary, Sly, was held at the Toronto International Film Festival on September 16th, 2023 and released worldwide on November 3rd on Netflix. The film hits your heart and your mind with cerebral, introspective and gritty chapters of Stallone’s life, narrated by him, Arnold Schwarzenegger, directors Quentin Tarantino and John Herzfeld, his brother Frank Stallone Jr, Henry Winkler the cool icon Fonzie of the 70s and Talia Shire Coppola. The unvarnished documentary is a 96-minute account of his life (should have been multi-part limited series in my opinion) without Sly or Sly getting hagiographical. Born to Francesco (Frank) Stallone, a hairdresser and his wife Jacqueline (Jackie), a promoter for women’s professional wrestling, in Hell’s Kitchen, a rough neighborhood in New York, Stallone’s quest to fill the void of unrequited love from his parents drove him to seeking it from strangers through his films. And, very successfully too, by creating a Stallone world of what could be through his pen versus what wasn’t, and could possibly never be. Sly is a wildly inspiring streets to superstar story of Stallone and I loved it. In his words, he made his own fate in the face of adversity and rejection all around. Oh, to be as fly as Sly!

Sylvester Stallone, the original action man of Hollywood and a worldwide phenomenon, and one of only two actors in history, alongside Harrison Ford, to have starred in a box-office number one film across six consecutive decades is remarkably real in Sly. Stallone narrates his own story, in his words, controlling what he wants to share with the public about himself. Writer, director and star of three massive film franchises, Rocky (six films), Rambo (five films) and The Expendables (four films), Stallone made himself an actor by writing and directing his own movies since the 70s. Interestingly, when he moved to Los Angeles for work, he lived in a place in the San Fernando Valley, one street away from Balboa Boulevard. The name of the boulevard inspired the last name of his iconic screen character, Rocky Balboa, in his 1976 breakout hit film, Rocky. He wrote the screenplay of the film in three days, and starred in the film as the protagonist like only he could, leading the film to become an extremely successful and lucrative franchise over the years. Sly is an intimate conversation between Stallone and the viewer, with him revealing the varied layers of his persona without any stirring drama.

Sylvester Stallone leans against a doorway in a hat and a leather jacket in a still from the film, ‘Rocky’ directed by John G. Avildsen, 1976. (Photo by United Artists/Courtesy of Getty Images)

SYLVESTER STALLONE’S INSPIRED THOUGHTS IN SLY:

  • Do I have regrets? Hell yeah I have regrets but that also is what motivates me to overcome the regrets. I do that through painting or writing because I can’t fix it physically. It’s gone, that fucking thing called time.

  • I am just not going to break.

  • There was no possibility in our (John Herzfeld and Stallone) minds for failure. Never entered the conversation. We had to make our own fate.

  • The rejection is my encouragement. Are you going to accept their evaluation of you or are you going to evaluate yourself?

  • What is healthier — to live under the illusion and still have a glimmer of hope that you could’ve been great or actually have an opportunity to be great and blow it and then realise you’re a failure?

  • Once you get to your dream you realize that’s not your dream. My dream’s not turned out the way I thought. It also comes with a storm front that you’re constantly battling because you’re disappointed.

  • Once you make it to the top of the mountain, it was all blue skies. It’s not. The air’s thinner, it’s precarious, there’s not many people up there, it’s pretty lonely.

  • I’m a grinder. I just grind and grind and try to outwork myself and my insecurities — I become indifferent to the threat of failure because I know, no matter what, even if it is not a bonafide success, it is good to continue to push yourself.

  • 90% of the journey is tumultuous and ugly but you have to go through it. You may not get there but you’re gonna be better off than doing nothing.

  • When we’re born, we’re soft clay and a heavy handed sculptor starts to put dents in it and that’s in our mold. That’s what we are and we cannot correct those distortions and that’s what develops personality. Not a lot of people can overcome it — it takes work.

  • Life is undefeated, you can’t beat it. You just have to go on the defense is a conversation he had with his son, Sage about what the future was all about, that inspired the line in the Rocky Balboa 2006 film, “The world ain’t all sunshine and rainbows, it’s a very mean and nasty place. I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me or nobody is gonna hit as hard as life. But it ain’t about how hard you hit, it’s about how hard you can get hit and keep moving forward.

  • Life is addition up until age 40 and after that, it is subtraction.

  • The core of human need is requited love.

  • I was blessed with this ability to deflect this bitterness into what I wish had happened. I wish I had a father like Rocky.

  • The children I created, Rocky and Rambo are now taking care of me. The beauty of being able to play those two is literally the entire spectrum of life — the disenfranchised, friendless and lonely Rambo and Rocky, the one that embraces everything, loves humanity and is loved by humanity, and I relate so well to both of them.

  • That’s real what lives, breathes, dies and bleeds — you better take care of that.

Sylvester Stallone sits on a staircase, holding the leash of a dog in a still from the film, ‘Rocky,’ directed by John G. Avildsen, 1976. (Photo by United Artists/Getty Images), a CBS news poster of the film, Sylvester Stallone in London to promote Rocky, on Tuesday 25th January 1977. (Photo by Allan Olley/Mirrorpix/Getty Images) and Sylvester Stallone on the set of the film ‘Rocky IV’ (directed by Stallone), Los Angeles, California, 1984. (Photo by Steve Schapiro)

Stallone and his third wife, Jennifer Flavin, whom he married in 1997, have three daughters, Scarlet Rose, Sistine and Sophia Rose Stallone together. He also has two sons, Seargeoh and the late Sage Stallone from his first wife, Sasha Czack. After selling their Martyn Lawrence Bullard-designed mansion in Hidden Hills, California, Stallone and his wife moved to Palm Beach, Florida two years ago.

Sylvester Stallone attends Netflix’s “Sly” world premiere during the Toronto International Film Festival at Roy Thomson Hall on September 16, 2023 in Toronto, Ontario. (Photo by Ryan Emberley/Getty Images for Netflix)

Stallone rues selling the rights of Rocky to the day to producers Irwin Winkler (no relation to actor Henry Winkler) and the late Robert Chartoff, his anger stemming from being deprived of an equity stake in the franchise for his work — a longterm asset that could have been passed on to his children after his death. Stallone may not have the franchise rights to the films, but he is, and will always be, Rocky Balboa, a character he envisaged, wrote and gave immortal life to on screen. Obsolescence cannot touch Sylvester Stallone and his cinematic legacy. Never.

