I Am A Remote Addict: Amitabh Bachchan #Bollywood #Throwback

Towards the end of the 1990s, Amitabh Bachchan’s fortunes were at its lowest ebb. His venture, Amitabh Bachchan Corp Ltd, stared bankruptcy in the face. Worse, his films were flopping. India’s greatest superstar’s days appeared numbered. The public, who had worshipped him for over a quarter century, seemed to be tiring of him. And then Kaun Banega Crorepati happened. Both television and Amitabh’s fortunes changed irrevocably with the quiz show. A decade later now, he returns to the living room of India as the host of the reality show Bigg Boss. His pay cheque for the laity series is rumoured to be Rs 1.5 crore per episode. Aside from being on the tube on a daily basis, by way of peddling designer threads to cars to hair oils, to the infinite reruns of his 70s smash hits to the controversies that make him national news today, Bachchan actually likes watching television. Back in Mumbai after spending time in Singapore with friend Amar Singh who was recuperating from a kidney ailment, Bachchan talked to Rubina A Khan about the small screen, friendships, relationships and his blog which terrifies journalists.

KBC changed TV dynamics forever. You are now back as pop philosopher on Bigg Boss. What do you expect from the show? 
I expect nothing more than being able to do the job assigned to me in as efficient a manner as possible. ‘Changing dynamics’ are for the producers of the show to assess. I am not aware what they mean. It will make me happy if the show does well. When the fruits of your labour taste good, it is a fulfilling experience. 

If you had a choice, whom would you put inside the house from the film industry? 
No one!

KBC prompted many film stars to follow suit. There was Govinda, Shah Rukh Khan and now, Salman Khan and Akshay Kumar. Whose hosting style do you like the most? 
Stars from film hosting shows on the small screen gave the viewing audience an opportunity to see and hear their favourites as they were in real life. They were not playing an assigned role written for them by someone else. People liked what they saw and applauded them. So for the viewing audience, each host was appealing, because they were able to see a facet of the actor hitherto unknown. Govinda, Shah Rukh, Salman, Akshay are known to me. I know what they are in real life away from the sets and camera, and they are all very appealing to me. Asking whose style of conducting a show I like, would be asking me to categorise their appeal to me. That would be wrong and unfair. They have all worked with me and have always shown me immense respect. Tell me, how does one give marks to respect?

You are an ardent follower of the international series, The West Wing. What do you like about it? Which character would you have liked to play in the show, if you were asked? 
I have liked the very concept of the format. Who would have imagined that the office of the President of the United States of America would be material for a TV serial! The whole excitement of being able to position yourself inside those hallowed portals is enough to keep one glued to the proceedings. Then as the events unfold, the speed with which incidents occur and are addressed, is an education in screenplay writing and performance acumen. Each situation, each performer is so perfectly crafted that it is impossible to find even a minuscule flaw. It’s absolutely brilliant! Just observe the camera movements on shots. It is incredible how they have operated them with such finesse and élan. The timings of the artists, the entries and exits, the lighting and the steady cam movements are done to perfection… And what of the artists! They are all simply brilliant. Each chosen and performing to such perfection that it is ompossible to imagine any other in their place. I would have been happy to play an ‘extra’, or ‘junior artist’ as we address them respectfully here in India, in the background, making my ‘passing shot’ on the odd cue, just so I would get an opportunity to watch and observe how magnificently each episode was recorded.

How many hours of television do you watch in a day? 
Depends what kind of show I am watching. A sporting event would occupy me for the entire duration of the game, a serial perhaps for the duration of the episode or not even, news and debates till the topic is over and horror shows not even a few seconds!

Which Indian show is your favourite? 
I like the debates and panel discussions and sports activities. On occasion, the History Channel and National Geographic are of great interest to me.

Do you stick out a whole show or are you a channel surfer and a remote addict?  
I am a remote addict. Though if you were to disturb a sporting event that I was watching, you’d be in serious trouble.

What’s your favorite TV dinner / snack? 
Popcorn, wafers, chura, chikki, cranberry juice, khakra..