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©Rubina A Khan 2023

RUBINA’S RADAR | KOREAN KING OF POP – JUNGKOOK

NOVEMBER 10, 2023

In the artistic landscapes of music, fashion and seemingly never-ending Netflix dramas, South Korea is an indomitable power, as is the extremely gifted singer and performing artist, Jungkook. He has reintroduced himself in 2023 as an independent, multi-genre artist, dropping three singles and a debut solo album, Golden, this year. Jungkook has been promoting and performing his third single of 2023, Standing Next To You, to screaming fans and entranced audiences in New York. The single made its television debut on The Tonight Show on November 6th, NBC’s Today at the Rockefeller Plaza on November 8th and TSX in Times Square on November 9th.

Jungkook’s third single, Standing Next To You from his debut solo album, Golden, released on November 3rd, 2023, with over 29 million views as of today, making it a winning track. I am sure it will hit a billion views very swiftly, given his stellar track record. Born Jeon Jungkook in Busan, South Korea, and mononymously known as Jungkook, the back-up dancer-turned-headliner is on his way to becoming a global pop superstar.

Jung Kook performing at the Rockefeller Plaza in New York on November 8, 2023 (Photo by Nathan Congleton/NBC via Getty Images)

A member and vocalist of one of South Korea’s most successful and popular boy bands, BTS, since June 2013, with the single 2 Cool 4 Skool, Jungkook has sung three solo songs, all chartbusters, as part of BTS’ discography — Begin (2016), Euphoria (2018) and My Time (2020). With Golden, Jungkook has reintroduced himself as an independent artist, given the name and fame he enjoys as a BTS band member. Jungkook became the first South Korean artist to release an official song for the FIFA World Cup soundtrack with Dreamers, which he subsequently performed at the 2022 FIFA World Cup opening ceremony in Doha, Qatar. His indie tracks seem to be outnumbering almost every K-pop artist’s in the world, with his debut solo single Seven (July 14) featuring American rapper Latto, becoming the fastest song in history to reach 1 billion streams on Spotify and went platinum. His second single this year, 3D (September 29) featuring Jack Harlow and his debut solo album, Golden, and his third single, Standing Next To You is steadily climbing the charts, competing with his own track record.

Jungkook’s Standing Next To You video

Jungkook’s dulcet sounds and vocal riffs on the track, with Michael Jackson falsettos and the smooth dance moves, make it a fantastic pop track. He even wore a very Jackson-esque, military style jacket for his appearance on The Tonight Show. Standing Next To You is clearly inspired by Michael Jackson, but it is all about Jungkook’s single sound energy, given he is the only vocalist on the track, without another artist like his earlier singles this year. The music video plays to his agile strengths as a terrific dancer, with every single vocal intonation of the determined love lyrics in sync with his dextrous moves. He traces a femme fatale love interest with untamed desire, through a tungsten hued tunnel and an abandoned theatre in a dusty industrial lot. The video was directed by Tetyana Robertivna Muinyo and filmed in Budapest, Hungary. Of Cuban and Ukranian descent, she is popularly known as Tanu Muino in the business. Muino directed the music video for Harry Styles’ As It Was in 2022 which was Billboard’s number one song of the year worldwide.

Jungkook performs Standing Next To You on The Tonight Show in New York on November 6, 2023 (Photo by Todd Owyoung/NBC via Getty Images)

Jungkook named the album Golden as his mother had a golden dream when she was pregnant with him and when he looks back at his decade old journey that changed the music landscape worldwide, he considers it all a “golden moment” in time. Jungkook is also known as “golden maknae”, a nickname coined by his bandmate, RM, which means golden youngest in Korean, for his exemplary talent and being the youngest member of BTS. And it’s only a matter of days for Golden to go platinum!

Jungkook on NBC’s The Tonight Show in New York on November 6th, 2023

He’s keeping it real by being “most proud of BTS and the army” of fans over the past decade, but not without honouring his mother and his family at every step of his journey as a multi-genre performing artist. What’s next for the golden maknae? A world tour by Jungkook in 2025 hopefully!

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author. The © ahead of a name is the copyright of the subject in the photograph and not shot by Rubina A Khan.

©Rubina A Khan 2023

RUBINA’S RADAR | THE POWER ERAS

OCTOBER 17, 2023

It’s been a high baller of an October weekend, from New York to Mumbai, both island cities where concrete skyscrapers rise high, but not higher than their corridors of power. Taylor Swift and Travis Kelce hard launched their love in styled ease on Sunday night, and on Saturday Night Live in New York, with her Taylor Swift: The Eras Tour that released on October 13th becoming the highest-opening concert film of all time. In Mumbai, Prime Minister Narendra Modi emphatically expressed a desire to host the 2036 Olympics in India at the International Olympic Committee on Friday, October 14th, in the presence of eminent personalities from the worlds of sport, politics and entertainment. It’s just the power eras we live in!

MUMBAI: Prime Minister Narendra Modi inaugurated the 141st International Olympic Committee (IOC) session at the Jio World Centre in BKC in Mumbai, on October, 14th, 2023. This is the second time India has hosted the IOC after the 86th session was held in New Delhi in 1983, 40 years ago. “India is eager to host the Olympics in the country and will leave no stone unturned in the preparation for the successful organization of the Olympics in 2036. This is the dream of the 140 crore Indians,” said the Prime Minister in his inaugural address. Thomas Bach, the President of the International Olympic Committee and members of the IOC like Nita Ambani, Abhinav Bindra, Neeraj Chopra, Bajrang Punia, PR Sreejesh, PT Usha, Shah Rukh Khan and Deepika Padukone from the worlds of sport, politics and entertainment were in attendance. The Prime Minister also congratulated Team India on their ICC Cricket World Cup 2023 win in Ahmedabad stating, “I congratulate Team Bharat and every Indian on this historic victory.”

©Narendra Modi at the 141st International Olympic Committee in Mumbai

NEW YORK: Pop superstar Taylor Swift and Kansas City Chief’s tight end, Travis Kelce hard launched their love in New York on Saturday night, early Sunday morning. The couple made a surprise appearance, albeit separately, in the sketches, on the season premiere of Saturday Night Live, Season 49, on October 14th in New York. Kelce made a cameo at the end of the first sketch, where the SNL cast mocked the NFL for focusing on Swift during the games and Swift introduced the musical guest, Ice Spice, who she’s collaborated with on her song, Karma. This was Swift’s sixth appearance on SNL. After weeks of making football stand appearances with Kelce’s mother, Donna, Swift is now in her official Travis Kelce era as of October 15th, and everyone is making a song about it, except Swift herself, who is known to express herself vividly through her songwriting and music. Her date night Versace corset was very 2017 Reputation-esque, the album that she is yet to re-record. Taylor Swift: The Eras Tour concert film made between $95 million to $97 million during its opening weekend, according to the distributor AMC Entertainment Holdings Inc, USA, making it the highest-opening concert film of all time. Interestingly, you can get paid to be a devoted Swiftie given USA Today and the The USA Today Network’s newspaper, The Tennessean, have been actively seeking a uniquely skilled journalist to fill a new role: Taylor Swift reporter, since September 12th. “Swift’s fanbase has grown to unprecedented heights, and so has the significance of her music and growing legacy. We are looking for an energetic writer, photographer and social media pro who can quench an undeniable thirst for all things Taylor Swift with a steady stream of content across multiple platforms,” ran the job post. If the position hasn’t been filled yet, you know where to apply for it as it is a legit paying job!

NEW YORK, NEW YORK – OCTOBER 15: Travis Kelce and Taylor Swift arrive at SNL Afterparty on October 15, 2023 in New York City. (Photo by Gotham/GC Images)
NEW YORK, NEW YORK – OCTOBER 15: Taylor Swift and Travis Kelce have dinner at Waverly Inn on October 15, 2023 in New York City. (Photo by Gotham/GC Images)

MUMBAI / ITALY: Straight from 10 Via Carlo Goldoni in Milan to the island of Mumbai, Dolce&Gabbana Beauty is coming to India very soon, but not without their sacred heart. Their fragrances have always been popular with Indians right from the very first one they created in 1992, Pour Femme to The One, Pour Homme, Light Blue and the Dolce collections. D&G will make a fabulous addition to the growing luxury beauty market in the country with their makeup collection of lipsticks, mascaras and illuminating face powders, and, their new fragrance for women, Devotion. The campaign for the Devotion Eau De Parfum is fronted by American singer and songwriter, Katy Perry. The Devotion collection is slated to launch in India by the end of November, early December this year. Founded in 1985 in Legnano by Italian designers Domenico Dolce and Stefano Gabbana, Dolce&Gabbana presented their first women’s collection in Milan in 1985, with Stefano Gabbana attributing Dolce&Gabbana’s escalating success in menswear over the years to the power of celebrity, especially David Beckham. He said, “David was the start – a hot, straight, family man with kids. He made it possible for men to approach fashion without fear. Men felt if he can do it, I can.”

©Katy Perry, the face of Dolce & Gabbana’s Eau De Parfum, Devotion

©Dolce & Gabbana’s beauty and fragrance from the Devotion collection

They have gone on to turning into ‘the’ Dolce&Gabbana since, but not without their dramatic controversies over the years, one of them causing a major hit to the brand in China. Dolce&Gabbana is still trying to recover in China, a market they had it pretty good in since 2006. And to think all this hellfire for the brand in China started with an Instagram conversation!

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©Rubina A Khan 2023

RUBINA’S RADAR | YOU’RE DOING AMAZING SWEET AND GREEN MUMBAI!

OCTOBER 10, 2023

There’s always something new happening in Mumbai. And when it’s sweet and delicious like cupcakes and macarons and green like forests, the only way to describe it is by saying, “You’re doing amazing, sweet and green Mumbai!” like Kris Jenner would. Except Jenner had said “You’re doing amazing sweetie” to her daughter Kim Kardashian posing for a Playboy magazine shoot, circa 2007 – a cult sentence in pop culture since.

MUMBAI: New York’s Magnolia Bakery is finally opening in Bandra, Mumbai on November 1st, 2023, five years after marking its sweet presence in India. Magnolia first opened in Bangalore in November 2019, expanding to four locations in the city since, and opened its fifth outpost in Hyderabad in November 2022. The first Magnolia Bakery was opened by Jennifer Appel and Allysa Torey in New York in 1996, but went on to change a few hands in its ownership over the years. Magnolia Bakery’s delicious cupcakes and frosted desserts became so popular that it started the cupcake craze in the 90s, with starring pop cultural mentions in the hit television series, Sex And The City and the film, The Devil Wears Prada, and many other film and television shows. The mention of the bakery on an episode of Sex And The City gave it immediate fame, so much so that it became a tour bus stop in New York. Magnolia’s first outpost outside the US was opened in Dubai in 2010, followed by one in Abu Dhabi in the UAE and in countries like Qatar, South Korea, Saudi Arabia, Jordan and of course, India. Since 2021, Magnolia is owned by a private equity firm co-founded by Hudson Yards developer, Stephen Ross. I have only ever had Magnolia in New York, so bring on the deliciousness!

©Magnolia Bakery, New York

MUMBAI: The 161-year-old French patisserie, Ladurée Paris is also opening in Mumbai at the Jio World Plaza Mall in November, around Diwali, to make the festivities in the city even sweeter. Headquartered in Paris, France, Ladurée is an ambassador of Parisian macarons with their exquisite pastry art. Ladurée Paris first opened in India about two years ago in New Delhi’s Khan Market in September 2021. In 1862, Louis-Ernest Ladurée opened a bakery called Maison Ladurée in La Madeleine, but had to reinvent it as a pastry shop following a fire in the Paris Commune uprising in 1871. The Parisian macaron, as we know it today, was created by Parisian pastry chef, Pierre Desfontaines, second cousin of the creator of Maison Ladurée, who had the ingenious idea of ​​assembling two macaron shells, with a tasty ganache. And voila, the beloved double decker macaron came into existence. It is said that 15000 Ladurée macarons are sold everyday around the world, and the sales in Mumbai will definitely add to that count. 2023 is the year Ladurée celebrates and honours Empress Eugénie, wife of Napoleon III, also known as Louis Napoleon Bonaparte, with a macaron called Eugénie. Can’t wait to try the Eugénie macaron with a crunchy biscuit and a melting centre coated in chocolate, and my forever favourite, the Barre Chocolat.

Laduree’s Barre Chocolat photographed by Rubina A Khan

MUMBAI: The Indian Hotels Company Limited opened a new hotel in Mumbai, Taj The Trees, in Pirojshanagar, Vikhroli on September 19th, 2023. Spread over eight acres in the eastern suburb of Vikhroli along the Eastern Express Highway, Taj The Trees has views of the Mangrove Forest on one end and a Sculpture Park on the other. The hotel has 140 rooms and 11 suites, a spa and wellness centre with an infinity pool and 3 restaurants – Shamiana, Nonya and a rooftop bar on the 12th floor, The Mangrove Bar. Taj The Trees is the coming together of two of India’s greatest business legacies for the first time – the Tata Group and the Godrej Group. The hotel is owned by Godrej Properties and is managed by the Indian Hotel Companies as a luxury Taj hotel. Pirojsha Godrej, Executive Chairperson at Godrej Properties said, “We are happy to open our first hotel, Taj The Trees, in partnership with the Tata Group, as we aim to deliver quality and sustainable luxury in a green, connected, and vibrant neighbourhood.” The green mangrove trees and the languid shoreline make for great visuals in a city where the skyline is dominated with concrete towers and buildings. It remains to be seen what kind of efforts and policies have been adopted and adapted by IHCL towards making this a green forward hotel, aside from glass water bottles and linen changes that are the bare minimum in every luxury hotel worldwide. Taj The Trees is quite a tongue-twister, so T3 is what I think it will soon be called, not to be mistaken as a new airport terminal in Mumbai though. Along with the Taj Mahal Palace and Tower, Wellington Mews, Taj Land’s End and Taj Santacruz, Taj The Trees is the fifth hotel under the Taj brand to open in Mumbai.