The media dreads your blog in case they are next on your flog list. What do you make of that? 
 This is a most exaggerated assumption. The media dreads no one, and most certainly not someone of my insignificance. The media is the conscience of the nation. It would be a sad day for any nation if their conscience lived in fear. My blog is not a flog destination. It is a medium that allows me to talk to myself, with a few listening on. If I have found inaccuracy in the reported media, I correct it. If I have found merit in their writing, I have applauded it. The media has always been the one that asks the questions, and in doing so has the ability to put the one that gives the answers on the defensive. Observe Prabhu Chawla, Barkha Dutt, Rajdeep Sardesai, Prannoy Roy, Arnab Goswami, Deepak Chaurasia and a host of other most efficient interviewers on television. Their entire body language and demeanour is one of great authoritative superiority. Pan the camera now at their ‘meal for the day’ sitting opposite, and you shall find all of us quivering there like rats soaked in water, ready to be devoured. My blog gives me an opportunity to ask the questions and for the media to answer them. This is a reversal they have not faced and are therefore wary of it. But why should they? In a free and liberal society, I have equal right to question. And I now have a medium where I can be heard without the intrusion or the tacit permission of the Fourth Estate. If you are not afraid to question, be not afraid to answer too. For far too long, the celebrity on interview has almost pleaded with the interviewer ‘I hope you are going to write something good about me’. I will not hesitate to admit that there is a sense of poetic justice now, when I hear from some rather prominent journalists who come to interview when they say, ‘I hope you are not going to write about us in your blog, we’re very scared of what you will say!’ Let the media be the watchdog of society. We must welcome that. But who’s watching the dog? Or does the watchdog not deserve to be watched?

Bollywood’s a place of fickle friendships and pseudo relationships. But you have been with your friend Amar Singh for months while he was being treated in Singapore. For an extremely busy person, how do you juggle it all so well and make it seem so effortless? 
I do not know the meaning of ‘fickle friendships’ nor do I have any knowledge of what ‘pseudo relationships’ mean. Someone is either a friend or not a friend. What are fickle and pseudo doing there? There is no room for them. I also do not like the word ‘juggle’ that you have used. It conveys a manual physical act, deployed to manoeuvre a condition, which in my reckoning requires nothing more than heart. I do not see any reason for me to justify my desire to be with Amar Singhji. To me, he is not a friend, he is a member of my family. I was aware of his medical condition and was aware of the amount of time it would require for him to heal. I therefore finished all my work by end June and came to Singapore to be with him for as long it would take for him to get back. I have not taken on any work and I have no films on hand. Only recently, on seeing his progress and his possible discharge, have I taken on a TV programme that requires my involvement from October. I have been by his side for almost three months now and not moved out for a single day. You say I have made it ‘seem so effortless’. Dear lady, the day I shall have to make an effort in friendship, it will be the end of the relationship!

Abhishek and Aishwarya shot for the Oprah Winfrey show recently. Will we see you and Jaya on her show sometime soon? 
How’d I know? Ask Oprah!

This feature first appeared in OPEN on September 26, 2009 and is a part of my #Bollywood #Throwback series 

©Rubina A Khan 2018

RUBINA’S RADAR | FROM RED SOLED LOUBOUTINS IN NEW YORK TO THE CANNES RED CARPET IN THE FRENCH RIVIERA

RUBINA’S RADAR 

Fashion’s boldest bodies and brains know how to work the fiery haute month of May, especially on the French Riviera. The 70th annual Cannes Film Festival at Palais des Festivals in Cannes, France is on fire, the summer temperatures notwithstanding, with beautiful and glamorous women walking the red carpet in breathtaking couture and bespoke jewels at the world’s biggest playground for photo-ops. Cannes is truly all about women, with men in tuxes running behind them, holding up their dresses and patting and settling them down to picture perfection. And what’s the most photographed fashion parade in the world without a wardrobe malfunction, inadvertent or otherwise? Day one saw Bella Hadid in a champagne Alexandre Vauthier gown with an underwear flash that was blinding. Eating an icecream cone in the gown after her red carpet strut, cemented Hadid’s nonchalance at the gaffe, that seemed more designed, than accidental. The red silk “barely there” gown, by Vauthier again, that she carried off so elegantly on the red carpet last year, clung on to her like second skin, with no slip up. That’s the reason Hadid stole the show primarily because nothing happened to the dress that everyone thought, or was hoping rather, would fall off her, and it pushed the fledgling model’s career forward the way it was orchestrated to. Just like this year’s “malfunction”.