©Taj The Trees

It is rather unimaginable to think of Mumbai as green, where grey concrete is a defining colour, but the idea of waking up to verdant forest views feels calming and energising.

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©Rubina A Khan 2023

RUBINA’S RADAR – THE UNEDITED LIVE INTERVIEW SERIES

Hi everyone! On January 20th, 2021, I started a new series of live conversations called RUBINA’S RADAR – UNEDITED – on Instagram and Youtube with couturier Rohit Bal, a legend on India’s fashion landscape. It’s been two months since, and twelve interviews thus far, with some of the most legendary international icons and visionaries from the worlds of fashion, film, sports, luxury travel, business and then some…

There’s more coming up, so tune in every week by following me on Instagram: @rubinaakhan.inc and subscribing to my YouTube channel: World Of Rubina Khan

Thank you! Stay safe!

Love, Rubina

©Rubina A Khan 2021

RUBINA’S RADAR: PPE FUNDRAISER FOR MUMBAI’S MEDIA PERSONNEL ON THE CORONAVIRUS FRONT LINES

A conversation with a photographer friend of mine on Coronavirus news duty every single day since March 2020, impelled me into thinking about the health risks our Indian media was being exposed to, whilst I stayed safely at home, in quarantine and the lockdown, on government orders. I often wondered how they’d power through the weeks, and now months of the reportage on the pandemic everyday, which seemed endless then, and continues unabated with its relentless savagery on humans. Everyone’s lauding the first responders and medical teams, the police, the hygienists and the cleaners, and very rightly so, but nobody seems to be taking cognisance of the indispensable and crucial work photographers, videographers and journalists are doing on the ground, outside. They’re the people bringing in the news and visuals of the virus every day, and the heart-wrenching devastation and strife it’s inflicting on humans across the world. By going out and reporting from containment and red zones, they’re risking their own lives, and livelihoods, in an extremely uncertain and broken economy and that is saying something. Everything we know about the virus, right from the whats and the hows to the vaccine developments and trials, is through the eyes and lenses of the media as everyone’s in lockdown and quarantined at home. Even as some parts of the world are opening up ever so cautiously after months of isolation and physical distancing of late, their work carries on. It is their photographs and stories that tell us what the new world looks like, how human behaviour has changed and will continue to evolve in the years to come.

On April 20th, 2020, when I heard that 53 press personnel in Mumbai had tested positive for the Coronavirus, and were incapacitated and hospitalised, I just knew I had to do something about protecting them on duty as staying safe at home or working from home wasn’t an option for them. I couldn’t bear the thought of people I know and have worked with going out to work, risking their all for their jobs, without any protection from the virus.

On April 23rd, 2020, I spearheaded a fundraiser by reaching out to my network for contributions as a collective, humane responsibility to purchase Personal Protection Equipment (PPE) as a preventive measure for Mumbai’s news photographers and media personnel covering the Corona crisis on the front lines, to shield them. I am ever so thankful to the people – from all walks of life in India – that responded promptly and empathetically towards the fundraiser with their fiscal largesse like industrialist Ness Wadia, businesswoman Natasha Poonawalla (Executive Director, Serum Institute of India, Pune), filmmaker Karan Johar (Dharma Productions), actor Amrita Arora, film costumer Ana Singh, businesswoman Eesha Sukhi and jeweller Siddharth Kasliwal (Director, The Gem Palace, Jaipur). Since then, the fundraiser has received contributions from jeweller Queenie Singh and filmmaker Gaurav Chawla, enabling the purchase of safety eyewear too for the media.

It is because of the financial support of these very people that the PPE’s reached Mumbai on May 5th, 2020 and were distributed to the media personnel from May 6th onwards. These PPE’s are certified by SITRA – South India Textile Research Association, Coimbatore for fabric and garment – and are for one-wear only. I feel the kindness of all the contributors needs to be highlighted and celebrated, and not go unnoticed as anonymous benefactors, because talking about them will go on to inspire many others to come forward in this crisis to help each other in our country. Every contributor has stepped up as a humanitarian to help our media community, and that is reason enough to laud any helping hand. All of them have made this little fundraiser of mine a bigger success that I ever envisaged it to be and the media community are ever so grateful for their kindness. The PPE’s and safety eyewear bought with the funds raised so far have been distributed to the Mumbai media personnel and I am in the midst of ordering more PPE’s from the second round of funding that has come around. I intend to keep raising funds to provide the PPE’s for as long as they are needed during the Corona crisis.

The PPE fundraiser has been chronicled in the Mumbai Mirror (07.05.2020 edition) and the kindness of the contributors has been sincerely appreciated. The PPE initiative was featured in the Urdu press and online, and I am grateful for people supporting the fundraiser. Encouraging words and tall praise from people I love and admire across the world has raised me up, gladdened my heart (which is rather dire nowadays!) and fuelled me to strive and do even more!

SHOBHAA DE: Rubina’ s spontaneous gesture to mobilise support and order the best quality PPE suits for media colleagues risking their lives to cover the pandemic, must be acknowledged as a gesture that led to many others following her example.

JACKIE SHROFF: The media has always been there on the forefront, come what may. The fourth estate are a brave lot and will have my respect, always. And, you keep shining Rubina!

FERN MALLIS: Rubina Khan is a Covid19 hero… as a photojournalist, she watched her colleagues out in the streets and in the trenches covering the story of this ungodly pandemic and no one had their backs… they put themselves in danger to keep us all informed. Her initiative to secure funds and thereby supply this vital press corp with all the necessary PPE’s was so smart, compassionate and right on. It’s now in its second round of providing more. Thank you Rubina from the epicenter of Coronavirus in New York City.

ANA SINGH: The press has always celebrated my work and my milestones and in this particularly grave time, I feel God chose me to give back to them and I feel grateful for the opportunity. When Rubina spoke to me about the PPE fundraiser, being a journalist and photographer herself, I got a sense of what the media personnel on the field were possibly going through and what it must feel like for them, and their families at home to work outdoors. Rubina’s empathy and concern for her colleagues made this fundraiser a success and she’s leading by example of how to get things done, even when you’re not out there on the field, without being self-serving.

ELEANOR COOKSEY: I am very proud to count Rubina as a long standing family friend. Her recent PPE fundraiser activity is testament to her diverse and unique skills; her thoughtfulness (it is too easy to forget about all those affected in different ways), her resourcefulness and her determination. Here in the UK, there have been endless discussions about how to secure adequate PPE’s with endless delays and excuses. This initiative was conceived and achieved so quickly – the funds raised and the PPE’s reaching the people who needed it in two weeks. A rare positive story amid all this fear and uncertainty.

PARRIS FOTIAS: During these surreal times where we are being constantly bombarded with fake news stories, we are more reliant than ever on responsible journalism bringing us the real facts. Yet no one really thought about the media and their fate during this pandemic. I commend Rubina for her foresight and determination to help protect her colleagues out on the front lines in Mumbai. We are all in this together so much thanks to you Rubina and your PPE fundraising efforts from Australia.

UPDATE: JUNE 2020
Ness Wadia has contributed generously towards the second round of funding end May and fashion designer Manish Malhotra and Delna Poonawalla in early June.

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©Rubina A Khan 2020

RUBINA’S RADAR | REEL IS WHAT’S REAL TODAY

We humans thought we lived in an adamantine world controlled by us, until an invisible contagion microbe – the Coronavirus – showed us all we obviously don’t. The virus is killing humans harder and faster than any missile across the planet, halting an extremely self-serving, consumerist world, dead in its Earth-abusive tracks. The Earth seems to have quit us, albeit temporarily, leaving us to quarantine in our designated spaces and countries for a while – a while that feels more like an infinite uncertainty than a finite timeline with each passing day.

For those of us who are fortunate enough to have a home to quarantine in, and socially distance ourselves from our families in separate rooms, with running water, food and the familiar warmth of our beds – it is an ineffable bespoke luxury, one that is incomparable to any in the world. Millions of our fellow humans across are homeless, with no roof over their heads, jobless with no money for food or clean running water to drink, let alone to sanitize and wash their hands with, multiple times a day.

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Opera singer Andrea Bocelli looks on before his Easter concert at the Duomo on April 12, 2020 in Milan, Italy. Members of the public were not allowed in Milan’s Duomo Cathedral due to the ongoing lockdown to control the coronavirus outbreak. (Photo by Luca Rossetti, Courtesy Sugar SRL, DECCA Records via Getty Images)

I think the Coronavirus outbreak is the biggest performance art show of all time, where all human beings are a live act, me included, going about our lives in our tangible spaces and our paces. And, the world – a large canvas of pristine natural beauty and sounds stands still, watching us – the performative art on display. The lockdown takes me back to the first ever performance art exhibit I attended in the Hamptons in New York in 2013. It was Robert Wilson’s 20th Annual Watermill Center Summer Benefit called Devil’s Heaven. This was held at his performance lab for arts and humanities at the Watermill Center in Long Island. Devil’s Heaven was an unimaginable reality for me, with Lady Gaga, who I think is the quintessence of performance art herself and Marina Abramović, the most lasting of all performance art legends, in attendance.

Watching the various intense acts of stillness and exertion across the eight acre grounds, especially Trina Merry’s Magnolias and her Enchanted Forest silent performers slithering seductively around tree trunks, left me awe-struck, and wide-eyed. At the entrance of the event, two naked figures, stood statuesquely on a pedestal, embracing each other in silence, in glorious consonance, their male and female bodies painted with an almost Avatar-esque shade of teal with a pink floral design akin to the Indian lotus. This was Merry’s Magnolias that explored the clash between culture and nature – exactly what we are experiencing in the real world today.

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Trina Merry’s Magnolias at Robert Wilson’s Devil’s Heaven at the Watermill Centre, Long Island, New York. (Photo by ©Rubina A Khan 2013)

The Earth’s revolt – a silent warzone of microbial and economic devastation – has the human race feeling endangered for the very first time since its existence. Some of the models’ bodies, painted on to look like furniture, further conflated with material objects on the performer’s naked bodies, was Merry’s way of questioning human self-identities in relation to objects and the things humans own. Consumerist attitudes and human identities based on material things was almost entirely how the world ran before the Coronavirus outbreak. Merry seems to have latently manifested today’s unthinkable reality when it was anything but, seven odd years ago, when she created the series in New York, where she is based. Her artistic expression is a dominant, painful reality today and she flipped Oscar Wilde’s ancient notion from Life Imitates Art more than Art Imitates Life into Art Forsees Life perhaps! Never did I think, ever, that I would be living out my own performance act of a lifetime in these times. And, I am a non-conformist.

Art has always provoked us into a reactive state – be it shock, rage, bewilderment, exultation, agony, poignancy, exhilaration or just good ol’ gladdening. The Earth seems to have taken a break from us humans, to catch its own breath, whilst we are coming to terms with a new world – one that is brought to us by the eyes and the lenses of photographers across the world. Photography is art, frozen in time – almost like an entr’acte between the time when the photograph was taken to the current time of its viewing. Except today, all the photographs that we see are in real time of a very unreal, very unknown world that has fallen deafeningly silent and empty. In due course, these pictures will make for a historical archive for centuries to come.

The ability of a photograph to let one’s mind go back and forth, with meandering thoughts and shifting perspectives, never once losing the original, intrinsic essence of its frame is incredulous – it can be as active and as passive as you want it to be. Reel life is what’s real today. Apart from our first responders being doctors and health care workers who are on the front lines saving lives, it is the photographers who are risking their lives to bring the world to us, every single day. Images of empty streets and subways, empty places of worship, planes parked like Lego blocks in airport hangars, images of the heroic, live-saving first responders across the world from Wuhan to Italy to India to the US… are a reality thanks to the photographers out there, doing their job relentlessly, and serving humanity.

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An aerial view of the illuminated statue of Christ the Redeemer that reads “Thank you” as Archbishop of the city of Rio de Janeiro Dom Orani Tempesta performs a mass in honor of Act of Consecration of Brazil and tribute to medical workers amidst the Coronavirus pandemic on April 12, 2020 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

Mumbai-based photographer, Satyajit Desai’s imagery of the Janta Curfew in India on March 22nd to the stark containment zones in Worli after Mumbai’s lockdown from March 25th to the make-shift quarantine shelters in bus stands tells you the story of my city, and how the virus is affecting our lives, and our livelihoods, wherever you might be in the world.

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A bus stand in Versova, Mumbai, is converted into a temporary shelter for the homeless to quarantine and social distance in on April 5th, 2020. (Photo by Satyajit Desai / Mumbai Mirror)

SL Shanth Kumar’s shots Mumbai’s pride, the Queen’s Necklace, our Marine Drive – the most beautiful stretch of concrete, that languidly hugs 3.6kms of the Arabian Sea’s shoreline are breath taking. Gary Hershorn’s pictures of an empty Times Square and a lone Brooklyn Bridge in New York seem like the people have been photo-shopped out of it. Ollie Millington’s shots of the Shard skyscraper in London, lit up in blue in thanks and support of the National Health Service of the UK on March 28th as well as images of all landmarks in the US lighting up in blue from Boston to Vegas to thank their healthcare workers speak volumes of the intense work being done to contain the catastrophic virus everywhere.