Bollywood’s most poised actor, Deepika Padukone made an absolutely stunning debut at Cannes this year as part of L’oreal’s international glam girl squad. On opening gala night, Padukone looked fresh and completely at ease as she worked the red carpet statuesquely in a jewel-toned Marchesa gown with a seductive glimpse of her derrière and legs through the sheer of the fabric, for the screening of Ismael’s Ghosts (Les Fantomes d’Ismael). The following day, she wore a dark green Brandon Maxwell one-shoulder gown with a thigh-high slit for Loveless (Nelyubov) and Wonderstruck. With bold green eye makeup, green velvet heels, and her hair in an updo, it was impossible not to love her chic style, despite being head-to-toe in one solid colour.

Cannes’ most beautiful habit for the last fifteen years, Aishwarya Rai Bachchan seems to have gotten her fashion game on this time around. She pleased everyone, well almost, as she walked the red carpet in an icy blue Michael Cinco ball gown from his Impalpable Dream of Versailles collection, looking effortlessly flawless! But interestingly, about two weeks ago, Cinco, a Dubai based designer with an atelier in the Dubai Design District, was in fittings with the Swarovski heiress and singer, Victoria Swarovski for the same dress in the exact same colour, so it wasn’t exactly a couture debut on the Bollywood star. Though, Bachchan took Cinco’s creation from mere princess level to Disney queen, if there ever was one in the fairytale kingdom of dreams. Her daughter Aaradhya must have loved seeing her looking like a beautiful Elsa in the ball gown. Bachchan was definitely in a royal state of mind given her wardrobe choices thereafter, with her engine red Ralph & Russo gown on day four of the fest. It was just another red dress with frills and stones, with a clumsy fit on the sides, sans any custom couture attributes, aside from the famous face wearing it.

While in New York, Fern Mallis the award-winning creator and organiser of New York Fashion Week and now a Director of the Fashion Institute of Technology Foundation, interviewed Paris based shoe designer, Christian Louboutin. The conversation took place at the prestigious 92nd Street Y on Wednesday, May 17th, for her Fashion Icons with Fern Mallis ticketed series. Needless to add, it was a sold out event that was live streamed as it always is, for those who want to listen in. This conversation will undoubtedly find its place in Mallis’ second edition of her first book, Fashion Lives: Fashion Icons with Fern Mallis, published by Rizzoli in April 2015. It was a marvellous interaction between Mallis and the shoes designer of Egyptian and Lebanese descent, wherein he talked about his soul, and his famous red soles.

unnamed-2

Christian Louboutin and Fern Mallis | Photo: Michael Priest Photography

Expelled from school at age 16, Louboutin went to work as an intern at the famed Parisian cabaret Folies Bergère and did odd jobs for the dancers, but the one that fulfilled his dream was making shoes for them, he told Mallis. “I was all about shoes; I was not about fashion. I had cinema and music but not fashion. When I first started I wanted to design shoes for showgirls. But it was a very good way to learn about shoes because for showgirls, they’re very important. They have very little costumes in general, so shoes are a strength, a weapon, a posture,” he said. He was curious why all the dancers ate veal carpaccio, and he was told by them, “You’re so stupid. We’re not eating it. We’re putting it in the shoes,” rolling it up for cushioning, explained Louboutin.

unnamed-3

Christian Louboutin and Fern Mallis | Photo: Michael Priest Photography

At 18, an interview at Christian Dior led him to an internship with Charles Jourdan in the early 80s, wherein he learnt about the business of shoes, followed by design stints at Yves St Laurent, Chanel and Maud Frizon. Along with two of his friends, he opened the first store in Paris in October 1991, with $150,000, including the price of the lease. Louboutin found the inspiration for his trademark red soles in 1993 in red nail paint. The inspiration he describes as “a courtesan living out her life in a circus” turned his surrealistically beautiful shoes into an international success story. Known for his sky-high heels, he thinks flat shoes can be sexy, as proven by the legendary French actress Brigitte Bardot. He went on to tell Mallis that his “Love” flats were created after he saw a photo of Prince Charles staring at Princess Diana’s size 42 shoes.

Today Louboutin also has his own beauty line of nail polishes and lipsticks. “You have to give back to Caesar what belongs to Caesar. The red sole, which is my trademark and a sign of my ambition, started with the nail polish. It’s nice to remember in your flesh exactly where you started,” he said.

Disclaimer: Any part of the content on the rubinaakhan.com website cannot be reproduced without prior permission and crediting the website and the author.

©Rubina A Khan 2017