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TD Garden is lit in blue on April 09, 2020 in Boston, Massachusetts, to show support for health care workers and first responders on the front lines of the coronavirus pandemic. (Photo by Maddie Meyer/Getty Images)

Right from the handout photo provided by Buckingham Palace of Queen Elizabeth II addressing the nation from Windsor Castle on April 5th in a special broadcast to the United Kingdom and the Commonwealth nations pertaining to the virus outbreak to Abdel Ghani Bashir’s sombre image of the Kaaba in Mecca, Saudi Arabia, devoid of any human life and movement, on March 5th is very telling of the Earth and the Universe calling time on humans.

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Queen Elizabeth II addresses the United Kingdom and the Commonwealth in a special broadcast in relation to the Coronavirus outbreak at Windsor Castle on April 5, 2020 in Windsor, England.(Photo by Buckingham Palace via Getty Images)

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The white-tiled area surrounding the Kaaba, inside Mecca’s Grand Mosque, empty of worshippers on March 5th, 2020. Saudi Arabia emptied Islam’s holiest site for sterilisation over fears of the new coronavirus, an unprecedented move after the kingdom suspended the year-round umrah pilgrimage. (Photo by Abdel Ghani Bashir/AFP via Getty Images)

Lillian Suwanrumpha’s pictures of new-born babies in Bangkok, Thailand wearing mini face shields are as endearing as they are frightening of a new world, of a new reality upon us. The heart-wrenching photos taken by every news photographer, of India’s migrant workers, rendered jobless due to the lockdown, walking miles from cities to reach their homes in their villages tell you the story of India’s divided landscape of the haves and the have-nots – the have-nots that make up for the largest portion of our 1.3 billion people. Unsettling, but devastatingly true.

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A newborn baby wearing a face shield at Praram 9 Hospital in Bangkok, Thailand on April 9, 2020. (Photo by Lillian Suwanrumpha/AFP via Getty Images)

Before Corona, advertisers paid top dollar to creative photography for digitally altered images of an empty Times Square or the Eiffel Tower for a fashion model to strike a pose against, but editorial news photography could never ever imagine shooting any architectural or historical landmark in the world, without people milling about in hundreds and thousands. I remember trying to take a frame in Beijing, China, of the Forbidden City without any people in it, and it was exhausting, and next to impossible! I cannot imagine not seeing the world with my own eyes, and I’m ever so grateful to my global community of photographers for bringing the evolving new world to us, at a personal cost to them that’s immeasurably invaluable, and very appreciated. This is art in motion, that’s unfolding every minute and every hour of every new day.

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Hagia Sophia and its surrounds are empty during a two-day lockdown imposed to prevent the spread of COVID-19 on April 11, 2020 in Istanbul, Turkey. (Photo by Burak Kara/Getty Images)

Once there is some semblance of the familiar to our new world that none of us have any inkling of right now, there are some things that will have changed forever, that we will be seeing through the eyes of photographers and their cameras yet again. For instance, a picture of two people shaking hands or kissing in public will be a coveted, unusual image as will that of aeroplanes taking to the open skies again. We might just feel like one of the Wright brothers when they sent up their first plane into the sky! Public spaces with people jammed in or huddled closely will make for unusual imagery too as will sport stars greeting each other without backslaps and hugs on a playing field when the games come back on. Bollywood’s come hither song and dance routines and Hollywood’s sex sequences will smack of sanitized physicality at its creative best, or worst, we don’t know. Personal space will be big on behavioural social etiquette amongst the human race, and it will be a prized priority that will dictate relationships at home, and at work.

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Grounded British Airways planes at Cardiff Airport on March 25, 2020 in Cardiff, United Kingdom due to the coronavirus pandemic. (Photo by Matthew Horwood/Getty Images

We stand stripped of our acquired behavioural nuances, our excessive indulgences, our obsessions with power and control and in the adorning of our external selves, in our raw, bare skin – bereft of any mask, in our private spaces. This reaffirms that we are all the same, never mind if you’re black, white or brown – if you are human, then you’re a locked target for the virus. We need to stop saying that we are stuck at home, and wonder when life will go back to normal because firstly, how can you feel stuck or bored in your chosen space that you call home, that you have nurtured over the years to make it a home, and secondly, life is never going back to what is was – it’s like wishing we could go back to our babyhood and giggle and gurgle at inanities with our parents. The world pre Corona has ended as we knew it, and we will all emerge as one human race, altered forever in world that will have evolved since the first outbreak, whenever that might be.

NOTE: The photograph of the Versova quarantine shelter for the homeless in Mumbai shot by Satyajit Desai (Mumbai Mirror) have been used only after procuring rightful editorial consent and permissions.  

©Rubina A Khan 2020

RUBINA’S RADAR | FDCI’S INDIA COUTURE WEEK 2017

RUBINA’S RADAR 

The 10th edition of the Fashion Design Council of India’s (FDCI) India Couture Week 2017 (24th-31st July), was a splendacious celebration of India’s fashion vanguards at the Taj Palace Hotel in New Delhi. India Couture Week has earned its laurels for the past decade of being the best in the country with its marked excellence in fashion. And what’s a fashion week in India without some Bollywood stardust thrown in? ICW 2017’s couture catwalk had actors like Alia Bhatt, Ranveer Singh, Aditi Rao Hydari, Shilpa Shetty and many more walking for the participating couturiers.

TARUN TAHILIANI | Tarakanna:
Tarakanna was an alluring experience with an “evolved vocabulary of design” befitting the legendary status of Tahiliani and his majestic consummation of couture. His design constructs were fluid, almost seamless, in silk, velvet, brocade, Italian tulle and georgette, in hues of burnished rose, gold, olive, black, ivory, midnight blue and the de riguer bridal palette of red.  The unparalleled artistry of Tahiliani’s craft shone on the runway. As the models glided on to the breathtaking autumnal leaved set, designed to semble the end of autumn, Central Park in New York perhaps, the earthy tones came alive with the shimmering Swarovski crystal-embellished ensembles, all 85 of them, taking over the runway. The line alluded to a bride’s lightness of being, akin to her dancing in the glory of her marital coupling in bespoke designs, fitted not just to her body, but also to her soul. Scenographer Sumant Jayakrishnan’s visual aesthetic lent itself beautifully to the magnificent confluence of the Tarakanna line and the buoyancy of the human spirit it embodied. Throughout its duration, the show appeared to have suspended the audience in the most exalted place of happiness and wonderment, that stayed on long after it had ended. 

MONISHA JAISING | Opera:
Sexy is a vibe Jaising shoots for consistently, and her Opera collection wasn’t left wanting in the least. The clothes were tantalising and edgy, and a tad theatrical too, primarily made in lamé, velvet metallics, Italian organza, banarasi brocade and metallic satins. The light and set design of the runway didn’t really take you into the world of operatic tenors and high octaves that inspired her line this season, as the models walked in her evening dresses and gowns, cocktail saris, crop tops and ball skirts. The multi-faceted actor-turned-businesswoman-turned-yoga-guru, Shilpa Shetty – a flawless showstopper who nails it every single time, tripped on the brocade train of her gown, not once, not twice, but four times, as it kept getting caught on the runway floor. To say that the runway nailed Shetty, rather than the other way around, would be an understatement here. Shetty of course, let it slide and slayed it forward on the runway, with a strut only her enviable body is capable of, coupled with the radiance of her persona.

ANITA DONGRE | Tree Of Love:
Anita Dongre is a relatively new entrant in the Indian couture and bridal wear landscape, having started her couture line, Bridal, only six years ago. But, she is a veteran player, and a very successful one at that in the prêt-à-porter business of fashion for the last two decades, with her labels – AND, Global Desi, Pink City and Grassroot. Dongre opened her first Grassroot store in Manhattan, New York, recently and will be opening the doors to her Bridal store there subsequently. Her Tree Of Love collection was inspired by the Bishnoi community and their spiritual reverence for nature. Dongre married her “love for trees, rich Indian craftsmanship and music into one joyous collection” with dominant shades of blue, green and red. 
Beautiful SEWA (Self Employed Women’s Association) embroidered tabards, paired with tulle skirts, mushroo and hand-embroidered tea-length dresses with gottapatti lehengas, obi belts, embroidered flat shoes and cross-body potli bags made up the very desirable contemporary bridal line. The uncut diamond jewellery from her Pink City line as stunning. Dongre’s runway felt like an Indian summer wedding, with the metallic trees adding dramatic flair to the aureate mood board.

GAURAV GUPTA | Moondust: 
Gaurav Gupta’s knows how to haute couture the runway up. Structure and form are Gupta’s forte and he plays that well, like a consumed installation artist, with “blurred boundaries of traditional and modern couture”, choosing to “sit on the cusp of both worlds”. The Moondust collection is Gupta’s interpretation of a surreal ball Cinderella went to, in sculpted ensembles created from translucent textiles in pale tones of grey, blue, green and teal, playing with shadow and light. Handcrafted embroideries and silhouettes accentuating one aspect of the body – either the legs, the back, the arms  or the shoulders – but never all at once, kept the collection elegant and sassy. Though he was going for an immersive experience with this line, it was anything but immersive. Aditi Rao Hydari was Gupta’s showstopper and surprisingly, she was one of the best ramp walkers in the lineup of Bollywood stars.

MANISH MALHOTRA | Sensual Affair:
Manish Malhotra’s exceedingly mirrored runway for his Sensual Affair collection, seemed to be asking, “Mirror mirror on the wall, on the ceiling and on the floor, Who is the grandest couturier of them all?” Satin organzas, silk tulles, satin velvets made up the fabric for Malhotra’s lehengas, sherwanis, voluminous skirts and gowns with trains and the gorgeous fitted corsets, in ivory, soft grey, vintage rose, burgundy and teal tones. The models swirled around on the gleaming catwalk, left, right and centre in a fast-paced, synchronised rhythm, showing off 85 ensembles, with not a second to breathe. It left you wanting to see more of the clothes, with just a little bit of stay. Rapturous glamour is what Malhotra does best, be it sensual, sexual or unusual. There is no one grand couturier of them all, but t
he grandest finale to a decade of couture at the India Couture Week 2017 was undeniably Malhotra’s, with Alia Bhatt and Ranveer Singh walking for him. The raucous screams that erupted throughout the show area were deafening and most definitely burst an eardrum or two amidst the audience in the excitement of it all. Tears were shed at not meeting Singh, who seems to be the star, no, superstar of Delhi. Sure he’s popular, but really? Bhatt was an enchanting delight on the runway as always, looking like the Bollywood belle of the ball. 

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017

RUBINA’S RADAR | HOLLYWOOD ONE NIGHTS IN MUMBAI TO CHAMPAGNE PAPI DRAKE PERFORMING LIVE IN INDIA SOON?

RUBINA’S RADAR

If anything is hotter than the summer of 2017, it’s Drake! The Canadian Grammy award winning artist who swept the Billboard Music Awards with 13 honors earlier this month in Las Vegas, Nevada, surpassing Adele’s record of the highest BBMA wins, is allegedly headed eastward to Mumbai for a concert. The legitimacy of this claim is as thin as paper, and damp too, in Mumbai’s humid weather forecast, but this seems to be the trend du jour. After Justin Bieber’s live gig in the city, anyone, and I mean anyone with a bank account (the many advantages of PM Modi’s demonetisation in the country) is dropping big tickets names like Drake performing in Mumbai, akin to these artistes’ dropping their platinum selling hit tracks! Except their music is real, but these flighty murmurings, not so much. Such is the residual fever of Bieber’s Mumbai trip that getting Canadian, Barbadian and British pop icons to perform in the country is now a conversation opener that can at best be described as delusions of pop grandeur of the highest kind. Vague as the conversations might be, with ambiguous overtones that could throw serious shade on US President Donald Trump’s speeches, they’re definitely in vogue, riding on names like Drake, Ed Sheeran, Rihanna and gasp, even Adele!

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Drake at the 2017 Billboard Music Awards in Las Vegas, Nevada with his 13 honors

It is suffice to say that May has been all about one nights in Mumbai as far as Hollywood goes. Brad Pitt flew in on Wednesday, May 24th to promote his film War Machine on Netflix, along with his director David Michôd. The visit was so short that even calling it a quickie feels abusive to the word itself. It was almost a guerilla surprise, with the film being screened at PVR Phoenix Mills, and Pitt and Michôd’s subsequent interaction with Shah Rukh Khan. Pitt had promoted the film earlier on in the month on The Late Show with Stephen Colbert in New York by lying down with Colbert on a blanket on the CBS set to talk about the film, which was unusual and weird, but very entertaining nevertheless. Before he landed in Mumbai, Pitt posed for selfies and signed autographs for his fans at the film’s premiere in Tokyo, Japan but chose not to interact with his fans in Mumbai which was rather strange. Unless of course the one night in Mumbai was a part of some sort of nouveau stealth strategy, which is extremely doubtful.

Justin Bieber was all set to explore Mumbai on his first trip to India for his Purpose Tour concert, but his visit lasted a mere 20 hours with him spending one night in the city at the St Regis Mumbai, despite being booked for four nights and five days. He came, he performed and went straight to the airport to fly off to South Africa for his next show from the concert venue right after his gig. Confidential details of Bieber’s contractual asks and obligations made their way into the press as a “leak” prior to his arrival in the country and that wasn’t exactly the smartest move, making Bieber look like an extremely demanding artiste, not to mention it was a total breach of trust too. Bieber chose to respond to the screaming headlines of his exaggerated tour demands and party plans by staying on in Dubai post his gig there, enjoying the decadent Arab hospitality at the iconic Burj Al Arab hotel, arriving in Mumbai only past midnight on May 10th, the day he was scheduled to perform and left before the date changed to May 11th. Touché Bieber!

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Justin Bieber exiting the Mumbai airport at 1.20AM on May 10, 2017

Mumbai has always had Hollywood and celebrities from around the world falling in love with the city, and definitely for more than just one night. Pitt was visibly charmed when he’d visited Mumbai back in November 2006 with Angelina Jolie and their adopted kids, Maddox and Zahara. So if Champagne Papi Drake does come to Mumbai for a live concert, despite all the ambitious conversations that do not seem conclusive in the least, I hope it’s third time lucky for Mumbai this year and the Hotline Bling singer stays on for more than just one night only, and One Dance.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017 

 

 

RUBINA’S RADAR | FROM RED SOLED LOUBOUTINS IN NEW YORK TO THE CANNES RED CARPET IN THE FRENCH RIVIERA

RUBINA’S RADAR 

Fashion’s boldest bodies and brains know how to work the fiery haute month of May, especially on the French Riviera. The 70th annual Cannes Film Festival at Palais des Festivals in Cannes, France is on fire, the summer temperatures notwithstanding, with beautiful and glamorous women walking the red carpet in breathtaking couture and bespoke jewels at the world’s biggest playground for photo-ops. Cannes is truly all about women, with men in tuxes running behind them, holding up their dresses and patting and settling them down to picture perfection. And what’s the most photographed fashion parade in the world without a wardrobe malfunction, inadvertent or otherwise? Day one saw Bella Hadid in a champagne Alexandre Vauthier gown with an underwear flash that was blinding. Eating an icecream cone in the gown after her red carpet strut, cemented Hadid’s nonchalance at the gaffe, that seemed more designed, than accidental. The red silk “barely there” gown, by Vauthier again, that she carried off so elegantly on the red carpet last year, clung on to her like second skin, with no slip up. That’s the reason Hadid stole the show primarily because nothing happened to the dress that everyone thought, or was hoping rather, would fall off her, and it pushed the fledgling model’s career forward the way it was orchestrated to. Just like this year’s “malfunction”.

Bollywood’s most poised actor, Deepika Padukone made an absolutely stunning debut at Cannes this year as part of L’oreal’s international glam girl squad. On opening gala night, Padukone looked fresh and completely at ease as she worked the red carpet statuesquely in a jewel-toned Marchesa gown with a seductive glimpse of her derrière and legs through the sheer of the fabric, for the screening of Ismael’s Ghosts (Les Fantomes d’Ismael). The following day, she wore a dark green Brandon Maxwell one-shoulder gown with a thigh-high slit for Loveless (Nelyubov) and Wonderstruck. With bold green eye makeup, green velvet heels, and her hair in an updo, it was impossible not to love her chic style, despite being head-to-toe in one solid colour.

Cannes’ most beautiful habit for the last fifteen years, Aishwarya Rai Bachchan seems to have gotten her fashion game on this time around. She pleased everyone, well almost, as she walked the red carpet in an icy blue Michael Cinco ball gown from his Impalpable Dream of Versailles collection, looking effortlessly flawless! But interestingly, about two weeks ago, Cinco, a Dubai based designer with an atelier in the Dubai Design District, was in fittings with the Swarovski heiress and singer, Victoria Swarovski for the same dress in the exact same colour, so it wasn’t exactly a couture debut on the Bollywood star. Though, Bachchan took Cinco’s creation from mere princess level to Disney queen, if there ever was one in the fairytale kingdom of dreams. Her daughter Aaradhya must have loved seeing her looking like a beautiful Elsa in the ball gown. Bachchan was definitely in a royal state of mind given her wardrobe choices thereafter, with her engine red Ralph & Russo gown on day four of the fest. It was just another red dress with frills and stones, with a clumsy fit on the sides, sans any custom couture attributes, aside from the famous face wearing it.

While in New York, Fern Mallis the award-winning creator and organiser of New York Fashion Week and now a Director of the Fashion Institute of Technology Foundation, interviewed Paris based shoe designer, Christian Louboutin. The conversation took place at the prestigious 92nd Street Y on Wednesday, May 17th, for her Fashion Icons with Fern Mallis ticketed series. Needless to add, it was a sold out event that was live streamed as it always is, for those who want to listen in. This conversation will undoubtedly find its place in Mallis’ second edition of her first book, Fashion Lives: Fashion Icons with Fern Mallis, published by Rizzoli in April 2015. It was a marvellous interaction between Mallis and the shoes designer of Egyptian and Lebanese descent, wherein he talked about his soul, and his famous red soles.

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Christian Louboutin and Fern Mallis | Photo: Michael Priest Photography

Expelled from school at age 16, Louboutin went to work as an intern at the famed Parisian cabaret Folies Bergère and did odd jobs for the dancers, but the one that fulfilled his dream was making shoes for them, he told Mallis. “I was all about shoes; I was not about fashion. I had cinema and music but not fashion. When I first started I wanted to design shoes for showgirls. But it was a very good way to learn about shoes because for showgirls, they’re very important. They have very little costumes in general, so shoes are a strength, a weapon, a posture,” he said. He was curious why all the dancers ate veal carpaccio, and he was told by them, “You’re so stupid. We’re not eating it. We’re putting it in the shoes,” rolling it up for cushioning, explained Louboutin.

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Christian Louboutin and Fern Mallis | Photo: Michael Priest Photography

At 18, an interview at Christian Dior led him to an internship with Charles Jourdan in the early 80s, wherein he learnt about the business of shoes, followed by design stints at Yves St Laurent, Chanel and Maud Frizon. Along with two of his friends, he opened the first store in Paris in October 1991, with $150,000, including the price of the lease. Louboutin found the inspiration for his trademark red soles in 1993 in red nail paint. The inspiration he describes as “a courtesan living out her life in a circus” turned his surrealistically beautiful shoes into an international success story. Known for his sky-high heels, he thinks flat shoes can be sexy, as proven by the legendary French actress Brigitte Bardot. He went on to tell Mallis that his “Love” flats were created after he saw a photo of Prince Charles staring at Princess Diana’s size 42 shoes.

Today Louboutin also has his own beauty line of nail polishes and lipsticks. “You have to give back to Caesar what belongs to Caesar. The red sole, which is my trademark and a sign of my ambition, started with the nail polish. It’s nice to remember in your flesh exactly where you started,” he said.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017